From Face to Natural Image: Learning Real Degradation for Blind Image Super-Resolution

Designing proper training pairs is critical for super-resolving the real-world low-quality (LQ) images, yet suffers from the difficulties in either acquiring paired ground-truth HQ images or synthesizing photo-realistic degraded observations. Recent works mainly circumvent this by simulating the degradation with handcrafted or estimated degradation parameters. However, existing synthetic degradation models are incapable to model complicated real degradation types, resulting in limited improvement on these scenarios, \eg, old photos. Notably, face images, which have the same degradation process with the natural images, can be robustly restored with photo-realistic textures by exploiting their specific structure priors. In this work, we use these real-world LQ face images and their restored HQ counterparts to model the complex real degradation (namely ReDegNet), and then transfer it to HQ natural images to synthesize their realistic LQ ones. Specifically, we take these paired HQ and LQ face images as inputs to explicitly predict the degradation-aware and content-independent representations, which control the degraded image generation. Subsequently, we transfer these real degradation representations from face to natural images to synthesize the degraded LQ natural images. Experiments show that our ReDegNet can well learn the real degradation process from face images, and the restoration network trained with our synthetic pairs performs favorably against SOTAs. More importantly, our method provides a new manner to handle the unsynthesizable real-world scenarios by learning their degradation representations through face images within them, which can be used for specifically fine-tuning. The source code is available at https://github.com/csxmli2016/ReDegNet.

PS-NeRF: Neural Inverse Rendering for Multi-view Photometric Stereo

Traditional multi-view photometric stereo (MVPS) methods are often composed of multiple disjoint stages, resulting in noticeable accumulated errors. In this paper, we present a neural inverse rendering method for MVPS based on implicit representation. Given multi-view images of a non-Lambertian object illuminated by multiple unknown directional lights, our method jointly estimates the geometry, materials, and lights. Our method first employs multi-light images to estimate per-view surface normal maps, which are used to regularize the normals derived from the neural radiance field. It then jointly optimizes the surface normals, spatially-varying BRDFs, and lights based on a shadow-aware differentiable rendering layer. After optimization, the reconstructed object can be used for novel-view rendering, relighting, and material editing. Experiments on both synthetic and real datasets demonstrate that our method achieves far more accurate shape reconstruction than existing MVPS and neural rendering methods. Our code and model can be found at https://ywq.github.io/psnerf.

Exploring the Effectiveness of Video Perceptual Representation in Blind Video Quality Assessment

With the rapid growth of in-the-wild videos taken by non-specialists, blind video quality assessment (VQA) has become a challenging and demanding problem. Although lots of efforts have been made to solve this problem, it remains unclear how the human visual system (HVS) relates to the temporal quality of videos. Meanwhile, recent work has found that the frames of natural video transformed into the perceptual domain of the HVS tend to form a straight trajectory of the representations. With the obtained insight that distortion impairs the perceived video quality and results in a curved trajectory of the perceptual representation, we propose a temporal perceptual quality index (TPQI) to measure the temporal distortion by describing the graphic morphology of the representation. Specifically, we first extract the video perceptual representations from the lateral geniculate nucleus (LGN) and primary visual area (V1) of the HVS, and then measure the straightness and compactness of their trajectories to quantify the degradation in naturalness and content continuity of video. Experiments show that the perceptual representation in the HVS is an effective way of predicting subjective temporal quality, and thus TPQI can, for the first time, achieve comparable performance to the spatial quality metric and be even more effective in assessing videos with large temporal variations. We further demonstrate that by combining with NIQE, a spatial quality metric, TPQI can achieve top performance over popular in-the-wild video datasets. More importantly, TPQI does not require any additional information beyond the video being evaluated and thus can be applied to any datasets without parameter tuning. Source code is available at https://github.com/UoLMM/TPQI-VQA.

FAST-VQA: Efficient End-to-end Video Quality Assessment with Fragment Sampling

Current deep video quality assessment (VQA) methods are usually with high computational costs when evaluating high-resolution videos. This cost hinders them from learning better video-quality-related representations via end-to-end training. Existing approaches typically consider naive sampling to reduce the computational cost, such as resizing and cropping. However, they obviously corrupt quality-related information in videos and are thus not optimal for learning good representations for VQA. Therefore, there is an eager need to design a new quality-retained sampling scheme for VQA. In this paper, we propose Grid Mini-patch Sampling (GMS), which allows consideration of local quality by sampling patches at their raw resolution and covers global quality with contextual relations via mini-patches sampled in uniform grids. These mini-patches are spliced and aligned temporally, named as fragments. We further build the Fragment Attention Network (FANet) specially designed to accommodate fragments as inputs. Consisting of fragments and FANet, the proposed FrAgment Sample Transformer for VQA (FAST-VQA) enables efficient end-to-end deep VQA and learns effective video-quality-related representations. It improves state-of-the-art accuracy by around 10% while reducing 99.5% FLOPs on 1080P high-resolution videos. The newly learned video-quality-related representations can also be transferred into smaller VQA datasets, boosting performance in these scenarios. Extensive experiments show that FAST-VQA has good performance on inputs of various resolutions while retaining high efficiency. We publish our code at https://github.com/timothyhtimothy/FAST-VQA.

DisCoVQA: Temporal Distortion-Content Transformers for Video Quality Assessment

The temporal relationships between frames and their influences on video quality assessment (VQA) are still under-studied in existing works. These relationships lead to two important types of effects for video quality. Firstly, some temporal variations (such as shaking, flicker, and abrupt scene transitions) are causing temporal distortions and lead to extra quality degradations, while other variations (e.g. those related to meaningful happenings) do not. Secondly, the human visual system often has different attention to frames with different contents, resulting in their different importance to the overall video quality. Based on prominent time-series modeling ability of transformers, we propose a novel and effective transformer-based VQA method to tackle these two issues. To better differentiate temporal variations and thus capture the temporal distortions, we design a transformer-based Spatial-Temporal Distortion Extraction (STDE) module. To tackle with temporal quality attention, we propose the encoder-decoder-like temporal content transformer (TCT). We also introduce the temporal sampling on features to reduce the input length for the TCT, so as to improve the learning effectiveness and efficiency of this module. Consisting of the STDE and the TCT, the proposed Temporal Distortion-Content Transformers for Video Quality Assessment (DisCoVQA) reaches state-of-the-art performance on several VQA benchmarks without any extra pre-training datasets and up to 10% better generalization ability than existing methods. We also conduct extensive ablation experiments to prove the effectiveness of each part in our proposed model, and provide visualizations to prove that the proposed modules achieve our intention on modeling these temporal issues. We will publish our codes and pretrained weights later.

Blind Image Super Resolution with Semantic-Aware Quantized Texture Prior

A key challenge of blind image super resolution is to recover realistic textures for low-resolution images with unknown degradations. Most recent works completely rely on the generative ability of GANs, which are difficult to train. Other methods resort to high-resolution image references that are usually not available. In this work, we propose a novel framework, denoted as QuanTexSR, to restore realistic textures with the Quantized Texture Priors encoded in Vector Quantized GAN. The QuanTexSR generates textures by aligning the textureless content features to the quantized feature vectors, i.e., a pretrained feature codebook. Specifically, QuanTexSR formulates the texture generation as a feature matching problem between textureless features and a pretrained feature codebook. The final textures are then generated by the quantized features from the codebook. Since features in the codebook have shown the ability to generate natural textures in the pretrain stage, QuanTexSR can generate rich and realistic textures with the pretrained codebook as texture priors. Moreover, we propose a semantic regularization technique that regularizes the pre-training of the codebook using clusters of features extracted from the pretrained VGG19 network. This further improves texture generation with semantic context. Experiments demonstrate that the proposed QuanTexSR can generate competitive or better textures than previous approaches. Code will be made publicly available.

A Unified Framework for Masked and Mask-Free Face Recognition via Feature Rectification

Face recognition under ideal conditions is now considered a well-solved problem with advances in deep learning. Recognizing faces under occlusion, however, still remains a challenge. Existing techniques often fail to recognize faces with both the mouth and nose covered by a mask, which is now very common under the COVID-19 pandemic. Common approaches to tackle this problem include 1) discarding information from the masked regions during recognition and 2) restoring the masked regions before recognition. Very few works considered the consistency between features extracted from masked faces and from their mask-free counterparts. This resulted in models trained for recognizing masked faces often showing degraded performance on mask-free faces. In this paper, we propose a unified framework, named Face Feature Rectification Network (FFR-Net), for recognizing both masked and mask-free faces alike. We introduce rectification blocks to rectify features extracted by a state-of-the-art recognition model, in both spatial and channel dimensions, to minimize the distance between a masked face and its mask-free counterpart in the rectified feature space. Experiments show that our unified framework can learn a rectified feature space for recognizing both masked and mask-free faces effectively, achieving state-of-the-art results. Project code: https://github.com/haoosz/FFR-Net

Deep Face Video Inpainting via UV Mapping

This paper addresses the problem of face video inpainting. Existing video inpainting methods target primarily at natural scenes with repetitive patterns. They do not make use of any prior knowledge of the face to help retrieve correspondences for the corrupted face. They therefore only achieve sub-optimal results, particularly for faces under large pose and expression variations where face components appear very differently across frames. In this paper, we propose a two-stage deep learning method for face video inpainting. We employ 3DMM as our 3D face prior to transform a face between the image space and the UV (texture) space. In Stage I, we perform face inpainting in the UV space. This helps to largely remove the influence of face poses and expressions and makes the learning task much easier with well aligned face features. We introduce a frame-wise attention module to fully exploit correspondences in neighboring frames to assist the inpainting task. In Stage II, we transform the inpainted face regions back to the image space and perform face video refinement that inpaints any background regions not covered in Stage I and also refines the inpainted face regions. Extensive experiments have been carried out which show our method can significantly outperform methods based merely on 2D information, especially for faces under large pose and expression variations.

HDR Video Reconstruction: A Coarse-to-fine Network and A Real-world Benchmark Dataset

High dynamic range (HDR) video reconstruction from sequences captured with alternating exposures is a very challenging problem. Existing methods often align low dynamic range (LDR) input sequence in the image space using optical flow, and then merge the aligned images to produce HDR output. However, accurate alignment and fusion in the image space are difficult due to the missing details in the over-exposed regions and noise in the under-exposed regions, resulting in unpleasing ghosting artifacts. To enable more accurate alignment and HDR fusion, we introduce a coarse-to-fine deep learning framework for HDR video reconstruction. Firstly, we perform coarse alignment and pixel blending in the image space to estimate the coarse HDR video. Secondly, we conduct more sophisticated alignment and temporal fusion in the feature space of the coarse HDR video to produce better reconstruction. Considering the fact that there is no publicly available dataset for quantitative and comprehensive evaluation of HDR video reconstruction methods, we collect such a benchmark dataset, which contains $97$ sequences of static scenes and 184 testing pairs of dynamic scenes. Extensive experiments show that our method outperforms previous state-of-the-art methods. Our dataset, code and model will be made publicly available.

Learning Spatial Attention for Face Super-Resolution

General image super-resolution techniques have difficulties in recovering detailed face structures when applying to low resolution face images. Recent deep learning based methods tailored for face images have achieved improved performance by jointly trained with additional task such as face parsing and landmark prediction. However, multi-task learning requires extra manually labeled data. Besides, most of the existing works can only generate relatively low resolution face images (e.g., $128\times128$), and their applications are therefore limited. In this paper, we introduce a novel SPatial Attention Residual Network (SPARNet) built on our newly proposed Face Attention Units (FAUs) for face super-resolution. Specifically, we introduce a spatial attention mechanism to the vanilla residual blocks. This enables the convolutional layers to adaptively bootstrap features related to the key face structures and pay less attention to those less feature-rich regions. This makes the training more effective and efficient as the key face structures only account for a very small portion of the face image. Visualization of the attention maps shows that our spatial attention network can capture the key face structures well even for very low resolution faces (e.g., $16\times16$). Quantitative comparisons on various kinds of metrics (including PSNR, SSIM, identity similarity, and landmark detection) demonstrate the superiority of our method over current state-of-the-arts. We further extend SPARNet with multi-scale discriminators, named as SPARNetHD, to produce high resolution results (i.e., $512\times512$). We show that SPARNetHD trained with synthetic data cannot only produce high quality and high resolution outputs for synthetically degraded face images, but also show good generalization ability to real world low quality face images.