Abstract:Recent advances in world models and video generation have given rise to an emerging reasoning paradigm that leverages video generative models to simulate, predict, and reason about real-world dynamics. We redefine this paradigm as Thinking in Video, where video is not merely an output artifact but a medium for constructing, extending, and verifying causal thought. However, this promise remains unverified: convincing rollouts may reflect memorized appearances rather than causal understanding, while existing metrics separate perceptual fidelity from semantic logic. To evaluate whether video generators support such reasoning, we introduce the Causal-Generative Dual-Judge (CGDJ), auditing World Model Consistency from two perspectives. Explicit Causal Perception tests whether a generator reads a video scenario as a reasoning problem through spatio-temporal flattened visual question answering, while Implicit Generative Perception-Prediction Gap evaluates whether it renders the causal consequence as a consistent future video. Applying CGDJ to representative open- and closed-source generators reveals a clear Perception-Prediction Gap: open-source models produce plausible dynamics despite near-zero explicit causal perception, whereas advanced closed-source systems show stronger but still limited alignment between reasoning and generation. Further analysis exposes audio-visual misalignment, where models verbalize correct causal logic more reliably than they render it, challenging the "world simulator" narrative.
Abstract:The advancement in text-to-image models has led to astonishing artistic performances. However, several studios and websites illegally fine-tune these models using artists' artworks to mimic their styles for profit, which violates the copyrights of artists and diminishes their motivation to produce original works. Currently, there is a notable lack of research focusing on this issue. In this paper, we propose a novel watermarking framework that detects mimicry in text-to-image models through fine-tuning. This framework embeds subtle watermarks into digital artworks to protect their copyrights while still preserving the artist's visual expression. If someone takes watermarked artworks as training data to mimic an artist's style, these watermarks can serve as detectable indicators. By analyzing the distribution of these watermarks in a series of generated images, acts of fine-tuning mimicry using stolen victim data will be exposed. In various fine-tune scenarios and against watermark attack methods, our research confirms that analyzing the distribution of watermarks in artificially generated images reliably detects unauthorized mimicry.