X-ARES: A Comprehensive Framework for Assessing Audio Encoder Performance

We introduces X-ARES (eXtensive Audio Representation and Evaluation Suite), a novel open-source benchmark designed to systematically assess audio encoder performance across diverse domains. By encompassing tasks spanning speech, environmental sounds, and music, X-ARES provides two evaluation approaches for evaluating audio representations: linear fine-tuning and unparameterized evaluation. The framework includes 22 distinct tasks that cover essential aspects of audio processing, from speech recognition and emotion detection to sound event classification and music genre identification. Our extensive evaluation of state-of-the-art audio encoders reveals significant performance variations across different tasks and domains, highlighting the complexity of general audio representation learning.

Machine Learning Approaches to Vocal Register Classification in Contemporary Male Pop Music

For singers of all experience levels, one of the most daunting challenges in learning technical repertoire is navigating placement and vocal register in and around the passagio (passage between chest voice and head voice registers). Particularly in pop music, where a single artist may use a variety of timbre's and textures to achieve a desired quality, it can be difficult to identify what vocal register within the vocal range a singer is using. This paper presents two methods for classifying vocal registers in an audio signal of male pop music through the analysis of textural features of mel-spectrogram images. Additionally, we will discuss the practical integration of these models for vocal analysis tools, and introduce a concurrently developed software called AVRA which stands for Automatic Vocal Register Analysis. Our proposed methods achieved consistent classification of vocal register through both Support Vector Machine (SVM) and Convolutional Neural Network (CNN) models, which supports the promise of more robust classification possibilities across more voice types and genres of singing.

Recognizing Ornaments in Vocal Indian Art Music with Active Annotation

Ornamentations, embellishments, or microtonal inflections are essential to melodic expression across many musical traditions, adding depth, nuance, and emotional impact to performances. Recognizing ornamentations in singing voices is key to MIR, with potential applications in music pedagogy, singer identification, genre classification, and controlled singing voice generation. However, the lack of annotated datasets and specialized modeling approaches remains a major obstacle for progress in this research area. In this work, we introduce R\=aga Ornamentation Detection (ROD), a novel dataset comprising Indian classical music recordings curated by expert musicians. The dataset is annotated using a custom Human-in-the-Loop tool for six vocal ornaments marked as event-based labels. Using this dataset, we develop an ornamentation detection model based on deep time-series analysis, preserving ornament boundaries during the chunking of long audio recordings. We conduct experiments using different train-test configurations within the ROD dataset and also evaluate our approach on a separate, manually annotated dataset of Indian classical concert recordings. Our experimental results support the superior performance of our proposed approach over the baseline CRNN.

Progressive Rock Music Classification

This study investigates the classification of progressive rock music, a genre characterized by complex compositions and diverse instrumentation, distinct from other musical styles. Addressing this Music Information Retrieval (MIR) task, we extracted comprehensive audio features, including spectrograms, Mel-Frequency Cepstral Coefficients (MFCCs), chromagrams, and beat positions from song snippets using the Librosa library. A winner-take-all voting strategy was employed to aggregate snippet-level predictions into final song classifications. We conducted a comparative analysis of various machine learning techniques. Ensemble methods, encompassing Bagging (Random Forest, ExtraTrees, Bagging Classifier) and Boosting (XGBoost, Gradient Boosting), were explored, utilizing Principal Component Analysis (PCA) for dimensionality reduction to manage computational constraints with high-dimensional feature sets. Additionally, deep learning approaches were investigated, including the development of custom 1D Convolutional Neural Network (1D CNN) architectures (named "Zuck" and "Satya") featuring specific layer configurations, normalization, and activation functions. Furthermore, we fine-tuned a state-of-the-art Audio Spectrogram Transformer (AST) model, leveraging its attention-based mechanisms for audio classification. Performance evaluation on validation and test sets revealed varying effectiveness across models, with ensemble methods like Extra Trees achieving test accuracies up to 76.38%. This research provides insights into the application and relative performance of diverse machine learning paradigms for the nuanced task of progressive rock genre classification.

BAN: Neuroanatomical Aligning in Auditory Recognition between Artificial Neural Network and Human Cortex

Drawing inspiration from neurosciences, artificial neural networks (ANNs) have evolved from shallow architectures to highly complex, deep structures, yielding exceptional performance in auditory recognition tasks. However, traditional ANNs often struggle to align with brain regions due to their excessive depth and lack of biologically realistic features, like recurrent connection. To address this, a brain-like auditory network (BAN) is introduced, which incorporates four neuroanatomically mapped areas and recurrent connection, guided by a novel metric called the brain-like auditory score (BAS). BAS serves as a benchmark for evaluating the similarity between BAN and human auditory recognition pathway. We further propose that specific areas in the cerebral cortex, mainly the middle and medial superior temporal (T2/T3) areas, correspond to the designed network structure, drawing parallels with the brain's auditory perception pathway. Our findings suggest that the neuroanatomical similarity in the cortex and auditory classification abilities of the ANN are well-aligned. In addition to delivering excellent performance on a music genre classification task, the BAN demonstrates a high BAS score. In conclusion, this study presents BAN as a recurrent, brain-inspired ANN, representing the first model that mirrors the cortical pathway of auditory recognition.

Multi-label Cross-lingual automatic music genre classification from lyrics with Sentence BERT

Music genres are shaped by both the stylistic features of songs and the cultural preferences of artists' audiences. Automatic classification of music genres using lyrics can be useful in several applications such as recommendation systems, playlist creation, and library organization. We present a multi-label, cross-lingual genre classification system based on multilingual sentence embeddings generated by sBERT. Using a bilingual Portuguese-English dataset with eight overlapping genres, we demonstrate the system's ability to train on lyrics in one language and predict genres in another. Our approach outperforms the baseline approach of translating lyrics and using a bag-of-words representation, improving the genrewise average F1-Score from 0.35 to 0.69. The classifier uses a one-vs-all architecture, enabling it to assign multiple genre labels to a single lyric. Experimental results reveal that dataset centralization notably improves cross-lingual performance. This approach offers a scalable solution for genre classification across underrepresented languages and cultural domains, advancing the capabilities of music information retrieval systems.

Music Genre Classification: Ensemble Learning with Subcomponents-level Attention

Music Genre Classification is one of the most popular topics in the fields of Music Information Retrieval (MIR) and digital signal processing. Deep Learning has emerged as the top performer for classifying music genres among various methods. The letter introduces a novel approach by combining ensemble learning with attention to sub-components, aiming to enhance the accuracy of identifying music genres. The core innovation of our work is the proposal to classify the subcomponents of the music pieces separately, allowing our model to capture distinct characteristics from those sub components. By applying ensemble learning techniques to these individual classifications, we make the final classification decision on the genre of the music. The proposed method has superior advantages in terms of accuracy compared to the other state-of-the-art techniques trained and tested on the GTZAN dataset.

Automatic Identification of Samples in Hip-Hop Music via Multi-Loss Training and an Artificial Dataset

Sampling, the practice of reusing recorded music or sounds from another source in a new work, is common in popular music genres like hip-hop and rap. Numerous services have emerged that allow users to identify connections between samples and the songs that incorporate them, with the goal of enhancing music discovery. Designing a system that can perform the same task automatically is challenging, as samples are commonly altered with audio effects like pitch- and time-stretching and may only be seconds long. Progress on this task has been minimal and is further blocked by the limited availability of training data. Here, we show that a convolutional neural network trained on an artificial dataset can identify real-world samples in commercial hip-hop music. We extract vocal, harmonic, and percussive elements from several databases of non-commercial music recordings using audio source separation, and train the model to fingerprint a subset of these elements in transformed versions of the original audio. We optimize the model using a joint classification and metric learning loss and show that it achieves 13% greater precision on real-world instances of sampling than a fingerprinting system using acoustic landmarks, and that it can recognize samples that have been both pitch shifted and time stretched. We also show that, for half of the commercial music recordings we tested, our model is capable of locating the position of a sample to within five seconds.

Attention-guided Spectrogram Sequence Modeling with CNNs for Music Genre Classification

Music genre classification is a critical component of music recommendation systems, generation algorithms, and cultural analytics. In this work, we present an innovative model for classifying music genres using attention-based temporal signature modeling. By processing spectrogram sequences through Convolutional Neural Networks (CNNs) and multi-head attention layers, our approach captures the most temporally significant moments within each piece, crafting a unique "signature" for genre identification. This temporal focus not only enhances classification accuracy but also reveals insights into genre-specific characteristics that can be intuitively mapped to listener perceptions. Our findings offer potential applications in personalized music recommendation systems by highlighting cross-genre similarities and distinctiveness, aligning closely with human musical intuition. This work bridges the gap between technical classification tasks and the nuanced, human experience of genre.

Combining Genre Classification and Harmonic-Percussive Features with Diffusion Models for Music-Video Generation

This study presents a novel method for generating music visualisers using diffusion models, combining audio input with user-selected artwork. The process involves two main stages: image generation and video creation. First, music captioning and genre classification are performed, followed by the retrieval of artistic style descriptions. A diffusion model then generates images based on the user's input image and the derived artistic style descriptions. The video generation stage utilises the same diffusion model to interpolate frames, controlled by audio energy vectors derived from key musical features of harmonics and percussives. The method demonstrates promising results across various genres, and a new metric, Audio-Visual Synchrony (AVS), is introduced to quantitatively evaluate the synchronisation between visual and audio elements. Comparative analysis shows significantly higher AVS values for videos generated using the proposed method with audio energy vectors, compared to linear interpolation. This approach has potential applications in diverse fields, including independent music video creation, film production, live music events, and enhancing audio-visual experiences in public spaces.