Prosodically Enhanced Foreign Accent Simulation by Discrete Token-based Resynthesis Only with Native Speech Corpora

Recently, a method for synthesizing foreign-accented speech only with native speech data using discrete tokens obtained from self-supervised learning (SSL) models was proposed. Considering limited availability of accented speech data, this method is expected to make it much easier to simulate foreign accents. By using the synthesized accented speech as listening materials for humans or training data for automatic speech recognition (ASR), both of them will acquire higher robustness against foreign accents. However, the previous method has a fatal flaw that it cannot reproduce duration-related accents. Durational accents are commonly seen when L2 speakers, whose native language has syllable-timed or mora-timed rhythm, speak stress-timed languages, such as English. In this paper, we integrate duration modification to the previous method to simulate foreign accents more accurately. Experiments show that the proposed method successfully replicates durational accents seen in real L2 speech.

Discrete Tokens Exhibit Interlanguage Speech Intelligibility Benefit: an Analytical Study Towards Accent-robust ASR Only with Native Speech Data

In this study, we gained insight that contributes to achieving accent-robust ASR using only native speech data. In human perception of non-native speech, the phenomenon known as "interlanguage speech intelligibility benefit" (ISIB) is observed, where non-native listeners who share the native language with the speaker understand the speech better compared even to native listeners. Based on the idea that discrete tokens extracted from self-supervised learning (SSL) models represent the human perception of speech, we conducted an analytical study on the robustness of discrete token-based ASR to non-native speech, varying the language used for training the tokenization, which is viewed as a technical implementation of ISIB. The results showed that ISIB actually occurred in the discrete token-based ASR. Since our approach relies only on native speech data to simulate the behavior of human perception, it is expected to be applicable to a wide range of accents for which speech data is scarce.

Formula-Supervised Sound Event Detection: Pre-Training Without Real Data

In this paper, we propose a novel formula-driven supervised learning (FDSL) framework for pre-training an environmental sound analysis model by leveraging acoustic signals parametrically synthesized through formula-driven methods. Specifically, we outline detailed procedures and evaluate their effectiveness for sound event detection (SED). The SED task, which involves estimating the types and timings of sound events, is particularly challenged by the difficulty of acquiring a sufficient quantity of accurately labeled training data. Moreover, it is well known that manually annotated labels often contain noises and are significantly influenced by the subjective judgment of annotators. To address these challenges, we propose a novel pre-training method that utilizes a synthetic dataset, Formula-SED, where acoustic data are generated solely based on mathematical formulas. The proposed method enables large-scale pre-training by using the synthesis parameters applied at each time step as ground truth labels, thereby eliminating label noise and bias. We demonstrate that large-scale pre-training with Formula-SED significantly enhances model accuracy and accelerates training, as evidenced by our results in the DESED dataset used for DCASE2023 Challenge Task 4. The project page is at https://yutoshibata07.github.io/Formula-SED/

Handling Domain Shifts for Anomalous Sound Detection: A Review of DCASE-Related Work

When detecting anomalous sounds in complex environments, one of the main difficulties is that trained models must be sensitive to subtle differences in monitored target signals, while many practical applications also require them to be insensitive to changes in acoustic domains. Examples of such domain shifts include changing the type of microphone or the location of acoustic sensors, which can have a much stronger impact on the acoustic signal than subtle anomalies themselves. Moreover, users typically aim to train a model only on source domain data, which they may have a relatively large collection of, and they hope that such a trained model will be able to generalize well to an unseen target domain by providing only a minimal number of samples to characterize the acoustic signals in that domain. In this work, we review and discuss recent publications focusing on this domain generalization problem for anomalous sound detection in the context of the DCASE challenges on acoustic machine condition monitoring.

Sound Scene Synthesis at the DCASE 2024 Challenge

This paper presents Task 7 at the DCASE 2024 Challenge: sound scene synthesis. Recent advances in sound synthesis and generative models have enabled the creation of realistic and diverse audio content. We introduce a standardized evaluation framework for comparing different sound scene synthesis systems, incorporating both objective and subjective metrics. The challenge attracted four submissions, which are evaluated using the Fr\'echet Audio Distance (FAD) and human perceptual ratings. Our analysis reveals significant insights into the current capabilities and limitations of sound scene synthesis systems, while also highlighting areas for future improvement in this rapidly evolving field.

Trainingless Adaptation of Pretrained Models for Environmental Sound Classification

Deep neural network (DNN)-based models for environmental sound classification are not robust against a domain to which training data do not belong, that is, out-of-distribution or unseen data. To utilize pretrained models for the unseen domain, adaptation methods, such as finetuning and transfer learning, are used with rich computing resources, e.g., the graphical processing unit (GPU). However, it is becoming more difficult to keep up with research trends for those who have poor computing resources because state-of-the-art models are becoming computationally resource-intensive. In this paper, we propose a trainingless adaptation method for pretrained models for environmental sound classification. To introduce the trainingless adaptation method, we first propose an operation of recovering time--frequency-ish (TF-ish) structures in intermediate layers of DNN models. We then propose the trainingless frequency filtering method for domain adaptation, which is not a gradient-based optimization widely used. The experiments conducted using the ESC-50 dataset show that the proposed adaptation method improves the classification accuracy by 20.40 percentage points compared with the conventional method.

DOA-Aware Audio-Visual Self-Supervised Learning for Sound Event Localization and Detection

This paper describes sound event localization and detection (SELD) for spatial audio recordings captured by firstorder ambisonics (FOA) microphones. In this task, one may train a deep neural network (DNN) using FOA data annotated with the classes and directions of arrival (DOAs) of sound events. However, the performance of this approach is severely bounded by the amount of annotated data. To overcome this limitation, we propose a novel method of pretraining the feature extraction part of the DNN in a self-supervised manner. We use spatial audio-visual recordings abundantly available as virtual reality contents. Assuming that sound objects are concurrently observed by the FOA microphones and the omni-directional camera, we jointly train audio and visual encoders with contrastive learning such that the audio and visual embeddings of the same recording and DOA are made close. A key feature of our method is that the DOA-wise audio embeddings are jointly extracted from the raw audio data, while the DOA-wise visual embeddings are separately extracted from the local visual crops centered on the corresponding DOA. This encourages the latent features of the audio encoder to represent both the classes and DOAs of sound events. The experiment using the DCASE2022 Task 3 dataset of 20 hours shows non-annotated audio-visual recordings of 100 hours reduced the error score of SELD from 36.4 pts to 34.9 pts.

Challenge on Sound Scene Synthesis: Evaluating Text-to-Audio Generation

Despite significant advancements in neural text-to-audio generation, challenges persist in controllability and evaluation. This paper addresses these issues through the Sound Scene Synthesis challenge held as part of the Detection and Classification of Acoustic Scenes and Events 2024. We present an evaluation protocol combining objective metric, namely Fr\'echet Audio Distance, with perceptual assessments, utilizing a structured prompt format to enable diverse captions and effective evaluation. Our analysis reveals varying performance across sound categories and model architectures, with larger models generally excelling but innovative lightweight approaches also showing promise. The strong correlation between objective metrics and human ratings validates our evaluation approach. We discuss outcomes in terms of audio quality, controllability, and architectural considerations for text-to-audio synthesizers, providing direction for future research.

Construction and Analysis of Impression Caption Dataset for Environmental Sounds

Some datasets with the described content and order of occurrence of sounds have been released for conversion between environmental sound and text. However, there are very few texts that include information on the impressions humans feel, such as "sharp" and "gorgeous," when they hear environmental sounds. In this study, we constructed a dataset with impression captions for environmental sounds that describe the impressions humans have when hearing these sounds. We used ChatGPT to generate impression captions and selected the most appropriate captions for sound by humans. Our dataset consists of 3,600 impression captions for environmental sounds. To evaluate the appropriateness of impression captions for environmental sounds, we conducted subjective and objective evaluations. From our evaluation results, we indicate that appropriate impression captions for environmental sounds can be generated.

LEAD Dataset: How Can Labels for Sound Event Detection Vary Depending on Annotators?

In this paper, we introduce a LargE-scale Annotator's labels for sound event Detection (LEAD) dataset, which is the dataset used to gain a better understanding of the variation in strong labels in sound event detection (SED). In SED, it is very time-consuming to collect large-scale strong labels, and in most cases, multiple workers divide up the annotations to create a single dataset. In general, strong labels created by multiple annotators have large variations in the type of sound events and temporal onset/offset. Through the annotations of multiple workers, uniquely determining the strong label is quite difficult because the dataset contains sounds that can be mistaken for similar classes and sounds whose temporal onset/offset is difficult to distinguish. If the strong labels of SED vary greatly depending on the annotator, the SED model trained on a dataset created by multiple annotators will be biased. Moreover, if annotators differ between training and evaluation data, there is a risk that the model cannot be evaluated correctly. To investigate the variation in strong labels, we release the LEAD dataset, which provides distinct strong labels for each clip annotated by 20 different annotators. The LEAD dataset allows us to investigate how strong labels vary from annotator to annotator and consider SED models that are robust to the variation of strong labels. The LEAD dataset consists of strong labels assigned to sound clips from TUT Sound Events 2016/2017, TUT Acoustic Scenes 2016, and URBAN-SED. We also analyze variations in the strong labels in the LEAD dataset and provide insights into the variations.