Auffusion: Leveraging the Power of Diffusion and Large Language Models for Text-to-Audio Generation

Recent advancements in diffusion models and large language models (LLMs) have significantly propelled the field of AIGC. Text-to-Audio (TTA), a burgeoning AIGC application designed to generate audio from natural language prompts, is attracting increasing attention. However, existing TTA studies often struggle with generation quality and text-audio alignment, especially for complex textual inputs. Drawing inspiration from state-of-the-art Text-to-Image (T2I) diffusion models, we introduce Auffusion, a TTA system adapting T2I model frameworks to TTA task, by effectively leveraging their inherent generative strengths and precise cross-modal alignment. Our objective and subjective evaluations demonstrate that Auffusion surpasses previous TTA approaches using limited data and computational resource. Furthermore, previous studies in T2I recognizes the significant impact of encoder choice on cross-modal alignment, like fine-grained details and object bindings, while similar evaluation is lacking in prior TTA works. Through comprehensive ablation studies and innovative cross-attention map visualizations, we provide insightful assessments of text-audio alignment in TTA. Our findings reveal Auffusion's superior capability in generating audios that accurately match textual descriptions, which further demonstrated in several related tasks, such as audio style transfer, inpainting and other manipulations. Our implementation and demos are available at https://auffusion.github.io.

Frame-level emotional state alignment method for speech emotion recognition

Speech emotion recognition (SER) systems aim to recognize human emotional state during human-computer interaction. Most existing SER systems are trained based on utterance-level labels. However, not all frames in an audio have affective states consistent with utterance-level label, which makes it difficult for the model to distinguish the true emotion of the audio and perform poorly. To address this problem, we propose a frame-level emotional state alignment method for SER. First, we fine-tune HuBERT model to obtain a SER system with task-adaptive pretraining (TAPT) method, and extract embeddings from its transformer layers to form frame-level pseudo-emotion labels with clustering. Then, the pseudo labels are used to pretrain HuBERT. Hence, the each frame output of HuBERT has corresponding emotional information. Finally, we fine-tune the above pretrained HuBERT for SER by adding an attention layer on the top of it, which can focus only on those frames that are emotionally more consistent with utterance-level label. The experimental results performed on IEMOCAP indicate that our proposed method performs better than state-of-the-art (SOTA) methods.

CONCSS: Contrastive-based Context Comprehension for Dialogue-appropriate Prosody in Conversational Speech Synthesis

Conversational speech synthesis (CSS) incorporates historical dialogue as supplementary information with the aim of generating speech that has dialogue-appropriate prosody. While previous methods have already delved into enhancing context comprehension, context representation still lacks effective representation capabilities and context-sensitive discriminability. In this paper, we introduce a contrastive learning-based CSS framework, CONCSS. Within this framework, we define an innovative pretext task specific to CSS that enables the model to perform self-supervised learning on unlabeled conversational datasets to boost the model's context understanding. Additionally, we introduce a sampling strategy for negative sample augmentation to enhance context vectors' discriminability. This is the first attempt to integrate contrastive learning into CSS. We conduct ablation studies on different contrastive learning strategies and comprehensive experiments in comparison with prior CSS systems. Results demonstrate that the synthesized speech from our proposed method exhibits more contextually appropriate and sensitive prosody.

Rhythm-controllable Attention with High Robustness for Long Sentence Speech Synthesis

Regressive Text-to-Speech (TTS) system utilizes attention mechanism to generate alignment between text and acoustic feature sequence. Alignment determines synthesis robustness (e.g, the occurence of skipping, repeating, and collapse) and rhythm via duration control. However, current attention algorithms used in speech synthesis cannot control rhythm using external duration information to generate natural speech while ensuring robustness. In this study, we propose Rhythm-controllable Attention (RC-Attention) based on Tracotron2, which improves robustness and naturalness simultaneously. Proposed attention adopts a trainable scalar learned from four kinds of information to achieve rhythm control, which makes rhythm control more robust and natural, even when synthesized sentences are extremely longer than training corpus. We use word errors counting and AB preference test to measure robustness of proposed method and naturalness of synthesized speech, respectively. Results shows that RC-Attention has the lowest word error rate of nearly 0.6%, compared with 11.8% for baseline system. Moreover, nearly 60% subjects prefer to the speech synthesized with RC-Attention to that with Forward Attention, because the former has more natural rhythm.

M2-CTTS: End-to-End Multi-scale Multi-modal Conversational Text-to-Speech Synthesis

Conversational text-to-speech (TTS) aims to synthesize speech with proper prosody of reply based on the historical conversation. However, it is still a challenge to comprehensively model the conversation, and a majority of conversational TTS systems only focus on extracting global information and omit local prosody features, which contain important fine-grained information like keywords and emphasis. Moreover, it is insufficient to only consider the textual features, and acoustic features also contain various prosody information. Hence, we propose M2-CTTS, an end-to-end multi-scale multi-modal conversational text-to-speech system, aiming to comprehensively utilize historical conversation and enhance prosodic expression. More specifically, we design a textual context module and an acoustic context module with both coarse-grained and fine-grained modeling. Experimental results demonstrate that our model mixed with fine-grained context information and additionally considering acoustic features achieves better prosody performance and naturalness in CMOS tests.

A Keypoint Based Enhancement Method for Audio Driven Free View Talking Head Synthesis

Audio driven talking head synthesis is a challenging task that attracts increasing attention in recent years. Although existing methods based on 2D landmarks or 3D face models can synthesize accurate lip synchronization and rhythmic head pose for arbitrary identity, they still have limitations, such as the cut feeling in the mouth mapping and the lack of skin highlights. The morphed region is blurry compared to the surrounding face. A Keypoint Based Enhancement (KPBE) method is proposed for audio driven free view talking head synthesis to improve the naturalness of the generated video. Firstly, existing methods were used as the backend to synthesize intermediate results. Then we used keypoint decomposition to extract video synthesis controlling parameters from the backend output and the source image. After that, the controlling parameters were composited to the source keypoints and the driving keypoints. A motion field based method was used to generate the final image from the keypoint representation. With keypoint representation, we overcame the cut feeling in the mouth mapping and the lack of skin highlights. Experiments show that our proposed enhancement method improved the quality of talking-head videos in terms of mean opinion score.

ECAPA-TDNN for Multi-speaker Text-to-speech Synthesis

In recent years, neural network based methods for multi-speaker text-to-speech synthesis (TTS) have made significant progress. However, the current speaker encoder models used in these methods still cannot capture enough speaker information. In this paper, we focus on accurate speaker encoder modeling and propose an end-to-end method that can generate high-quality speech and better similarity for both seen and unseen speakers. The proposed architecture consists of three separately trained components: a speaker encoder based on the state-of-the-art ECAPA-TDNN model which is derived from speaker verification task, a FastSpeech2 based synthesizer, and a HiFi-GAN vocoder. The comparison among different speaker encoder models shows our proposed method can achieve better naturalness and similarity. To efficiently evaluate our synthesized speech, we are the first to adopt deep learning based automatic MOS evaluation methods to assess our results, and these methods show great potential in automatic speech quality assessment.