Removing Objects From Neural Radiance Fields

Neural Radiance Fields (NeRFs) are emerging as a ubiquitous scene representation that allows for novel view synthesis. Increasingly, NeRFs will be shareable with other people. Before sharing a NeRF, though, it might be desirable to remove personal information or unsightly objects. Such removal is not easily achieved with the current NeRF editing frameworks. We propose a framework to remove objects from a NeRF representation created from an RGB-D sequence. Our NeRF inpainting method leverages recent work in 2D image inpainting and is guided by a user-provided mask. Our algorithm is underpinned by a confidence based view selection procedure. It chooses which of the individual 2D inpainted images to use in the creation of the NeRF, so that the resulting inpainted NeRF is 3D consistent. We show that our method for NeRF editing is effective for synthesizing plausible inpaintings in a multi-view coherent manner. We validate our approach using a new and still-challenging dataset for the task of NeRF inpainting.

Interactive Sketching of Mannequin Poses

It can be easy and even fun to sketch humans in different poses. In contrast, creating those same poses on a 3D graphics "mannequin" is comparatively tedious. Yet 3D body poses are necessary for various downstream applications. We seek to preserve the convenience of 2D sketching while giving users of different skill levels the flexibility to accurately and more quickly pose\slash refine a 3D mannequin. At the core of the interactive system, we propose a machine-learning model for inferring the 3D pose of a CG mannequin from sketches of humans drawn in a cylinder-person style. Training such a model is challenging because of artist variability, a lack of sketch training data with corresponding ground truth 3D poses, and the high dimensionality of human pose-space. Our unique approach to synthesizing vector graphics training data underpins our integrated ML-and-kinematics system. We validate the system by tightly coupling it with a user interface, and by performing a user study, in addition to quantitative comparisons.

SVL-Adapter: Self-Supervised Adapter for Vision-Language Pretrained Models

Vision-language models such as CLIP are pretrained on large volumes of internet sourced image and text pairs, and have been shown to sometimes exhibit impressive zero- and low-shot image classification performance. However, due to their size, fine-tuning these models on new datasets can be prohibitively expensive, both in terms of the supervision and compute required. To combat this, a series of light-weight adaptation methods have been proposed to efficiently adapt such models when limited supervision is available. In this work, we show that while effective on internet-style datasets, even those remedies under-deliver on classification tasks with images that differ significantly from those commonly found online. To address this issue, we present a new approach called SVL-Adapter that combines the complementary strengths of both vision-language pretraining and self-supervised representation learning. We report an average classification accuracy improvement of 10% in the low-shot setting when compared to existing methods, on a set of challenging visual classification tasks. Further, we present a fully automatic way of selecting an important blending hyperparameter for our model that does not require any held-out labeled validation data. Code for our project is available here: https://github.com/omipan/svl_adapter.

Focus on the Positives: Self-Supervised Learning for Biodiversity Monitoring

We address the problem of learning self-supervised representations from unlabeled image collections. Unlike existing approaches that attempt to learn useful features by maximizing similarity between augmented versions of each input image or by speculatively picking negative samples, we instead also make use of the natural variation that occurs in image collections that are captured using static monitoring cameras. To achieve this, we exploit readily available context data that encodes information such as the spatial and temporal relationships between the input images. We are able to learn representations that are surprisingly effective for downstream supervised classification, by first identifying high probability positive pairs at training time, i.e. those images that are likely to depict the same visual concept. For the critical task of global biodiversity monitoring, this results in image features that can be adapted to challenging visual species classification tasks with limited human supervision. We present results on four different camera trap image collections, across three different families of self-supervised learning methods, and show that careful image selection at training time results in superior performance compared to existing baselines such as conventional self-supervised training and transfer learning.

The Temporal Opportunist: Self-Supervised Multi-Frame Monocular Depth

Self-supervised monocular depth estimation networks are trained to predict scene depth using nearby frames as a supervision signal during training. However, for many applications, sequence information in the form of video frames is also available at test time. The vast majority of monocular networks do not make use of this extra signal, thus ignoring valuable information that could be used to improve the predicted depth. Those that do, either use computationally expensive test-time refinement techniques or off-the-shelf recurrent networks, which only indirectly make use of the geometric information that is inherently available. We propose ManyDepth, an adaptive approach to dense depth estimation that can make use of sequence information at test time, when it is available. Taking inspiration from multi-view stereo, we propose a deep end-to-end cost volume based approach that is trained using self-supervision only. We present a novel consistency loss that encourages the network to ignore the cost volume when it is deemed unreliable, e.g. in the case of moving objects, and an augmentation scheme to cope with static cameras. Our detailed experiments on both KITTI and Cityscapes show that we outperform all published self-supervised baselines, including those that use single or multiple frames at test time.

Visual Camera Re-Localization Using Graph Neural Networks and Relative Pose Supervision

Visual re-localization means using a single image as input to estimate the camera's location and orientation relative to a pre-recorded environment. The highest-scoring methods are "structure based," and need the query camera's intrinsics as an input to the model, with careful geometric optimization. When intrinsics are absent, methods vie for accuracy by making various other assumptions. This yields fairly good localization scores, but the models are "narrow" in some way, eg., requiring costly test-time computations, or depth sensors, or multiple query frames. In contrast, our proposed method makes few special assumptions, and is fairly lightweight in training and testing. Our pose regression network learns from only relative poses of training scenes. For inference, it builds a graph connecting the query image to training counterparts and uses a graph neural network (GNN) with image representations on nodes and image-pair representations on edges. By efficiently passing messages between them, both representation types are refined to produce a consistent camera pose estimate. We validate the effectiveness of our approach on both standard indoor (7-Scenes) and outdoor (Cambridge Landmarks) camera re-localization benchmarks. Our relative pose regression method matches the accuracy of absolute pose regression networks, while retaining the relative-pose models' test-time speed and ability to generalize to non-training scenes.

Panoptic Segmentation Forecasting

Our goal is to forecast the near future given a set of recent observations. We think this ability to forecast, i.e., to anticipate, is integral for the success of autonomous agents which need not only passively analyze an observation but also must react to it in real-time. Importantly, accurate forecasting hinges upon the chosen scene decomposition. We think that superior forecasting can be achieved by decomposing a dynamic scene into individual 'things' and background 'stuff'. Background 'stuff' largely moves because of camera motion, while foreground 'things' move because of both camera and individual object motion. Following this decomposition, we introduce panoptic segmentation forecasting. Panoptic segmentation forecasting opens up a middle-ground between existing extremes, which either forecast instance trajectories or predict the appearance of future image frames. To address this task we develop a two-component model: one component learns the dynamics of the background stuff by anticipating odometry, the other one anticipates the dynamics of detected things. We establish a leaderboard for this novel task, and validate a state-of-the-art model that outperforms available baselines.

LookOut! Interactive Camera Gimbal Controller for Filming Long Takes

The job of a camera operator is more challenging, and potentially dangerous, when filming long moving camera shots. Broadly, the operator must keep the actors in-frame while safely navigating around obstacles, and while fulfilling an artistic vision. We propose a unified hardware and software system that distributes some of the camera operator's burden, freeing them up to focus on safety and aesthetics during a take. Our real-time system provides a solo operator with end-to-end control, so they can balance on-set responsiveness to action vs planned storyboards and framing, while looking where they're going. By default, we film without a field monitor. Our LookOut system is built around a lightweight commodity camera gimbal mechanism, with heavy modifications to the controller, which would normally just provide active stabilization. Our control algorithm reacts to speech commands, video, and a pre-made script. Specifically, our automatic monitoring of the live video feed saves the operator from distractions. In pre-production, an artist uses our GUI to design a sequence of high-level camera "behaviors." Those can be specific, based on a storyboard, or looser objectives, such as "frame both actors." Then during filming, a machine-readable script, exported from the GUI, ties together with the sensor readings to drive the gimbal. To validate our algorithm, we compared tracking strategies, interfaces, and hardware protocols, and collected impressions from a) film-makers who used all aspects of our system, and b) film-makers who watched footage filmed using LookOut.

Single-Image Depth Prediction Makes Feature Matching Easier

Good local features improve the robustness of many 3D re-localization and multi-view reconstruction pipelines. The problem is that viewing angle and distance severely impact the recognizability of a local feature. Attempts to improve appearance invariance by choosing better local feature points or by leveraging outside information, have come with pre-requisites that made some of them impractical. In this paper, we propose a surprisingly effective enhancement to local feature extraction, which improves matching. We show that CNN-based depths inferred from single RGB images are quite helpful, despite their flaws. They allow us to pre-warp images and rectify perspective distortions, to significantly enhance SIFT and BRISK features, enabling more good matches, even when cameras are looking at the same scene but in opposite directions.