SqueezeComposer: Temporal Speed-up is A Simple Trick for Long-form Music Composing

Composing coherent long-form music remains a significant challenge due to the complexity of modeling long-range dependencies and the prohibitive memory and computational requirements associated with lengthy audio representations. In this work, we propose a simple yet powerful trick: we assume that AI models can understand and generate time-accelerated (speeded-up) audio at rates such as 2x, 4x, or even 8x. By first generating a high-speed version of the music, we greatly reduce the temporal length and resource requirements, making it feasible to handle long-form music that would otherwise exceed memory or computational limits. The generated audio is then restored to its original speed, recovering the full temporal structure. This temporal speed-up and slow-down strategy naturally follows the principle of hierarchical generation from abstract to detailed content, and can be conveniently applied to existing music generation models to enable long-form music generation. We instantiate this idea in SqueezeComposer, a framework that employs diffusion models for generation in the accelerated domain and refinement in the restored domain. We validate the effectiveness of this approach on two tasks: long-form music generation, which evaluates temporal-wise control (including continuation, completion, and generation from scratch), and whole-song singing accompaniment generation, which evaluates track-wise control. Experimental results demonstrate that our simple temporal speed-up trick enables efficient, scalable, and high-quality long-form music generation. Audio samples are available at https://SqueezeComposer.github.io/.

Controllable Residual Speaker Representation for Voice Conversion

Recently, there have been significant advancements in voice conversion, resulting in high-quality performance. However, there are still two critical challenges in this field. Firstly, current voice conversion methods have limited robustness when encountering unseen speakers. Secondly, they also have limited ability to control timbre representation. To address these challenges, this paper presents a novel approach leverages tokens of multi-layer residual approximations to enhance robustness when dealing with unseen speakers, called the residual speaker module. The introduction of multi-layer approximations facilitates the separation of information from the timbre, enabling effective control over timbre in voice conversion. The proposed method outperforms baselines in both subjective and objective evaluations, demonstrating superior performance and increased robustness. Our demo page is publicly available.