AT-ADD: All-Type Audio Deepfake Detection Challenge Evaluation Plan

The rapid advancement of Audio Large Language Models (ALLMs) has enabled cost-effective, high-fidelity generation and manipulation of both speech and non-speech audio, including sound effects, singing voices, and music. While these capabilities foster creativity and content production, they also introduce significant security and trust challenges, as realistic audio deepfakes can now be generated and disseminated at scale. Existing audio deepfake detection (ADD) countermeasures (CMs) and benchmarks, however, remain largely speech-centric, often relying on speech-specific artifacts and exhibiting limited robustness to real-world distortions, as well as restricted generalization to heterogeneous audio types and emerging spoofing techniques. To address these gaps, we propose the All-Type Audio Deepfake Detection (AT-ADD) Grand Challenge for ACM Multimedia 2026, designed to bridge controlled academic evaluation with practical multimedia forensics. AT-ADD comprises two tracks: (1) Robust Speech Deepfake Detection, which evaluates detectors under real-world scenarios and against unseen, state-of-the-art speech generation methods; and (2) All-Type Audio Deepfake Detection, which extends detection beyond speech to diverse, unknown audio types and promotes type-agnostic generalization across speech, sound, singing, and music. By providing standardized datasets, rigorous evaluation protocols, and reproducible baselines, AT-ADD aims to accelerate the development of robust and generalizable audio forensic technologies, supporting secure communication, reliable media verification, and responsible governance in an era of pervasive synthetic audio.

Towards Explicit Acoustic Evidence Perception in Audio LLMs for Speech Deepfake Detection

Speech deepfake detection (SDD) focuses on identifying whether a given speech signal is genuine or has been synthetically generated. Existing audio large language model (LLM)-based methods excel in content understanding; however, their predictions are often biased toward semantically correlated cues, which results in fine-grained acoustic artifacts being overlooked during the decisionmaking process. Consequently, fake speech with natural semantics can bypass detectors despite harboring subtle acoustic anomalies; this suggests that the challenge stems not from the absence of acoustic data, but from its inadequate accessibility when semantic-dominant reasoning prevails. To address this issue, we investigate SDD within the audio LLM paradigm and introduce SDD with Auditory Perception-enhanced Audio Large Language Model (SDD-APALLM), an acoustically enhanced framework designed to explicitly expose fine-grained time-frequency evidence as accessible acoustic cues. By combining raw audio with structured spectrograms, the proposed framework empowers audio LLMs to more effectively capture subtle acoustic inconsistencies without compromising their semantic understanding. Experimental results indicate consistent gains in detection accuracy and robustness, especially in cases where semantic cues are misleading. Further analysis reveals that these improvements stem from a coordinated utilization of semantic and acoustic information, as opposed to simple modality aggregation.

EnvSSLAM-FFN: Lightweight Layer-Fused System for ESDD 2026 Challenge

Recent advances in generative audio models have enabled high-fidelity environmental sound synthesis, raising serious concerns for audio security. The ESDD 2026 Challenge therefore addresses environmental sound deepfake detection under unseen generators (Track 1) and black-box low-resource detection (Track 2) conditions. We propose EnvSSLAM-FFN, which integrates a frozen SSLAM self-supervised encoder with a lightweight FFN back-end. To effectively capture spoofing artifacts under severe data imbalance, we fuse intermediate SSLAM representations from layers 4-9 and adopt a class-weighted training objective. Experimental results show that the proposed system consistently outperforms the official baselines on both tracks, achieving Test Equal Error Rates (EERs) of 1.20% and 1.05%, respectively.