We propose VecKM, a novel local point cloud geometry encoder that is descriptive, efficient and robust to noise. VecKM leverages a unique approach by vectorizing a kernel mixture to represent the local point clouds. Such representation is descriptive and robust to noise, which is supported by two theorems that confirm its ability to reconstruct and preserve the similarity of the local shape. Moreover, VecKM is the first successful attempt to reduce the computation and memory costs from $O(n^2+nKd)$ to $O(nd)$ by sacrificing a marginal constant factor, where $n$ is the size of the point cloud and $K$ is neighborhood size. The efficiency is primarily due to VecKM's unique factorizable property that eliminates the need of explicitly grouping points into neighborhoods. In the normal estimation task, VecKM demonstrates not only 100x faster inference speed but also strongest descriptiveness and robustness compared with existing popular encoders. In classification and segmentation tasks, integrating VecKM as a preprocessing module achieves consistently better performance than the PointNet, PointNet++, and point transformer baselines, and runs consistently faster by up to 10x.
This paper introduces the concept of a design tool for artistic performances based on attribute descriptions. To do so, we used a specific performance of falling actions. The platform integrates a novel machine-learning (ML) model with an interactive interface to generate and visualize artistic movements. Our approach's core is a cyclic Attribute-Conditioned Variational Autoencoder (AC-VAE) model developed to address the challenge of capturing and generating realistic 3D human body motions from motion capture (MoCap) data. We created a unique dataset focused on the dynamics of falling movements, characterized by a new ontology that divides motion into three distinct phases: Impact, Glitch, and Fall. The ML model's innovation lies in its ability to learn these phases separately. It is achieved by applying comprehensive data augmentation techniques and an initial pose loss function to generate natural and plausible motion. Our web-based interface provides an intuitive platform for artists to engage with this technology, offering fine-grained control over motion attributes and interactive visualization tools, including a 360-degree view and a dynamic timeline for playback manipulation. Our research paves the way for a future where technology amplifies the creative potential of human expression, making sophisticated motion generation accessible to a wider artistic community.
Tasks such as autonomous navigation, 3D reconstruction, and object recognition near the water surfaces are crucial in marine robotics applications. However, challenges arise due to dynamic disturbances, e.g., light reflections and refraction from the random air-water interface, irregular liquid flow, and similar factors, which can lead to potential failures in perception and navigation systems. Traditional computer vision algorithms struggle to differentiate between real and virtual image regions, significantly complicating tasks. A virtual image region is an apparent representation formed by the redirection of light rays, typically through reflection or refraction, creating the illusion of an object's presence without its actual physical location. This work proposes a novel approach for segmentation on real and virtual image regions, exploiting synthetic images combined with domain-invariant information, a Motion Entropy Kernel, and Epipolar Geometric Consistency. Our segmentation network does not need to be re-trained if the domain changes. We show this by deploying the same segmentation network in two different domains: simulation and the real world. By creating realistic synthetic images that mimic the complexities of the water surface, we provide fine-grained training data for our network (MARVIS) to discern between real and virtual images effectively. By motion & geometry-aware design choices and through comprehensive experimental analysis, we achieve state-of-the-art real-virtual image segmentation performance in unseen real world domain, achieving an IoU over 78% and a F1-Score over 86% while ensuring a small computational footprint. MARVIS offers over 43 FPS (8 FPS) inference rates on a single GPU (CPU core). Our code and dataset are available here https://github.com/jiayi-wu-umd/MARVIS.
We introduce LEAP (illustrated in Figure 1), a novel method for generating video-grounded action programs through use of a Large Language Model (LLM). These action programs represent the motoric, perceptual, and structural aspects of action, and consist of sub-actions, pre- and post-conditions, and control flows. LEAP's action programs are centered on egocentric video and employ recent developments in LLMs both as a source for program knowledge and as an aggregator and assessor of multimodal video information. We apply LEAP over a majority (87\%) of the training set of the EPIC Kitchens dataset, and release the resulting action programs as a publicly available dataset here (https://drive.google.com/drive/folders/1Cpkw_TI1IIxXdzor0pOXG3rWJWuKU5Ex?usp=drive_link). We employ LEAP as a secondary source of supervision, using its action programs in a loss term applied to action recognition and anticipation networks. We demonstrate sizable improvements in performance in both tasks due to training with the LEAP dataset. Our method achieves 1st place on the EPIC Kitchens Action Recognition leaderboard as of November 17 among the networks restricted to RGB-input (see Supplementary Materials).
We propose Hyper-Dimensional Function Encoding (HDFE). Given samples of a continuous object (e.g. a function), HDFE produces an explicit vector representation of the given object, invariant to the sample distribution and density. Sample distribution and density invariance enables HDFE to consistently encode continuous objects regardless of their sampling, and therefore allows neural networks to receive continuous objects as inputs for machine learning tasks, such as classification and regression. Besides, HDFE does not require any training and is proved to map the object into an organized embedding space, which facilitates the training of the downstream tasks. In addition, the encoding is decodable, which enables neural networks to regress continuous objects by regressing their encodings. Therefore, HDFE serves as an interface for processing continuous objects. We apply HDFE to function-to-function mapping, where vanilla HDFE achieves competitive performance as the state-of-the-art algorithm. We apply HDFE to point cloud surface normal estimation, where a simple replacement from PointNet to HDFE leads to immediate 12% and 15% error reductions in two benchmarks. In addition, by integrating HDFE into the PointNet-based SOTA network, we improve the SOTA baseline by 2.5% and 1.7% in the same benchmarks.
Tactile exploration plays a crucial role in understanding object structures for fundamental robotics tasks such as grasping and manipulation. However, efficiently exploring such objects using tactile sensors is challenging, primarily due to the large-scale unknown environments and limited sensing coverage of these sensors. To this end, we present AcTExplore, an active tactile exploration method driven by reinforcement learning for object reconstruction at scales that automatically explores the object surfaces in a limited number of steps. Through sufficient exploration, our algorithm incrementally collects tactile data and reconstructs 3D shapes of the objects as well, which can serve as a representation for higher-level downstream tasks. Our method achieves an average of 95.97% IoU coverage on unseen YCB objects while just being trained on primitive shapes. Project Webpage: https://prg.cs.umd$.$edu/AcTExplore
In the era of deep learning, data is the critical determining factor in the performance of neural network models. Generating large datasets suffers from various difficulties such as scalability, cost efficiency and photorealism. To avoid expensive and strenuous dataset collection and annotations, researchers have inclined towards computer-generated datasets. Although, a lack of photorealism and a limited amount of computer-aided data, has bounded the accuracy of network predictions. To this end, we present WorldGen -- an open source framework to autonomously generate countless structured and unstructured 3D photorealistic scenes such as city view, object collection, and object fragmentation along with its rich ground truth annotation data. WorldGen being a generative model gives the user full access and control to features such as texture, object structure, motion, camera and lens properties for better generalizability by diminishing the data bias in the network. We demonstrate the effectiveness of WorldGen by presenting an evaluation on deep optical flow. We hope such a tool can open doors for future research in a myriad of domains related to robotics and computer vision by reducing manual labor and the cost of acquiring rich and high-quality data.
A new event camera dataset, EVIMO2, is introduced that improves on the popular EVIMO dataset by providing more data, from better cameras, in more complex scenarios. As with its predecessor, EVIMO2 provides labels in the form of per-pixel ground truth depth and segmentation as well as camera and object poses. All sequences use data from physical cameras and many sequences feature multiple independently moving objects. Typically, such labeled data is unavailable in physical event camera datasets. Thus, EVIMO2 will serve as a challenging benchmark for existing algorithms and rich training set for the development of new algorithms. In particular, EVIMO2 is suited for supporting research in motion and object segmentation, optical flow, structure from motion, and visual (inertial) odometry in both monocular or stereo configurations. EVIMO2 consists of 41 minutes of data from three 640$\times$480 event cameras, one 2080$\times$1552 classical color camera, inertial measurements from two six axis inertial measurement units, and millimeter accurate object poses from a Vicon motion capture system. The dataset's 173 sequences are arranged into three categories. 3.75 minutes of independently moving household objects, 22.55 minutes of static scenes, and 14.85 minutes of basic motions in shallow scenes. Some sequences were recorded in low-light conditions where conventional cameras fail. Depth and segmentation are provided at 60 Hz for the event cameras and 30 Hz for the classical camera. The masks can be regenerated using open-source code up to rates as high as 200 Hz. This technical report briefly describes EVIMO2. The full documentation is available online. Videos of individual sequences can be sampled on the download page.