Sound2Hap: Learning Audio-to-Vibrotactile Haptic Generation from Human Ratings

Environmental sounds like footsteps, keyboard typing, or dog barking carry rich information and emotional context, making them valuable for designing haptics in user applications. Existing audio-to-vibration methods, however, rely on signal-processing rules tuned for music or games and often fail to generalize across diverse sounds. To address this, we first investigated user perception of four existing audio-to-haptic algorithms, then created a data-driven model for environmental sounds. In Study 1, 34 participants rated vibrations generated by the four algorithms for 1,000 sounds, revealing no consistent algorithm preferences. Using this dataset, we trained Sound2Hap, a CNN-based autoencoder, to generate perceptually meaningful vibrations from diverse sounds with low latency. In Study 2, 15 participants rated its output higher than signal-processing baselines on both audio-vibration match and Haptic Experience Index (HXI), finding it more harmonious with diverse sounds. This work demonstrates a perceptually validated approach to audio-haptic translation, broadening the reach of sound-driven haptics.

Training-Efficient Text-to-Music Generation with State-Space Modeling

Recent advances in text-to-music generation (TTM) have yielded high-quality results, but often at the cost of extensive compute and the use of large proprietary internal data. To improve the affordability and openness of TTM training, an open-source generative model backbone that is more training- and data-efficient is needed. In this paper, we constrain the number of trainable parameters in the generative model to match that of the MusicGen-small benchmark (with about 300M parameters), and replace its Transformer backbone with the emerging class of state-space models (SSMs). Specifically, we explore different SSM variants for sequence modeling, and compare a single-stage SSM-based design with a decomposable two-stage SSM/diffusion hybrid design. All proposed models are trained from scratch on a purely public dataset comprising 457 hours of CC-licensed music, ensuring full openness. Our experimental findings are three-fold. First, we show that SSMs exhibit superior training efficiency compared to the Transformer counterpart. Second, despite using only 9% of the FLOPs and 2% of the training data size compared to the MusicGen-small benchmark, our model achieves competitive performance in both objective metrics and subjective listening tests based on MusicCaps captions. Finally, our scaling-down experiment demonstrates that SSMs can maintain competitive performance relative to the Transformer baseline even at the same training budget (measured in iterations), when the model size is reduced to four times smaller. To facilitate the democratization of TTM research, the processed captions, model checkpoints, and source code are available on GitHub via the project page: https://lonian6.github.io/ssmttm/.

Abusive music and song transformation using GenAI and LLMs

Repeated exposure to violence and abusive content in music and song content can influence listeners' emotions and behaviours, potentially normalising aggression or reinforcing harmful stereotypes. In this study, we explore the use of generative artificial intelligence (GenAI) and Large Language Models (LLMs) to automatically transform abusive words (vocal delivery) and lyrical content in popular music. Rather than simply muting or replacing a single word, our approach transforms the tone, intensity, and sentiment, thus not altering just the lyrics, but how it is expressed. We present a comparative analysis of four selected English songs and their transformed counterparts, evaluating changes through both acoustic and sentiment-based lenses. Our findings indicate that Gen-AI significantly reduces vocal aggressiveness, with acoustic analysis showing improvements in Harmonic to Noise Ratio, Cepstral Peak Prominence, and Shimmer. Sentiment analysis reduced aggression by 63.3-85.6\% across artists, with major improvements in chorus sections (up to 88.6\% reduction). The transformed versions maintained musical coherence while mitigating harmful content, offering a promising alternative to traditional content moderation that avoids triggering the "forbidden fruit" effect, where the censored content becomes more appealing simply because it is restricted. This approach demonstrates the potential for GenAI to create safer listening experiences while preserving artistic expression.

Emergent, not Immanent: A Baradian Reading of Explainable AI

Explainable AI (XAI) is frequently positioned as a technical problem of revealing the inner workings of an AI model. This position is affected by unexamined onto-epistemological assumptions: meaning is treated as immanent to the model, the explainer is positioned outside the system, and a causal structure is presumed recoverable through computational techniques. In this paper, we draw on Barad's agential realism to develop an alternative onto-epistemology of XAI. We propose that interpretations are material-discursive performances that emerge from situated entanglements of the AI model with humans, context, and the interpretative apparatus. To develop this position, we read a comprehensive set of XAI methods through agential realism and reveal the assumptions and limitations that underpin several of these methods. We then articulate the framework's ethical dimension and propose design directions for XAI interfaces that support emergent interpretation, using a speculative text-to-music interface as a case study.

Towards Effective Negation Modeling in Joint Audio-Text Models for Music

Joint audio-text models are widely used for music retrieval, yet they struggle with semantic phenomena such as negation. Negation is fundamental for distinguishing the absence (or presence) of musical elements (e.g., "with vocals" vs. "without vocals"), but current systems fail to represent this reliably. In this work, we investigate and mitigate this limitation by training CLAP models from scratch on the Million Song Dataset with LP-MusicCaps-MSD captions. We introduce negation through text augmentation and a dissimilarity-based contrastive loss, designed to explicitly separate original and negated captions in the joint embedding space. To evaluate progress, we propose two protocols that frame negation modeling as retrieval and binary classification tasks. Experiments demonstrate that both methods, individually and combined, improve negation handling while largely preserving retrieval performance.

Inverting Self-Organizing Maps: A Unified Activation-Based Framework

Self-Organizing Maps provide topology-preserving projections of high-dimensional data and have been widely used for visualization, clustering, and vector quantization. In this work, we show that the activation pattern of a SOM - the squared distances to its prototypes - can be inverted to recover the exact input under mild geometric conditions. This follows from a classical fact in Euclidean distance geometry: a point in $D$ dimensions is uniquely determined by its distances to $D{+}1$ affinely independent references. We derive the corresponding linear system and characterize the conditions under which the inversion is well-posed. Building upon this mechanism, we introduce the Manifold-Aware Unified SOM Inversion and Control (MUSIC) update rule, which enables controlled, semantically meaningful trajectories in latent space. MUSIC modifies squared distances to selected prototypes while preserving others, resulting in a deterministic geometric flow aligned with the SOM's piecewise-linear structure. Tikhonov regularization stabilizes the update rule and ensures smooth motion on high-dimensional datasets. Unlike variational or probabilistic generative models, MUSIC does not rely on sampling, latent priors, or encoder-decoder architectures. If no perturbation is applied, inversion recovers the exact input; when a target cluster or prototype is specified, MUSIC produces coherent semantic variations while remaining on the data manifold. This leads to a new perspective on data augmentation and controllable latent exploration based solely on prototype geometry. We validate the approach using synthetic Gaussian mixtures, the MNIST and the Faces in the Wild dataset. Across all settings, MUSIC produces smooth, interpretable trajectories that reveal the underlying geometry of the learned manifold, illustrating the advantages of SOM-based inversion over unsupervised clustering.

Fusion Segment Transformer: Bi-Directional Attention Guided Fusion Network for AI-Generated Music Detection

With the rise of generative AI technology, anyone can now easily create and deploy AI-generated music, which has heightened the need for technical solutions to address copyright and ownership issues. While existing works mainly focused on short-audio, the challenge of full-audio detection, which requires modeling long-term structure and context, remains insufficiently explored. To address this, we propose an improved version of the Segment Transformer, termed the Fusion Segment Transformer. As in our previous work, we extract content embeddings from short music segments using diverse feature extractors. Furthermore, we enhance the architecture for full-audio AI-generated music detection by introducing a Gated Fusion Layer that effectively integrates content and structural information, enabling the capture of long-term context. Experiments on the SONICS and AIME datasets show that our approach outperforms the previous model and recent baselines, achieving state-of-the-art results in AI-generated music detection.

ConceptCaps -- a Distilled Concept Dataset for Interpretability in Music Models

Concept-based interpretability methods like TCAV require clean, well-separated positive and negative examples for each concept. Existing music datasets lack this structure: tags are sparse, noisy, or ill-defined. We introduce ConceptCaps, a dataset of 23k music-caption-audio triplets with explicit labels from a 200-attribute taxonomy. Our pipeline separates semantic modeling from text generation: a VAE learns plausible attribute co-occurrence patterns, a fine-tuned LLM converts attribute lists into professional descriptions, and MusicGen synthesizes corresponding audio. This separation improves coherence and controllability over end-to-end approaches. We validate the dataset through audio-text alignment (CLAP), linguistic quality metrics (BERTScore, MAUVE), and TCAV analysis confirming that concept probes recover musically meaningful patterns. Dataset and code are available online.

Beyond Mapping : Domain-Invariant Representations via Spectral Embedding of Optimal Transport Plans

Distributional shifts between training and inference time data remain a central challenge in machine learning, often leading to poor performance. It motivated the study of principled approaches for domain alignment, such as optimal transport based unsupervised domain adaptation, that relies on approximating Monge map using transport plans, which is sensitive to the transport problem regularization strategy and hyperparameters, and might yield biased domains alignment. In this work, we propose to interpret smoothed transport plans as adjacency matrices of bipartite graphs connecting source to target domain and derive domain-invariant samples' representations through spectral embedding. We evaluate our approach on acoustic adaptation benchmarks for music genre recognition, music-speech discrimination, as well as electrical cable defect detection and classification tasks using time domain reflection in different diagnosis settings, achieving overall strong performances.

UNMIXX: Untangling Highly Correlated Singing Voices Mixtures

We introduce UNMIXX, a novel framework for multiple singing voices separation (MSVS). While related to speech separation, MSVS faces unique challenges: data scarcity and the highly correlated nature of singing voices mixture. To address these issues, we propose UNMIXX with three key components: (1) musically informed mixing strategy to construct highly correlated, music-like mixtures, (2) cross-source attention that drives representations of two singers apart via reverse attention, and (3) magnitude penalty loss penalizing erroneously assigned interfering energy. UNMIXX not only addresses data scarcity by simulating realistic training data, but also excels at separating highly correlated mixtures through cross-source interactions at both the architectural and loss levels. Our extensive experiments demonstrate that UNMIXX greatly enhances performance, with SDRi gains exceeding 2.2 dB over prior work.