Image-to-image translation is the process of converting an image from one domain to another using deep learning techniques.
Text-to-image models have rapidly advanced in realism and controllability, with recent approaches leveraging long, detailed captions to support fine-grained generation. However, a fundamental parametric gap remains: existing models rely on descriptive language, whereas professional workflows require precise numeric control over object location, size, and color. In this work, we introduce BBQ, a large-scale text-to-image model that directly conditions on numeric bounding boxes and RGB triplets within a unified structured-text framework. We obtain precise spatial and chromatic control by training on captions enriched with parametric annotations, without architectural modifications or inference-time optimization. This also enables intuitive user interfaces such as object dragging and color pickers, replacing ambiguous iterative prompting with precise, familiar controls. Across comprehensive evaluations, BBQ achieves strong box alignment and improves RGB color fidelity over state-of-the-art baselines. More broadly, our results support a new paradigm in which user intent is translated into an intermediate structured language, consumed by a flow-based transformer acting as a renderer and naturally accommodating numeric parameters.
Music generation has advanced markedly through multimodal deep learning, enabling models to synthesize audio from text and, more recently, from images. However, existing image-conditioned systems suffer from two fundamental limitations: (i) they are typically trained on natural photographs, limiting their ability to capture the richer semantic, stylistic, and cultural content of artworks; and (ii) most rely on an image-to-text conversion stage, using language as a semantic shortcut that simplifies conditioning but prevents direct visual-to-audio learning. Motivated by these gaps, we introduce ArtSound, a large-scale multimodal dataset of 105,884 artwork-music pairs enriched with dual-modality captions, obtained by extending ArtGraph and the Free Music Archive. We further propose ArtToMus, the first framework explicitly designed for direct artwork-to-music generation, which maps digitized artworks to music without image-to-text translation or language-based semantic supervision. The framework projects visual embeddings into the conditioning space of a latent diffusion model, enabling music synthesis guided solely by visual information. Experimental results show that ArtToMus generates musically coherent and stylistically consistent outputs that reflect salient visual cues of the source artworks. While absolute alignment scores remain lower than those of text-conditioned systems-as expected given the substantially increased difficulty of removing linguistic supervision-ArtToMus achieves competitive perceptual quality and meaningful cross-modal correspondence. This work establishes direct visual-to-music generation as a distinct and challenging research direction, and provides resources that support applications in multimedia art, cultural heritage, and AI-assisted creative practice. Code and dataset will be publicly released upon acceptance.
Medical ultrasound (US) imaging is a frontline tool for the diagnosis of kidney diseases. However, traditional freehand imaging procedure suffers from inconsistent, operator-dependent outcomes, lack of 3D localization information, and risks of work-related musculoskeletal disorders. While robotic ultrasound (RUS) systems offer the potential for standardized, operator-independent 3D kidney data acquisition, the existing scanning methods lack the ability to determine the optimal imaging window for efficient imaging. As a result, the scan is often blindly performed with excessive probe footprint, which frequently leads to acoustic shadowing and incomplete organ coverage. Consequently, there is a critical need for a spatially efficient imaging technique that can maximize the kidney coverage through minimum probe footprint. Here, we propose an autonomous workflow to achieve efficient kidney imaging via template-guided optimal pivoting. The system first performs an explorative imaging to generate partial observations of the kidney. This data is then registered to a kidney template to estimate the organ pose. With the kidney localized, the robot executes a fixed-point pivoting sweep where the imaging plane is aligned with the kidney long axis to minimize the probe translation. The proposed method was validated in simulation and in-vivo. Simulation results indicate that a 60% exploration ratio provides optimal balance between kidney localization accuracy and scanning efficiency. In-vivo evaluation on two male subjects demonstrates a kidney localization accuracy up to 7.36 mm and 13.84 degrees. Moreover, the optimal pivoting approach shortened the probe footprint by around 75 mm when compared with the baselines. These results valid our approach of leveraging anatomical templates to align the probe optimally for volumetric sweep.
Black-box adversarial attacks on Large Vision-Language Models (LVLMs) are challenging due to missing gradients and complex multimodal boundaries. While prior state-of-the-art transfer-based approaches like M-Attack perform well using local crop-level matching between source and target images, we find this induces high-variance, nearly orthogonal gradients across iterations, violating coherent local alignment and destabilizing optimization. We attribute this to (i) ViT translation sensitivity that yields spike-like gradients and (ii) structural asymmetry between source and target crops. We reformulate local matching as an asymmetric expectation over source transformations and target semantics, and build a gradient-denoising upgrade to M-Attack. On the source side, Multi-Crop Alignment (MCA) averages gradients from multiple independently sampled local views per iteration to reduce variance. On the target side, Auxiliary Target Alignment (ATA) replaces aggressive target augmentation with a small auxiliary set from a semantically correlated distribution, producing a smoother, lower-variance target manifold. We further reinterpret momentum as Patch Momentum, replaying historical crop gradients; combined with a refined patch-size ensemble (PE+), this strengthens transferable directions. Together these modules form M-Attack-V2, a simple, modular enhancement over M-Attack that substantially improves transfer-based black-box attacks on frontier LVLMs: boosting success rates on Claude-4.0 from 8% to 30%, Gemini-2.5-Pro from 83% to 97%, and GPT-5 from 98% to 100%, outperforming prior black-box LVLM attacks. Code and data are publicly available at: https://github.com/vila-lab/M-Attack-V2.
Vision Language Models (VLMs) are designed to extend Large Language Models (LLMs) with visual capabilities, yet in this work we observe a surprising phenomenon: VLMs can outperform their underlying LLMs on purely text-only tasks, particularly in long-context information retrieval. To investigate this effect, we build a controlled synthetic retrieval task and find that a transformer trained only on text achieves perfect in-distribution accuracy but fails to generalize out of distribution, while subsequent training on an image-tokenized version of the same task nearly doubles text-only OOD performance. Mechanistic interpretability reveals that visual training changes the model's internal binding strategy: text-only training encourages positional shortcuts, whereas image-based training disrupts them through spatial translation invariance, forcing the model to adopt a more robust symbolic binding mechanism that persists even after text-only examples are reintroduced. We further characterize how binding strategies vary across training regimes, visual encoders, and initializations, and show that analogous shifts occur during pretrained LLM-to-VLM transitions. Our findings suggest that cross-modal training can enhance reasoning and generalization even for tasks grounded in a single modality.
Significant differences in optical images and Synthetic Aperture Radar (SAR) images are caused by fundamental differences in the physical principles underlying their acquisition by Earth remote sensing platforms. These differences make precise image matching (co-registration) of these two types of images difficult. In this paper, we propose a new approach to image matching of optical and SAR images, which is based on transforming the images to a new modality. The new image modality is common to both optical and SAR images and satisfies the following conditions. First, the transformed images must have an equal pre-defined number of channels. Second, the transformed and co-registered images must be as similar as possible. Third, the transformed images must be non-degenerate, meaning they must preserve the significant features of the original images. To further match images transformed to this shared modality, we train the RoMa image matching model, which is one of the leading solutions for matching of regular digital photographs. We evaluated the proposed approach on the publicly available MultiSenGE dataset containing both optical and SAR images. We demonstrated its superiority over alternative approaches based on image translation between original modalities and various feature matching algorithms. The proposed solution not only provides better quality of matching, but is also more versatile. It enables the use of ready-made RoMa and DeDoDe models, pre-trained for regular images, without retraining for a new modality, while maintaining high-quality matching of optical and SAR images.
Recent advances in image generation have achieved remarkable visual quality, while a fundamental challenge remains: Can image generation be controlled at the element level, enabling intuitive modifications such as adjusting shapes, altering colors, or adding and removing objects? In this work, we address this challenge by introducing layer-wise controllable generation through simplified vector graphics (VGs). Our approach first efficiently parses images into hierarchical VG representations that are semantic-aligned and structurally coherent. Building on this representation, we design a novel image synthesis framework guided by VGs, allowing users to freely modify elements and seamlessly translate these edits into photorealistic outputs. By leveraging the structural and semantic features of VGs in conjunction with noise prediction, our method provides precise control over geometry, color, and object semantics. Extensive experiments demonstrate the effectiveness of our approach in diverse applications, including image editing, object-level manipulation, and fine-grained content creation, establishing a new paradigm for controllable image generation. Project page: https://guolanqing.github.io/Vec2Pix/
Automated image captioning using the content from the image is very appealing when done by harnessing the capability of computer vision and natural language processing. Extensive research has been done in the field with a major focus on the English language which gives the scope for further developments in the same with consideration of popular foreign languages. This research utilizes distinct models for translating the image caption into Hindi, the fourth most popular language across the world. Exploring the multi-modal architectures this research comprises local visual features, global visual features, attention mechanisms, and pre-trained models. Using google cloud translator on the image dataset from Flickr8k, Hindi image descriptions have been generated. Pre-trained CNNs like VGG16, ResNet50, and Inception V3 helped in retrieving image characteristics, while the uni-directional and bi-directional techniques of text encoding are used for the text encoding process. An additional Attention layer helps to generate a weight vector and, by multiplying it, combine image characteristics from each time step into a sentence-level feature vector. Bilingual evaluation understudy scores are used to compare the research outcome. Many experiments that serve as a baseline are done for the comparative analysis of the research. An image with a score of BLEU-1 is considered sufficient, whereas one with a score of BLEU-4 is considered to have fluid image captioning. For both BLEU scores, the attention-based bidirectional LSTM with VGG16 produced the best results of 0.59 and 0.19 respectively. The experiments conclude that researchs ability to produce relevant, semantically accurate image captions in Hindi. The research accomplishes the goals and future research can be guided by this research model.
Foundation models (FMs) are rapidly reshaping medical imaging, shifting the field from narrowly trained, task-specific networks toward large, general-purpose models that can be adapted across modalities, anatomies, and clinical tasks. In this review, we synthesize the emerging landscape of medical imaging FMs along three major axes: principles of FM design, applications of FMs, and forward-looking challenges and opportunities. Taken together, this review provides a technically grounded, clinically aware, and future-facing roadmap for developing FMs that are not only powerful and versatile but also trustworthy and ready for responsible translation into clinical practice.
3D reconstruction serves as the foundational layer for numerous robotic perception tasks, including 6D object pose estimation and grasp pose generation. Modern 3D reconstruction methods for objects can produce visually and geometrically impressive meshes from multi-view images, yet standard geometric evaluations do not reflect how reconstruction quality influences downstream tasks such as robotic manipulation performance. This paper addresses this gap by introducing a large-scale, physics-based benchmark that evaluates 6D pose estimators and 3D mesh models based on their functional efficacy in grasping. We analyze the impact of model fidelity by generating grasps on various reconstructed 3D meshes and executing them on the ground-truth model, simulating how grasp poses generated with an imperfect model affect interaction with the real object. This assesses the combined impact of pose error, grasp robustness, and geometric inaccuracies from 3D reconstruction. Our results show that reconstruction artifacts significantly decrease the number of grasp pose candidates but have a negligible effect on grasping performance given an accurately estimated pose. Our results also reveal that the relationship between grasp success and pose error is dominated by spatial error, and even a simple translation error provides insight into the success of the grasping pose of symmetric objects. This work provides insight into how perception systems relate to object manipulation using robots.