Understanding How MLLMs Describe Artworks Using Token Activation Maps

Multimodal Large Language Models (MLLMs) describe artworks with remarkable fluency, yet the visual reasoning behind their outputs remains opaque. When an MLLM names a style, identifies a subject, or recognizes an iconographic symbol, does it ground each claim in the relevant region of the canvas, draw on an undifferentiated visual signal, or rely primarily on textual priors? We study this using the Token Activation Map (TAM), which produces, for each generated token, a heatmap isolating the visual evidence specific to that token from prior-context interference. Applying TAM to a curated set of paintings spanning multiple periods and genres, we analyze grounding patterns across five semantically distinct token categories: common visual objects, style descriptors, metadata, iconographic tokens, and affective expressions. We find that visual grounding varies substantially with token semantics. We further show that MLLMs attempt to identify artworks and artists, achieving higher accuracy in artist attribution than in title prediction, where hallucinations are more frequent. Finally, we compare TAM with SAM~3 open-vocabulary segmentation. To ensure reproducibility, we release our code, experimental configurations, prompts, and qualitative results on the project page at https://nicolafan.github.io/tamart/.

Analyzing the Correlation Between Hallucinations and Knowledge Conflicts in Large Language Models

Hallucinations -- factually incorrect or unverifiable outputs -- remain one of the most challenging limitations of Large Language Models (LLMs), especially in knowledge-intensive tasks. One proposed explanation is internal knowledge conflicts arising from fixed, outdated training data. This paper investigates whether internal representations linked to knowledge conflicts correlate with hallucination behaviors in LLMs. Using probing techniques inspired by two prior works, we analyzed activations from hidden, attention, and MLP layers, as well as output logits, across predefined tasks. We probed LLaMA-3-8B on hallucination detection benchmarks and Falcon-7B on a knowledge conflict dataset. Our findings show that, although conceptually related, hallucination activation patterns cannot be fully reduced to or explained by knowledge conflict representations. Nonetheless, probing proves a robust tool across multiple languages and activation types, supporting its role in improving LLM interpretability. This work advances the broader understanding of hallucinations in LLMs and underscores the value of fine-grained analysis of their internal behavior.

Art2Mus: Artwork-to-Music Generation via Visual Conditioning and Large-Scale Cross-Modal Alignment

Music generation has advanced markedly through multimodal deep learning, enabling models to synthesize audio from text and, more recently, from images. However, existing image-conditioned systems suffer from two fundamental limitations: (i) they are typically trained on natural photographs, limiting their ability to capture the richer semantic, stylistic, and cultural content of artworks; and (ii) most rely on an image-to-text conversion stage, using language as a semantic shortcut that simplifies conditioning but prevents direct visual-to-audio learning. Motivated by these gaps, we introduce ArtSound, a large-scale multimodal dataset of 105,884 artwork-music pairs enriched with dual-modality captions, obtained by extending ArtGraph and the Free Music Archive. We further propose ArtToMus, the first framework explicitly designed for direct artwork-to-music generation, which maps digitized artworks to music without image-to-text translation or language-based semantic supervision. The framework projects visual embeddings into the conditioning space of a latent diffusion model, enabling music synthesis guided solely by visual information. Experimental results show that ArtToMus generates musically coherent and stylistically consistent outputs that reflect salient visual cues of the source artworks. While absolute alignment scores remain lower than those of text-conditioned systems-as expected given the substantially increased difficulty of removing linguistic supervision-ArtToMus achieves competitive perceptual quality and meaningful cross-modal correspondence. This work establishes direct visual-to-music generation as a distinct and challenging research direction, and provides resources that support applications in multimedia art, cultural heritage, and AI-assisted creative practice. Code and dataset will be publicly released upon acceptance.

Take a Peek: Efficient Encoder Adaptation for Few-Shot Semantic Segmentation via LoRA

Few-shot semantic segmentation (FSS) aims to segment novel classes in query images using only a small annotated support set. While prior research has mainly focused on improving decoders, the encoder's limited ability to extract meaningful features for unseen classes remains a key bottleneck. In this work, we introduce \textit{Take a Peek} (TaP), a simple yet effective method that enhances encoder adaptability for both FSS and cross-domain FSS (CD-FSS). TaP leverages Low-Rank Adaptation (LoRA) to fine-tune the encoder on the support set with minimal computational overhead, enabling fast adaptation to novel classes while mitigating catastrophic forgetting. Our method is model-agnostic and can be seamlessly integrated into existing FSS pipelines. Extensive experiments across multiple benchmarks--including COCO $20^i$, Pascal $5^i$, and cross-domain datasets such as DeepGlobe, ISIC, and Chest X-ray--demonstrate that TaP consistently improves segmentation performance across diverse models and shot settings. Notably, TaP delivers significant gains in complex multi-class scenarios, highlighting its practical effectiveness in realistic settings. A rank sensitivity analysis also shows that strong performance can be achieved even with low-rank adaptations, ensuring computational efficiency. By addressing a critical limitation in FSS--the encoder's generalization to novel classes--TaP paves the way toward more robust, efficient, and generalizable segmentation systems. The code is available at https://github.com/pasqualedem/TakeAPeek.

LAYA: Layer-wise Attention Aggregation for Interpretable Depth-Aware Neural Networks

Deep neural networks typically rely on the representation produced by their final hidden layer to make predictions, implicitly assuming that this single vector fully captures the semantics encoded across all preceding transformations. However, intermediate layers contain rich and complementary information -- ranging from low-level patterns to high-level abstractions -- that is often discarded when the decision head depends solely on the last representation. This paper revisits the role of the output layer and introduces LAYA (Layer-wise Attention Aggregator), a novel output head that dynamically aggregates internal representations through attention. Instead of projecting only the deepest embedding, LAYA learns input-conditioned attention weights over layer-wise features, yielding an interpretable and architecture-agnostic mechanism for synthesizing predictions. Experiments on vision and language benchmarks show that LAYA consistently matches or improves the performance of standard output heads, with relative gains of up to about one percentage point in accuracy, while providing explicit layer-attribution scores that reveal how different abstraction levels contribute to each decision. Crucially, these interpretability signals emerge directly from the model's computation, without any external post hoc explanations. The code to reproduce LAYA is publicly available at: https://github.com/gvessio/LAYA.

ArtSeek: Deep artwork understanding via multimodal in-context reasoning and late interaction retrieval

Analyzing digitized artworks presents unique challenges, requiring not only visual interpretation but also a deep understanding of rich artistic, contextual, and historical knowledge. We introduce ArtSeek, a multimodal framework for art analysis that combines multimodal large language models with retrieval-augmented generation. Unlike prior work, our pipeline relies only on image input, enabling applicability to artworks without links to Wikidata or Wikipedia-common in most digitized collections. ArtSeek integrates three key components: an intelligent multimodal retrieval module based on late interaction retrieval, a contrastive multitask classification network for predicting artist, genre, style, media, and tags, and an agentic reasoning strategy enabled through in-context examples for complex visual question answering and artwork explanation via Qwen2.5-VL. Central to this approach is WikiFragments, a Wikipedia-scale dataset of image-text fragments curated to support knowledge-grounded multimodal reasoning. Our framework achieves state-of-the-art results on multiple benchmarks, including a +8.4% F1 improvement in style classification over GraphCLIP and a +7.1 BLEU@1 gain in captioning on ArtPedia. Qualitative analyses show that ArtSeek can interpret visual motifs, infer historical context, and retrieve relevant knowledge, even for obscure works. Though focused on visual arts, our approach generalizes to other domains requiring external knowledge, supporting scalable multimodal AI research. Both the dataset and the source code will be made publicly available at https://github.com/cilabuniba/artseek.

I Dream My Painting: Connecting MLLMs and Diffusion Models via Prompt Generation for Text-Guided Multi-Mask Inpainting

Inpainting focuses on filling missing or corrupted regions of an image to blend seamlessly with its surrounding content and style. While conditional diffusion models have proven effective for text-guided inpainting, we introduce the novel task of multi-mask inpainting, where multiple regions are simultaneously inpainted using distinct prompts. Furthermore, we design a fine-tuning procedure for multimodal LLMs, such as LLaVA, to generate multi-mask prompts automatically using corrupted images as inputs. These models can generate helpful and detailed prompt suggestions for filling the masked regions. The generated prompts are then fed to Stable Diffusion, which is fine-tuned for the multi-mask inpainting problem using rectified cross-attention, enforcing prompts onto their designated regions for filling. Experiments on digitized paintings from WikiArt and the Densely Captioned Images dataset demonstrate that our pipeline delivers creative and accurate inpainting results. Our code, data, and trained models are available at https://cilabuniba.github.io/i-dream-my-painting.

Neural network modelling of kinematic and dynamic features for signature verification

Online signature parameters, which are based on human characteristics, broaden the applicability of an automatic signature verifier. Although kinematic and dynamic features have previously been suggested, accurately measuring features such as arm and forearm torques remains challenging. We present two approaches for estimating angular velocities, angular positions, and force torques. The first approach involves using a physical UR5e robotic arm to reproduce a signature while capturing those parameters over time. The second method, a cost effective approach, uses a neural network to estimate the same parameters. Our findings demonstrate that a simple neural network model can extract effective parameters for signature verification. Training the neural network with the MCYT300 dataset and cross validating with other databases, namely, BiosecurID, Visual, Blind, OnOffSigDevanagari 75 and OnOffSigBengali 75 confirm the models generalization capability.

Art2Mus: Bridging Visual Arts and Music through Cross-Modal Generation

Artificial Intelligence and generative models have revolutionized music creation, with many models leveraging textual or visual prompts for guidance. However, existing image-to-music models are limited to simple images, lacking the capability to generate music from complex digitized artworks. To address this gap, we introduce $\mathcal{A}\textit{rt2}\mathcal{M}\textit{us}$, a novel model designed to create music from digitized artworks or text inputs. $\mathcal{A}\textit{rt2}\mathcal{M}\textit{us}$ extends the AudioLDM~2 architecture, a text-to-audio model, and employs our newly curated datasets, created via ImageBind, which pair digitized artworks with music. Experimental results demonstrate that $\mathcal{A}\textit{rt2}\mathcal{M}\textit{us}$ can generate music that resonates with the input stimuli. These findings suggest promising applications in multimedia art, interactive installations, and AI-driven creative tools.

What is the Relationship between Tensor Factorizations and Circuits (and How Can We Exploit it)?

This paper establishes a rigorous connection between circuit representations and tensor factorizations, two seemingly distinct yet fundamentally related areas. By connecting these fields, we highlight a series of opportunities that can benefit both communities. Our work generalizes popular tensor factorizations within the circuit language, and unifies various circuit learning algorithms under a single, generalized hierarchical factorization framework. Specifically, we introduce a modular "Lego block" approach to build tensorized circuit architectures. This, in turn, allows us to systematically construct and explore various circuit and tensor factorization models while maintaining tractability. This connection not only clarifies similarities and differences in existing models, but also enables the development of a comprehensive pipeline for building and optimizing new circuit/tensor factorization architectures. We show the effectiveness of our framework through extensive empirical evaluations, and highlight new research opportunities for tensor factorizations in probabilistic modeling.