NeRF in detail: Learning to sample for view synthesis

Neural radiance fields (NeRF) methods have demonstrated impressive novel view synthesis performance. The core approach is to render individual rays by querying a neural network at points sampled along the ray to obtain the density and colour of the sampled points, and integrating this information using the rendering equation. Since dense sampling is computationally prohibitive, a common solution is to perform coarse-to-fine sampling. In this work we address a clear limitation of the vanilla coarse-to-fine approach -- that it is based on a heuristic and not trained end-to-end for the task at hand. We introduce a differentiable module that learns to propose samples and their importance for the fine network, and consider and compare multiple alternatives for its neural architecture. Training the proposal module from scratch can be unstable due to lack of supervision, so an effective pre-training strategy is also put forward. The approach, named `NeRF in detail' (NeRF-ID), achieves superior view synthesis quality over NeRF and the state-of-the-art on the synthetic Blender benchmark and on par or better performance on the real LLFF-NeRF scenes. Furthermore, by leveraging the predicted sample importance, a 25% saving in computation can be achieved without significantly sacrificing the rendering quality.

Comment on Stochastic Polyak Step-Size: Performance of ALI-G

This is a short note on the performance of the ALI-G algorithm (Berrada et al., 2020) as reported in (Loizou et al., 2021). ALI-G (Berrada et al., 2020) and SPS (Loizou et al., 2021) are both adaptations of the Polyak step-size to optimize machine learning models that can interpolate the training data. The main algorithmic differences are that (1) SPS employs a multiplicative constant in the denominator of the learning-rate while ALI-G uses an additive constant, and (2) SPS uses an iteration-dependent maximal learning-rate while ALI-G uses a constant one. There are also differences in the analysis provided by the two works, with less restrictive assumptions proposed in (Loizou et al., 2021). In their experiments, (Loizou et al., 2021) did not use momentum for ALI-G (which is a standard part of the algorithm) or standard hyper-parameter tuning (for e.g. learning-rate and regularization). Hence this note as a reference for the improved performance that ALI-G can obtain with well-chosen hyper-parameters. In particular, we show that when training a ResNet-34 on CIFAR-10 and CIFAR-100, the performance of ALI-G can reach respectively 93.5% (+6%) and 76% (+8%) with a very small amount of tuning. Thus ALI-G remains a very competitive method for training interpolating neural networks.

Face, Body, Voice: Video Person-Clustering with Multiple Modalities

The objective of this work is person-clustering in videos -- grouping characters according to their identity. Previous methods focus on the narrower task of face-clustering, and for the most part ignore other cues such as the person's voice, their overall appearance (hair, clothes, posture), and the editing structure of the videos. Similarly, most current datasets evaluate only the task of face-clustering, rather than person-clustering. This limits their applicability to downstream applications such as story understanding which require person-level, rather than only face-level, reasoning. In this paper we make contributions to address both these deficiencies: first, we introduce a Multi-Modal High-Precision Clustering algorithm for person-clustering in videos using cues from several modalities (face, body, and voice). Second, we introduce a Video Person-Clustering dataset, for evaluating multi-modal person-clustering. It contains body-tracks for each annotated character, face-tracks when visible, and voice-tracks when speaking, with their associated features. The dataset is by far the largest of its kind, and covers films and TV-shows representing a wide range of demographics. Finally, we show the effectiveness of using multiple modalities for person-clustering, explore the use of this new broad task for story understanding through character co-occurrences, and achieve a new state of the art on all available datasets for face and person-clustering.

Omnimatte: Associating Objects and Their Effects in Video

Computer vision is increasingly effective at segmenting objects in images and videos; however, scene effects related to the objects---shadows, reflections, generated smoke, etc---are typically overlooked. Identifying such scene effects and associating them with the objects producing them is important for improving our fundamental understanding of visual scenes, and can also assist a variety of applications such as removing, duplicating, or enhancing objects in video. In this work, we take a step towards solving this novel problem of automatically associating objects with their effects in video. Given an ordinary video and a rough segmentation mask over time of one or more subjects of interest, we estimate an omnimatte for each subject---an alpha matte and color image that includes the subject along with all its related time-varying scene elements. Our model is trained only on the input video in a self-supervised manner, without any manual labels, and is generic---it produces omnimattes automatically for arbitrary objects and a variety of effects. We show results on real-world videos containing interactions between different types of subjects (cars, animals, people) and complex effects, ranging from semi-transparent elements such as smoke and reflections, to fully opaque effects such as objects attached to the subject.

Aligning Subtitles in Sign Language Videos

The goal of this work is to temporally align asynchronous subtitles in sign language videos. In particular, we focus on sign-language interpreted TV broadcast data comprising (i) a video of continuous signing, and (ii) subtitles corresponding to the audio content. Previous work exploiting such weakly-aligned data only considered finding keyword-sign correspondences, whereas we aim to localise a complete subtitle text in continuous signing. We propose a Transformer architecture tailored for this task, which we train on manually annotated alignments covering over 15K subtitles that span 17.7 hours of video. We use BERT subtitle embeddings and CNN video representations learned for sign recognition to encode the two signals, which interact through a series of attention layers. Our model outputs frame-level predictions, i.e., for each video frame, whether it belongs to the queried subtitle or not. Through extensive evaluations, we show substantial improvements over existing alignment baselines that do not make use of subtitle text embeddings for learning. Our automatic alignment model opens up possibilities for advancing machine translation of sign languages via providing continuously synchronized video-text data.

With a Little Help from My Friends: Nearest-Neighbor Contrastive Learning of Visual Representations

Self-supervised learning algorithms based on instance discrimination train encoders to be invariant to pre-defined transformations of the same instance. While most methods treat different views of the same image as positives for a contrastive loss, we are interested in using positives from other instances in the dataset. Our method, Nearest-Neighbor Contrastive Learning of visual Representations (NNCLR), samples the nearest neighbors from the dataset in the latent space, and treats them as positives. This provides more semantic variations than pre-defined transformations. We find that using the nearest-neighbor as positive in contrastive losses improves performance significantly on ImageNet classification, from 71.7% to 75.6%, outperforming previous state-of-the-art methods. On semi-supervised learning benchmarks we improve performance significantly when only 1% ImageNet labels are available, from 53.8% to 56.5%. On transfer learning benchmarks our method outperforms state-of-the-art methods (including supervised learning with ImageNet) on 8 out of 12 downstream datasets. Furthermore, we demonstrate empirically that our method is less reliant on complex data augmentations. We see a relative reduction of only 2.1% ImageNet Top-1 accuracy when we train using only random crops.

Temporal Query Networks for Fine-grained Video Understanding

Our objective in this work is fine-grained classification of actions in untrimmed videos, where the actions may be temporally extended or may span only a few frames of the video. We cast this into a query-response mechanism, where each query addresses a particular question, and has its own response label set. We make the following four contributions: (I) We propose a new model - a Temporal Query Network - which enables the query-response functionality, and a structural understanding of fine-grained actions. It attends to relevant segments for each query with a temporal attention mechanism, and can be trained using only the labels for each query. (ii) We propose a new way - stochastic feature bank update - to train a network on videos of various lengths with the dense sampling required to respond to fine-grained queries. (iii) We compare the TQN to other architectures and text supervision methods, and analyze their pros and cons. Finally, (iv) we evaluate the method extensively on the FineGym and Diving48 benchmarks for fine-grained action classification and surpass the state-of-the-art using only RGB features.

TEACHTEXT: CrossModal Generalized Distillation for Text-Video Retrieval

In recent years, considerable progress on the task of text-video retrieval has been achieved by leveraging large-scale pretraining on visual and audio datasets to construct powerful video encoders. By contrast, despite the natural symmetry, the design of effective algorithms for exploiting large-scale language pretraining remains under-explored. In this work, we are the first to investigate the design of such algorithms and propose a novel generalized distillation method, TeachText, which leverages complementary cues from multiple text encoders to provide an enhanced supervisory signal to the retrieval model. Moreover, we extend our method to video side modalities and show that we can effectively reduce the number of used modalities at test time without compromising performance. Our approach advances the state of the art on several video retrieval benchmarks by a significant margin and adds no computational overhead at test time. Last but not least, we show an effective application of our method for eliminating noise from retrieval datasets. Code and data can be found at https://www.robots.ox.ac.uk/~vgg/research/teachtext/.

Self-supervised Video Object Segmentation by Motion Grouping

Animals have evolved highly functional visual systems to understand motion, assisting perception even under complex environments. In this paper, we work towards developing a computer vision system able to segment objects by exploiting motion cues, i.e. motion segmentation. We make the following contributions: First, we introduce a simple variant of the Transformer to segment optical flow frames into primary objects and the background. Second, we train the architecture in a self-supervised manner, i.e. without using any manual annotations. Third, we analyze several critical components of our method and conduct thorough ablation studies to validate their necessity. Fourth, we evaluate the proposed architecture on public benchmarks (DAVIS2016, SegTrackv2, and FBMS59). Despite using only optical flow as input, our approach achieves superior or comparable results to previous state-of-the-art self-supervised methods, while being an order of magnitude faster. We additionally evaluate on a challenging camouflage dataset (MoCA), significantly outperforming the other self-supervised approaches, and comparing favourably to the top supervised approach, highlighting the importance of motion cues, and the potential bias towards visual appearance in existing video segmentation models.

Localizing Visual Sounds the Hard Way

The objective of this work is to localize sound sources that are visible in a video without using manual annotations. Our key technical contribution is to show that, by training the network to explicitly discriminate challenging image fragments, even for images that do contain the object emitting the sound, we can significantly boost the localization performance. We do so elegantly by introducing a mechanism to mine hard samples and add them to a contrastive learning formulation automatically. We show that our algorithm achieves state-of-the-art performance on the popular Flickr SoundNet dataset. Furthermore, we introduce the VGG-Sound Source (VGG-SS) benchmark, a new set of annotations for the recently-introduced VGG-Sound dataset, where the sound sources visible in each video clip are explicitly marked with bounding box annotations. This dataset is 20 times larger than analogous existing ones, contains 5K videos spanning over 200 categories, and, differently from Flickr SoundNet, is video-based. On VGG-SS, we also show that our algorithm achieves state-of-the-art performance against several baselines.