Abstract:This work presents a systematic and in-depth investigation of the utility of large language models as text classifiers for biomedical article classification. The study uses several small and mid-size open source models, as well as selected closed source ones, and is more comprehensive than most prior work with respect to the scope of evaluated configurations: different types of prompts, output processing methods for generating both class and class probability predictions, as well as few-shot example counts and selection methods. The performance of the most successful configurations is compared to that of conventional classification algorithms. The obtained average PR AUC over 15 challenging datasets above 0.4 for zero-shot prompting and nearly 0.5 for few-shot prompting comes close to that of the naïve Bayes classifier (0.5), the random forest algorithm (0.5 with default settings or 0.55 with hyperparameter tuning) and fine-tuned transformer models (0.5). These results confirm the utility of large language models as text classifiers for non-trivial domains and provide practical recommendations of the most promising setups, including in particular using output token probabilities for class probability prediction.
Abstract:Generative audio models, based on diffusion and autoregressive architectures, have advanced rapidly in both quality and expressiveness. This progress, however, raises pressing copyright concerns, as such models are often trained on vast corpora of artistic and commercial works. A central question is whether one can reliably verify if an artist's material was included in training, thereby providing a means for copyright holders to protect their content. In this work, we investigate the feasibility of such verification through membership inference attacks (MIA) on open-source generative audio models, which attempt to determine whether a specific audio sample was part of the training set. Our empirical results show that membership inference alone is of limited effectiveness at scale, as the per-sample membership signal is weak for models trained on large and diverse datasets. However, artists and media owners typically hold collections of works rather than isolated samples. Building on prior work in text and vision domains, in this work we focus on dataset inference (DI), which aggregates diverse membership evidence across multiple samples. We find that DI is successful in the audio domain, offering a more practical mechanism for assessing whether an artist's works contributed to model training. Our results suggest DI as a promising direction for copyright protection and dataset accountability in the era of large audio generative models.