Norface: Improving Facial Expression Analysis by Identity Normalization

Facial Expression Analysis remains a challenging task due to unexpected task-irrelevant noise, such as identity, head pose, and background. To address this issue, this paper proposes a novel framework, called Norface, that is unified for both Action Unit (AU) analysis and Facial Emotion Recognition (FER) tasks. Norface consists of a normalization network and a classification network. First, the carefully designed normalization network struggles to directly remove the above task-irrelevant noise, by maintaining facial expression consistency but normalizing all original images to a common identity with consistent pose, and background. Then, these additional normalized images are fed into the classification network. Due to consistent identity and other factors (e.g. head pose, background, etc.), the normalized images enable the classification network to extract useful expression information more effectively. Additionally, the classification network incorporates a Mixture of Experts to refine the latent representation, including handling the input of facial representations and the output of multiple (AU or emotion) labels. Extensive experiments validate the carefully designed framework with the insight of identity normalization. The proposed method outperforms existing SOTA methods in multiple facial expression analysis tasks, including AU detection, AU intensity estimation, and FER tasks, as well as their cross-dataset tasks. For the normalized datasets and code please visit {https://norface-fea.github.io/}.

A Review of Intelligent Music Generation Systems

Intelligent music generation, one of the most popular subfields of computer creativity, can lower the creative threshold for non-specialists and increase the efficiency of music creation. In the last five years, the quality of algorithm-based automatic music generation has increased significantly, motivated by the use of modern generative algorithms to learn the patterns implicit within a piece of music based on rule constraints or a musical corpus, thus generating music samples in various styles. Some of the available literature reviews lack a systematic benchmark of generative models and are traditional and conservative in their perspective, resulting in a vision of the future development of the field that is not deeply integrated with the current rapid scientific progress. In this paper, we conduct a comprehensive survey and analysis of recent intelligent music generation techniques,provide a critical discussion, explicitly identify their respective characteristics, and present them in a general table. We first introduce how music as a stream of information is encoded and the relevant datasets, then compare different types of generation algorithms, summarize their strengths and weaknesses, and discuss existing methods for evaluation. Finally, the development of artificial intelligence in composition is studied, especially by comparing the different characteristics of music generation techniques in the East and West and analyzing the development prospects in this field.