As 3D Gaussian Splatting (3DGS) provides fast and high-quality novel view synthesis, it is a natural extension to deform a canonical 3DGS to multiple frames. However, previous works fail to accurately reconstruct dynamic scenes, especially 1) static parts moving along nearby dynamic parts, and 2) some dynamic areas are blurry. We attribute the failure to the wrong design of the deformation field, which is built as a coordinate-based function. This approach is problematic because 3DGS is a mixture of multiple fields centered at the Gaussians, not just a single coordinate-based framework. To resolve this problem, we define the deformation as a function of per-Gaussian embeddings and temporal embeddings. Moreover, we decompose deformations as coarse and fine deformations to model slow and fast movements, respectively. Also, we introduce an efficient training strategy for faster convergence and higher quality. Project page: https://jeongminb.github.io/e-d3dgs/
Semantic image synthesis (SIS) aims to generate realistic images that match given semantic masks. Despite recent advances allowing high-quality results and precise spatial control, they require a massive semantic segmentation dataset for training the models. Instead, we propose to employ a pre-trained unconditional generator and rearrange its feature maps according to proxy masks. The proxy masks are prepared from the feature maps of random samples in the generator by simple clustering. The feature rearranger learns to rearrange original feature maps to match the shape of the proxy masks that are either from the original sample itself or from random samples. Then we introduce a semantic mapper that produces the proxy masks from various input conditions including semantic masks. Our method is versatile across various applications such as free-form spatial editing of real images, sketch-to-photo, and even scribble-to-photo. Experiments validate advantages of our method on a range of datasets: human faces, animal faces, and buildings.
In the evolving domain of text-to-image generation, diffusion models have emerged as powerful tools in content creation. Despite their remarkable capability, existing models still face challenges in achieving controlled generation with a consistent style, requiring costly fine-tuning or often inadequately transferring the visual elements due to content leakage. To address these challenges, we propose a novel approach, \ours, to produce a diverse range of images while maintaining specific style elements and nuances. During the denoising process, we keep the query from original features while swapping the key and value with those from reference features in the late self-attention layers. This approach allows for the visual style prompting without any fine-tuning, ensuring that generated images maintain a faithful style. Through extensive evaluation across various styles and text prompts, our method demonstrates superiority over existing approaches, best reflecting the style of the references and ensuring that resulting images match the text prompts most accurately. Our project page is available https://curryjung.github.io/VisualStylePrompt/.
When the training dataset comprises a 1:1 proportion of dogs to cats, a generative model that produces 1:1 dogs and cats better resembles the training species distribution than another model with 3:1 dogs and cats. Can we capture this phenomenon using existing metrics? Unfortunately, we cannot, because these metrics do not provide any interpretability beyond "diversity". In this context, we propose a new evaluation protocol that measures the divergence of a set of generated images from the training set regarding the distribution of attribute strengths as follows. Single-attribute Divergence (SaD) measures the divergence regarding PDFs of a single attribute. Paired-attribute Divergence (PaD) measures the divergence regarding joint PDFs of a pair of attributes. They provide which attributes the models struggle. For measuring the attribute strengths of an image, we propose Heterogeneous CLIPScore (HCS) which measures the cosine similarity between image and text vectors with heterogeneous initial points. With SaD and PaD, we reveal the following about existing generative models. ProjectedGAN generates implausible attribute relationships such as a baby with a beard even though it has competitive scores of existing metrics. Diffusion models struggle to capture diverse colors in the datasets. The larger sampling timesteps of latent diffusion model generate the more minor objects including earrings and necklaces. Stable Diffusion v1.5 better captures the attributes than v2.1. Our metrics lay a foundation for explainable evaluations of generative models.
Recent advancements in 4D scene reconstruction using neural radiance fields (NeRF) have demonstrated the ability to represent dynamic scenes from multi-view videos. However, they fail to reconstruct the dynamic scenes and struggle to fit even the training views in unsynchronized settings. It happens because they employ a single latent embedding for a frame while the multi-view images at the frame were actually captured at different moments. To address this limitation, we introduce time offsets for individual unsynchronized videos and jointly optimize the offsets with NeRF. By design, our method is applicable for various baselines and improves them with large margins. Furthermore, finding the offsets naturally works as synchronizing the videos without manual effort. Experiments are conducted on the common Plenoptic Video Dataset and a newly built Unsynchronized Dynamic Blender Dataset to verify the performance of our method. Project page: https://seoha-kim.github.io/sync-nerf
We present the Groupwise Diffusion Model (GDM), which divides data into multiple groups and diffuses one group at one time interval in the forward diffusion process. GDM generates data sequentially from one group at one time interval, leading to several interesting properties. First, as an extension of diffusion models, GDM generalizes certain forms of autoregressive models and cascaded diffusion models. As a unified framework, GDM allows us to investigate design choices that have been overlooked in previous works, such as data-grouping strategy and order of generation. Furthermore, since one group of the initial noise affects only a certain group of the generated data, latent space now possesses group-wise interpretable meaning. We can further extend GDM to the frequency domain where the forward process sequentially diffuses each group of frequency components. Dividing the frequency bands of the data as groups allows the latent variables to become a hierarchical representation where individual groups encode data at different levels of abstraction. We demonstrate several applications of such representation including disentanglement of semantic attributes, image editing, and generating variations.
Weakly-supervised semantic segmentation (WSSS) performs pixel-wise classification given only image-level labels for training. Despite the difficulty of this task, the research community has achieved promising results over the last five years. Still, current WSSS literature misses the detailed sense of how well the methods perform on different sizes of objects. Thus we propose a novel evaluation metric to provide a comprehensive assessment across different object sizes and collect a size-balanced evaluation set to complement PASCAL VOC. With these two gadgets, we reveal that the existing WSSS methods struggle in capturing small objects. Furthermore, we propose a size-balanced cross-entropy loss coupled with a proper training strategy. It generally improves existing WSSS methods as validated upon ten baselines on three different datasets.
To deliver the artistic expression of the target style, recent studies exploit the attention mechanism owing to its ability to map the local patches of the style image to the corresponding patches of the content image. However, because of the low semantic correspondence between arbitrary content and artworks, the attention module repeatedly abuses specific local patches from the style image, resulting in disharmonious and evident repetitive artifacts. To overcome this limitation and accomplish impeccable artistic style transfer, we focus on enhancing the attention mechanism and capturing the rhythm of patterns that organize the style. In this paper, we introduce a novel metric, namely pattern repeatability, that quantifies the repetition of patterns in the style image. Based on the pattern repeatability, we propose Aesthetic Pattern-Aware style transfer Networks (AesPA-Net) that discover the sweet spot of local and global style expressions. In addition, we propose a novel self-supervisory task to encourage the attention mechanism to learn precise and meaningful semantic correspondence. Lastly, we introduce the patch-wise style loss to transfer the elaborate rhythm of local patterns. Through qualitative and quantitative evaluations, we verify the reliability of the proposed pattern repeatability that aligns with human perception, and demonstrate the superiority of the proposed framework.
Despite the success of diffusion models (DMs), we still lack a thorough understanding of their latent space. To understand the latent space $\mathbf{x}_t \in \mathcal{X}$, we analyze them from a geometrical perspective. Specifically, we utilize the pullback metric to find the local latent basis in $\mathcal{X}$ and their corresponding local tangent basis in $\mathcal{H}$, the intermediate feature maps of DMs. The discovered latent basis enables unsupervised image editing capability through latent space traversal. We investigate the discovered structure from two perspectives. First, we examine how geometric structure evolves over diffusion timesteps. Through analysis, we show that 1) the model focuses on low-frequency components early in the generative process and attunes to high-frequency details later; 2) At early timesteps, different samples share similar tangent spaces; and 3) The simpler datasets that DMs trained on, the more consistent the tangent space for each timestep. Second, we investigate how the geometric structure changes based on text conditioning in Stable Diffusion. The results show that 1) similar prompts yield comparable tangent spaces; and 2) the model depends less on text conditions in later timesteps. To the best of our knowledge, this paper is the first to present image editing through $\mathbf{x}$-space traversal and provide thorough analyses of the latent structure of DMs.