Audio Dialogues: Dialogues dataset for audio and music understanding

Existing datasets for audio understanding primarily focus on single-turn interactions (i.e. audio captioning, audio question answering) for describing audio in natural language, thus limiting understanding audio via interactive dialogue. To address this gap, we introduce Audio Dialogues: a multi-turn dialogue dataset containing 163.8k samples for general audio sounds and music. In addition to dialogues, Audio Dialogues also has question-answer pairs to understand and compare multiple input audios together. Audio Dialogues leverages a prompting-based approach and caption annotations from existing datasets to generate multi-turn dialogues using a Large Language Model (LLM). We evaluate existing audio-augmented large language models on our proposed dataset to demonstrate the complexity and applicability of Audio Dialogues. Our code for generating the dataset will be made publicly available. Detailed prompts and generated dialogues can be found on the demo website https://audiodialogues.github.io/.

Audio Flamingo: A Novel Audio Language Model with Few-Shot Learning and Dialogue Abilities

Augmenting large language models (LLMs) to understand audio -- including non-speech sounds and non-verbal speech -- is critically important for diverse real-world applications of LLMs. In this paper, we propose Audio Flamingo, a novel audio language model with 1) strong audio understanding abilities, 2) the ability to quickly adapt to unseen tasks via in-context learning and retrieval, and 3) strong multi-turn dialogue abilities. We introduce a series of training techniques, architecture design, and data strategies to enhance our model with these abilities. Extensive evaluations across various audio understanding tasks confirm the efficacy of our method, setting new state-of-the-art benchmarks.

Scaling NVIDIA's Multi-speaker Multi-lingual TTS Systems with Zero-Shot TTS to Indic Languages

In this paper, we describe the TTS models developed by NVIDIA for the MMITS-VC (Multi-speaker, Multi-lingual Indic TTS with Voice Cloning) 2024 Challenge. In Tracks 1 and 2, we utilize RAD-MMM to perform few-shot TTS by training additionally on 5 minutes of target speaker data. In Track 3, we utilize P-Flow to perform zero-shot TTS by training on the challenge dataset as well as external datasets. We use HiFi-GAN vocoders for all submissions. RAD-MMM performs competitively on Tracks 1 and 2, while P-Flow ranks first on Track 3, with mean opinion score (MOS) 4.4 and speaker similarity score (SMOS) of 3.62.

SelfVC: Voice Conversion With Iterative Refinement using Self Transformations

We propose SelfVC, a training strategy to iteratively improve a voice conversion model with self-synthesized examples. Previous efforts on voice conversion focus on explicitly disentangling speech representations to separately encode speaker characteristics and linguistic content. However, disentangling speech representations to capture such attributes using task-specific loss terms can lead to information loss by discarding finer nuances of the original signal. In this work, instead of explicitly disentangling attributes with loss terms, we present a framework to train a controllable voice conversion model on entangled speech representations derived from self-supervised learning and speaker verification models. First, we develop techniques to derive prosodic information from the audio signal and SSL representations to train predictive submodules in the synthesis model. Next, we propose a training strategy to iteratively improve the synthesis model for voice conversion, by creating a challenging training objective using self-synthesized examples. In this training approach, the current state of the synthesis model is used to generate voice-converted variations of an utterance, which serve as inputs for the reconstruction task, ensuring a continuous and purposeful refinement of the model. We demonstrate that incorporating such self-synthesized examples during training improves the speaker similarity of generated speech as compared to a baseline voice conversion model trained solely on heuristically perturbed inputs. SelfVC is trained without any text and is applicable to a range of tasks such as zero-shot voice conversion, cross-lingual voice conversion, and controllable speech synthesis with pitch and pace modifications. SelfVC achieves state-of-the-art results in zero-shot voice conversion on metrics evaluating naturalness, speaker similarity, and intelligibility of synthesized audio.

VANI: Very-lightweight Accent-controllable TTS for Native and Non-native speakers with Identity Preservation

We introduce VANI, a very lightweight multi-lingual accent controllable speech synthesis system. Our model builds upon disentanglement strategies proposed in RADMMM and supports explicit control of accent, language, speaker and fine-grained $F_0$ and energy features for speech synthesis. We utilize the Indic languages dataset, released for LIMMITS 2023 as part of ICASSP Signal Processing Grand Challenge, to synthesize speech in 3 different languages. Our model supports transferring the language of a speaker while retaining their voice and the native accent of the target language. We utilize the large-parameter RADMMM model for Track $1$ and lightweight VANI model for Track $2$ and $3$ of the competition.

Multilingual Multiaccented Multispeaker TTS with RADTTS

We work to create a multilingual speech synthesis system which can generate speech with the proper accent while retaining the characteristics of an individual voice. This is challenging to do because it is expensive to obtain bilingual training data in multiple languages, and the lack of such data results in strong correlations that entangle speaker, language, and accent, resulting in poor transfer capabilities. To overcome this, we present a multilingual, multiaccented, multispeaker speech synthesis model based on RADTTS with explicit control over accent, language, speaker and fine-grained $F_0$ and energy features. Our proposed model does not rely on bilingual training data. We demonstrate an ability to control synthesized accent for any speaker in an open-source dataset comprising of 7 accents. Human subjective evaluation demonstrates that our model can better retain a speaker's voice and accent quality than controlled baselines while synthesizing fluent speech in all target languages and accents in our dataset.

SPACE: Speech-driven Portrait Animation with Controllable Expression

Animating portraits using speech has received growing attention in recent years, with various creative and practical use cases. An ideal generated video should have good lip sync with the audio, natural facial expressions and head motions, and high frame quality. In this work, we present SPACE, which uses speech and a single image to generate high-resolution, and expressive videos with realistic head pose, without requiring a driving video. It uses a multi-stage approach, combining the controllability of facial landmarks with the high-quality synthesis power of a pretrained face generator. SPACE also allows for the control of emotions and their intensities. Our method outperforms prior methods in objective metrics for image quality and facial motions and is strongly preferred by users in pair-wise comparisons. The project website is available at https://deepimagination.cc/SPACE/

SPACEx: Speech-driven Portrait Animation with Controllable Expression

Animating portraits using speech has received growing attention in recent years, with various creative and practical use cases. An ideal generated video should have good lip sync with the audio, natural facial expressions and head motions, and high frame quality. In this work, we present SPACEx, which uses speech and a single image to generate high-resolution, and expressive videos with realistic head pose, without requiring a driving video. It uses a multi-stage approach, combining the controllability of facial landmarks with the high-quality synthesis power of a pretrained face generator. SPACEx also allows for the control of emotions and their intensities. Our method outperforms prior methods in objective metrics for image quality and facial motions and is strongly preferred by users in pair-wise comparisons. The project website is available at https://deepimagination.cc/SPACEx/

Generative Modeling for Low Dimensional Speech Attributes with Neural Spline Flows

Despite recent advances in generative modeling for text-to-speech synthesis, these models do not yet have the same fine-grained adjustability of pitch-conditioned deterministic models such as FastPitch and FastSpeech2. Pitch information is not only low-dimensional, but also discontinuous, making it particularly difficult to model in a generative setting. Our work explores several techniques for handling the aforementioned issues in the context of Normalizing Flow models. We also find this problem to be very well suited for Neural Spline flows, which is a highly expressive alternative to the more common affine-coupling mechanism in Normalizing Flows.

One TTS Alignment To Rule Them All

Speech-to-text alignment is a critical component of neural textto-speech (TTS) models. Autoregressive TTS models typically use an attention mechanism to learn these alignments on-line. However, these alignments tend to be brittle and often fail to generalize to long utterances and out-of-domain text, leading to missing or repeating words. Most non-autoregressive endto-end TTS models rely on durations extracted from external sources. In this paper we leverage the alignment mechanism proposed in RAD-TTS as a generic alignment learning framework, easily applicable to a variety of neural TTS models. The framework combines forward-sum algorithm, the Viterbi algorithm, and a simple and efficient static prior. In our experiments, the alignment learning framework improves all tested TTS architectures, both autoregressive (Flowtron, Tacotron 2) and non-autoregressive (FastPitch, FastSpeech 2, RAD-TTS). Specifically, it improves alignment convergence speed of existing attention-based mechanisms, simplifies the training pipeline, and makes the models more robust to errors on long utterances. Most importantly, the framework improves the perceived speech synthesis quality, as judged by human evaluators.