Sound event localization and detection (SELD) systems estimate direction-of-arrival (DOA) and temporal activation for sets of target classes. Neural network (NN)-based SELD systems have performed well in various sets of target classes, but they only output the DOA and temporal activation of preset classes that are trained before inference. To customize target classes after training, we tackle zero- and few-shot SELD tasks, in which we set new classes with a text sample or a few audio samples. While zero-shot sound classification tasks are achievable by embedding from contrastive language-audio pretraining (CLAP), zero-shot SELD tasks require assigning an activity and a DOA to each embedding, especially in overlapping cases. To tackle the assignment problem in overlapping cases, we propose an embed-ACCDOA model, which is trained to output track-wise CLAP embedding and corresponding activity-coupled Cartesian direction-of-arrival (ACCDOA). In our experimental evaluations on zero- and few-shot SELD tasks, the embed-ACCDOA model showed a better location-dependent scores than a straightforward combination of the CLAP audio encoder and a DOA estimation model. Moreover, the proposed combination of the embed-ACCDOA model and CLAP audio encoder with zero- or few-shot samples performed comparably to an official baseline system trained with complete train data in an evaluation dataset.
This paper summarizes the cinematic demixing (CDX) track of the Sound Demixing Challenge 2023 (SDX'23). We provide a comprehensive summary of the challenge setup, detailing the structure of the competition and the datasets used. Especially, we detail CDXDB23, a new hidden dataset constructed from real movies that was used to rank the submissions. The paper also offers insights into the most successful approaches employed by participants. Compared to the cocktail-fork baseline, the best-performing system trained exclusively on the simulated Divide and Remaster (DnR) dataset achieved an improvement of 1.8dB in SDR whereas the top performing system on the open leaderboard, where any data could be used for training, saw a significant improvement of 5.7dB.
While direction of arrival (DOA) of sound events is generally estimated from multichannel audio data recorded in a microphone array, sound events usually derive from visually perceptible source objects, e.g., sounds of footsteps come from the feet of a walker. This paper proposes an audio-visual sound event localization and detection (SELD) task, which uses multichannel audio and video information to estimate the temporal activation and DOA of target sound events. Audio-visual SELD systems can detect and localize sound events using signals from a microphone array and audio-visual correspondence. We also introduce an audio-visual dataset, Sony-TAu Realistic Spatial Soundscapes 2023 (STARSS23), which consists of multichannel audio data recorded with a microphone array, video data, and spatiotemporal annotation of sound events. Sound scenes in STARSS23 are recorded with instructions, which guide recording participants to ensure adequate activity and occurrences of sound events. STARSS23 also serves human-annotated temporal activation labels and human-confirmed DOA labels, which are based on tracking results of a motion capture system. Our benchmark results show that the audio-visual SELD system achieves lower localization error than the audio-only system. The data is available at https://zenodo.org/record/7880637.
Diffusion-based speech enhancement (SE) has been investigated recently, but its decoding is very time-consuming. One solution is to initialize the decoding process with the enhanced feature estimated by a predictive SE system. However, this two-stage method ignores the complementarity between predictive and diffusion SE. In this paper, we propose a unified system that integrates these two SE modules. The system encodes both generative and predictive information, and then applies both generative and predictive decoders, whose outputs are fused. Specifically, the two SE modules are fused in the first and final diffusion steps: the first step fusion initializes the diffusion process with the predictive SE for improving the convergence, and the final step fusion combines the two complementary SE outputs to improve the SE performance. Experiments on the Voice-Bank dataset show that the diffusion score estimation can benefit from the predictive information and speed up the decoding.
This paper presents the crossing scheme (X-scheme) for improving the performance of deep neural network (DNN)-based music source separation (MSS) without increasing calculation cost. It consists of three components: (i) multi-domain loss (MDL), (ii) bridging operation, which couples the individual instrument networks, and (iii) combination loss (CL). MDL enables the taking advantage of the frequency- and time-domain representations of audio signals. We modify the target network, i.e., the network architecture of the original DNN-based MSS, by adding bridging paths for each output instrument to share their information. MDL is then applied to the combinations of the output sources as well as each independent source, hence we called it CL. MDL and CL can easily be applied to many DNN-based separation methods as they are merely loss functions that are only used during training and do not affect the inference step. Bridging operation does not increase the number of learnable parameters in the network. Experimental results showed that the validity of Open-Unmix (UMX) and densely connected dilated DenseNet (D3Net) extended with our X-scheme, respectively called X-UMX and X-D3Net, by comparing them with their original versions. We also verified the effectiveness of X-scheme in a large-scale data regime, showing its generality with respect to data size. X-UMX Large (X-UMXL), which was trained on large-scale internal data and used in our experiments, is newly available at https://github.com/asteroid-team/asteroid/tree/master/egs/musdb18/X-UMX.
We have developed a diffusion-based speech refiner that improves the reference-free perceptual quality of the audio predicted by preceding single-channel speech separation models. Although modern deep neural network-based speech separation models have show high performance in reference-based metrics, they often produce perceptually unnatural artifacts. The recent advancements made to diffusion models motivated us to tackle this problem by restoring the degraded parts of initial separations with a generative approach. Utilizing the denoising diffusion restoration model (DDRM) as a basis, we propose a shared DDRM-based refiner that generates samples conditioned on the global information of preceding outputs from arbitrary speech separation models. We experimentally show that our refiner can provide a clearer harmonic structure of speech and improves the reference-free metric of perceptual quality for arbitrary preceding model architectures. Furthermore, we tune the variance of the measurement noise based on preceding outputs, which results in higher scores in both reference-free and reference-based metrics. The separation quality can also be further improved by blending the discriminative and generative outputs.
Audio classification and restoration are among major downstream tasks in audio signal processing. However, restoration derives less of a benefit from pretrained models compared to the overwhelming success of pretrained models in classification tasks. Due to such unbalanced benefits, there has been rising interest in how to improve the performance of pretrained models for restoration tasks such as speech enhancement (SE). Previous works have shown that the features extracted by pretrained audio encoders are effective for SE tasks, but these speech-specific encoder-only models usually require extra decoders to become compatible with SE tasks, and involve complicated pretraining procedures or complex data augmentation. Therefore, in pursuit of a universal audio model, the audio masked autoencoder (MAE) whose backbone is the autoencoder of Vision Transformers (ViT-AE), is extended from audio classification toward restoration tasks in this paper. ViT-AE naturally learns mel-to-mel mapping that is compatible with restoration tasks during pretraining. Among many restoration tasks, SE is chosen due to its well-established evaluation metrics and test data. We propose variations of ViT-AE to improve the SE performance, where the mel-to-mel variations yield high scores for non-intrusive metrics and the STFT-oriented variation is effective at standard intrusive metrics such as PESQ. Different variations can be used in accordance with the scenarios. Comprehensive evaluations and ablation studies show that MAE pretraining is also beneficial to SE tasks and help the ViT-AE to better generalize to out-of-domain distortions. We further found that large-scale noisy data of general audio sources, rather than clean speech, is sufficiently effective for pretraining.
Although music is typically multi-label, many works have studied hierarchical music tagging with simplified settings such as single-label data. Moreover, there lacks a framework to describe various joint training methods under the multi-label setting. In order to discuss the above topics, we introduce hierarchical multi-label music instrument classification task. The task provides a realistic setting where multi-instrument real music data is assumed. Various hierarchical methods that jointly train a DNN are summarized and explored in the context of the fusion of deep learning and conventional techniques. For the effective joint training in the multi-label setting, we propose two methods to model the connection between fine- and coarse-level tags, where one uses rule-based grouped max-pooling, the other one uses the attention mechanism obtained in a data-driven manner. Our evaluation reveals that the proposed methods have advantages over the method without joint training. In addition, the decision procedure within the proposed methods can be interpreted by visualizing attention maps or referring to fixed rules.
Although deep neural network (DNN)-based speech enhancement (SE) methods outperform the previous non-DNN-based ones, they often degrade the perceptual quality of generated outputs. To tackle this problem, We introduce a DNN-based generative refiner aiming to improve perceptual speech quality pre-processed by an SE method. As the refiner, we train a diffusion-based generative model by utilizing a dataset consisting of clean speech only. Then, the model replaces the degraded and distorted parts caused by a preceding SE method with newly generated clean parts by denoising diffusion restoration. Once our refiner is trained on a set of clean speech, it can be applied to various SE methods without additional training specialized for each SE module. Therefore, our refiner can be a versatile post-processing module w.r.t. SE methods and has high potential in terms of modularity. Experimental results show that our method improved perceptual speech quality regardless of the preceding SE methods used.
In this paper we propose a novel generative approach, DiffRoll, to tackle automatic music transcription (AMT). Instead of treating AMT as a discriminative task in which the model is trained to convert spectrograms into piano rolls, we think of it as a conditional generative task where we train our model to generate realistic looking piano rolls from pure Gaussian noise conditioned on spectrograms. This new AMT formulation enables DiffRoll to transcribe, generate and even inpaint music. Due to the classifier-free nature, DiffRoll is also able to be trained on unpaired datasets where only piano rolls are available. Our experiments show that DiffRoll outperforms its discriminative counterpart by 17.9 percentage points (ppt.) and our ablation studies also indicate that it outperforms similar existing methods by 3.70 ppt.