Conditional human motion synthesis (HMS) aims to generate human motion sequences that conform to specific conditions. Text and audio represent the two predominant modalities employed as HMS control conditions. While existing research has primarily focused on single conditions, the multi-condition human motion synthesis remains underexplored. In this study, we propose a multi-condition HMS framework, termed MCM, based on a dual-branch structure composed of a main branch and a control branch. This framework effectively extends the applicability of the diffusion model, which is initially predicated solely on textual conditions, to auditory conditions. This extension encompasses both music-to-dance and co-speech HMS while preserving the intrinsic quality of motion and the capabilities for semantic association inherent in the original model. Furthermore, we propose the implementation of a Transformer-based diffusion model, designated as MWNet, as the main branch. This model adeptly apprehends the spatial intricacies and inter-joint correlations inherent in motion sequences, facilitated by the integration of multi-wise self-attention modules. Extensive experiments show that our method achieves competitive results in single-condition and multi-condition HMS tasks.
The task of music-driven dance generation involves creating coherent dance movements that correspond to the given music. While existing methods can produce physically plausible dances, they often struggle to generalize to out-of-set data. The challenge arises from three aspects: 1) the high diversity of dance movements and significant differences in the distribution of music modalities, which make it difficult to generate music-aligned dance movements. 2) the lack of a large-scale music-dance dataset, which hinders the generation of generalized dance movements from music. 3) The protracted nature of dance movements poses a challenge to the maintenance of a consistent dance style. In this work, we introduce the EnchantDance framework, a state-of-the-art method for dance generation. Due to the redundancy of the original dance sequence along the time axis, EnchantDance first constructs a strong dance latent space and then trains a dance diffusion model on the dance latent space. To address the data gap, we construct a large-scale music-dance dataset, ChoreoSpectrum3D Dataset, which includes four dance genres and has a total duration of 70.32 hours, making it the largest reported music-dance dataset to date. To enhance consistency between music genre and dance style, we pre-train a music genre prediction network using transfer learning and incorporate music genre as extra conditional information in the training of the dance diffusion model. Extensive experiments demonstrate that our proposed framework achieves state-of-the-art performance on dance quality, diversity, and consistency.
The objective of the multi-condition human motion synthesis task is to incorporate diverse conditional inputs, encompassing various forms like text, music, speech, and more. This endows the task with the capability to adapt across multiple scenarios, ranging from text-to-motion and music-to-dance, among others. While existing research has primarily focused on single conditions, the multi-condition human motion generation remains underexplored. In this paper, we address these challenges by introducing MCM, a novel paradigm for motion synthesis that spans multiple scenarios under diverse conditions. The MCM framework is able to integrate with any DDPM-like diffusion model to accommodate multi-conditional information input while preserving its generative capabilities. Specifically, MCM employs two-branch architecture consisting of a main branch and a control branch. The control branch shares the same structure as the main branch and is initialized with the parameters of the main branch, effectively maintaining the generation ability of the main branch and supporting multi-condition input. We also introduce a Transformer-based diffusion model MWNet (DDPM-like) as our main branch that can capture the spatial complexity and inter-joint correlations in motion sequences through a channel-dimension self-attention module. Quantitative comparisons demonstrate that our approach achieves SoTA results in both text-to-motion and competitive results in music-to-dance tasks, comparable to task-specific methods. Furthermore, the qualitative evaluation shows that MCM not only streamlines the adaptation of methodologies originally designed for text-to-motion tasks to domains like music-to-dance and speech-to-gesture, eliminating the need for extensive network re-configurations but also enables effective multi-condition modal control, realizing "once trained is motion need".