Audio source separation is often used as preprocessing of various applications, and one of its ultimate goals is to construct a single versatile model capable of dealing with the varieties of audio signals. Since sampling frequency, one of the audio signal varieties, is usually application specific, the preceding audio source separation model should be able to deal with audio signals of all sampling frequencies specified in the target applications. However, conventional models based on deep neural networks (DNNs) are trained only at the sampling frequency specified by the training data, and there are no guarantees that they work with unseen sampling frequencies. In this paper, we propose a convolution layer capable of handling arbitrary sampling frequencies by a single DNN. Through music source separation experiments, we show that the introduction of the proposed layer enables a conventional audio source separation model to consistently work with even unseen sampling frequencies.
Deep neural network (DNN)-based speech enhancement ordinarily requires clean speech signals as the training target. However, collecting clean signals is very costly because they must be recorded in a studio. This requirement currently restricts the amount of training data for speech enhancement less than 1/1000 of that of speech recognition which does not need clean signals. Increasing the amount of training data is important for improving the performance, and hence the requirement of clean signals should be relaxed. In this paper, we propose a training strategy that does not require clean signals. The proposed method only utilizes noisy signals for training, which enables us to use a variety of speech signals in the wild. Our experimental results showed that the proposed method can achieve the performance similar to that of a DNN trained with clean signals.
The goal of audio captioning is to translate input audio into its description using natural language. One of the problems in audio captioning is the lack of training data due to the difficulty in collecting audio-caption pairs by crawling the web. In this study, to overcome this problem, we propose to use a pre-trained large-scale language model. Since an audio input cannot be directly inputted into such a language model, we utilize guidance captions retrieved from a training dataset based on similarities that may exist in different audio. Then, the caption of the audio input is generated by using a pre-trained language model while referring to the guidance captions. Experimental results show that (i) the proposed method has succeeded to use a pre-trained language model for audio captioning, and (ii) the oracle performance of the pre-trained model-based caption generator was clearly better than that of the conventional method trained from scratch.
The system we used for Task 6 (Automated Audio Captioning)of the Detection and Classification of Acoustic Scenes and Events(DCASE) 2020 Challenge combines three elements, namely, dataaugmentation, multi-task learning, and post-processing, for audiocaptioning. The system received the highest evaluation scores, butwhich of the individual elements most fully contributed to its perfor-mance has not yet been clarified. Here, to asses their contributions,we first conducted an element-wise ablation study on our systemto estimate to what extent each element is effective. We then con-ducted a detailed module-wise ablation study to further clarify thekey processing modules for improving accuracy. The results showthat data augmentation and post-processing significantly improvethe score in our system. In particular, mix-up data augmentationand beam search in post-processing improve SPIDEr by 0.8 and 1.6points, respectively.
This technical report describes the system participating to the Detection and Classification of Acoustic Scenes and Events (DCASE) 2020 Challenge, Task 6: automated audio captioning. Our submission focuses on solving two indeterminacy problems in automated audio captioning: word selection indeterminacy and sentence length indeterminacy. We simultaneously solve the main caption generation and sub indeterminacy problems by estimating keywords and sentence length through multi-task learning. We tested a simplified model of our submission using the development-testing dataset. Our model achieved 20.7 SPIDEr score where that of the baseline system was 5.4.
One of the problems with automated audio captioning (AAC) is the indeterminacy in word selection corresponding to the audio event/scene. Since one acoustic event/scene can be described with several words, it results in a combinatorial explosion of possible captions and difficulty in training. To solve this problem, we propose a Transformer-based audio-captioning model with keyword estimation called TRACKE. It simultaneously solves the word-selection indeterminacy problem with the main task of AAC while executing the sub-task of acoustic event detection/acoustic scene classification (i.e., keyword estimation). TRACKE estimates keywords, which comprise a word set corresponding to audio events/scenes in the input audio, and generates the caption while referring to the estimated keywords to reduce word-selection indeterminacy. Experimental results on a public AAC dataset indicate that TRACKE achieved state-of-the-art performance and successfully estimated both the caption and its keywords.
This paper presents the details of the DCASE 2020 Challenge Task 2; Unsupervised Detection of Anomalous Sounds for Machine Condition Monitoring. The goal of anomalous sound detection (ASD) is to identify whether the sound emitted from a target machine is normal or anomalous. The main challenge of this task is to detect unknown anomalous sounds under the condition that only normal sound samples have been provided as training data. We have designed a DCASE challenge task which contributes as a starting point and a benchmark of ASD research; the dataset, evaluation metrics, a simple baseline system, and other detailed rules. After the challenge submission deadline, challenge results and analysis of the submissions will be added.
Being able to control the acoustic events (AEs) to which we want to listen would allow the development of more controllable hearable devices. This paper addresses the AE sound selection (or removal) problems, that we define as the extraction (or suppression) of all the sounds that belong to one or multiple desired AE classes. Although this problem could be addressed with a combination of source separation followed by AE classification, this is a sub-optimal way of solving the problem. Moreover, source separation usually requires knowing the maximum number of sources, which may not be practical when dealing with AEs. In this paper, we propose instead a universal sound selection neural network that enables to directly select AE sounds from a mixture given user-specified target AE classes. The proposed framework can be explicitly optimized to simultaneously select sounds from multiple desired AE classes, independently of the number of sources in the mixture. We experimentally show that the proposed method achieves promising AE sound selection performance and could be generalized to mixtures with a number of sources that are unseen during training.
Improving subjective sound quality of enhanced signals is one of the most important missions in speech enhancement. For evaluating the subjective quality, several methods related to perceptually-motivated objective sound quality assessment (OSQA) have been proposed such as PESQ (perceptual evaluation of speech quality). However, direct use of such measures for training deep neural network (DNN) is not allowed in most cases because popular OSQAs are non-differentiable with respect to DNN parameters. Therefore, the previous study has proposed to approximate the score of OSQAs by an auxiliary DNN so that its gradient can be used for training the primary DNN. One problem with this approach is instability of the training caused by the approximation error of the score. To overcome this problem, we propose to use stabilization techniques borrowed from reinforcement learning. The experiments, aimed to increase the score of PESQ as an example, show that the proposed method (i) can stably train a DNN to increase PESQ, (ii) achieved the state-of-the-art PESQ score on a public dataset, and (iii) resulted in better sound quality than conventional methods based on subjective evaluation.
This paper investigates a self-adaptation method for speech enhancement using auxiliary speaker-aware features; we extract a speaker representation used for adaptation directly from the test utterance. Conventional studies of deep neural network (DNN)--based speech enhancement mainly focus on building a speaker independent model. Meanwhile, in speech applications including speech recognition and synthesis, it is known that model adaptation to the target speaker improves the accuracy. Our research question is whether a DNN for speech enhancement can be adopted to unknown speakers without any auxiliary guidance signal in test-phase. To achieve this, we adopt multi-task learning of speech enhancement and speaker identification, and use the output of the final hidden layer of speaker identification branch as an auxiliary feature. In addition, we use multi-head self-attention for capturing long-term dependencies in the speech and noise. Experimental results on a public dataset show that our strategy achieves the state-of-the-art performance and also outperform conventional methods in terms of subjective quality.