Total Disentanglement of Font Images into Style and Character Class Features

In this paper, we demonstrate a total disentanglement of font images. Total disentanglement is a neural network-based method for decomposing each font image nonlinearly and completely into its style and content (i.e., character class) features. It uses a simple but careful training procedure to extract the common style feature from all `A'-`Z' images in the same font and the common content feature from all `A' (or another class) images in different fonts. These disentangled features guarantee the reconstruction of the original font image. Various experiments have been conducted to understand the performance of total disentanglement. First, it is demonstrated that total disentanglement is achievable with very high accuracy; this is experimental proof of the long-standing open question, ``Does `A'-ness exist?'' Hofstadter (1985). Second, it is demonstrated that the disentangled features produced by total disentanglement apply to a variety of tasks, including font recognition, character recognition, and one-shot font image generation.

Cross-Domain Image Conversion by CycleDM

The purpose of this paper is to enable the conversion between machine-printed character images (i.e., font images) and handwritten character images through machine learning. For this purpose, we propose a novel unpaired image-to-image domain conversion method, CycleDM, which incorporates the concept of CycleGAN into the diffusion model. Specifically, CycleDM has two internal conversion models that bridge the denoising processes of two image domains. These conversion models are efficiently trained without explicit correspondence between the domains. By applying machine-printed and handwritten character images to the two modalities, CycleDM realizes the conversion between them. Our experiments for evaluating the converted images quantitatively and qualitatively found that ours performs better than other comparable approaches.

What Text Design Characterizes Book Genres?

This study analyzes the relationship between non-verbal information (e.g., genres) and text design (e.g., font style, character color, etc.) through the classification of book genres using text design on book covers. Text images have both semantic information about the word itself and other information (non-semantic information or visual design), such as font style, character color, etc. When we read a word printed on some materials, we receive impressions or other information from both the word itself and the visual design. Basically, we can understand verbal information only from semantic information, i.e., the words themselves; however, we can consider that text design is helpful for understanding other additional information (i.e., non-verbal information), such as impressions, genre, etc. To investigate the effect of text design, we analyze text design using words printed on book covers and their genres in two scenarios. First, we attempted to understand the importance of visual design for determining the genre (i.e., non-verbal information) of books by analyzing the differences in the relationship between semantic information/visual design and genres. In the experiment, we found that semantic information is sufficient to determine the genre; however, text design is helpful in adding more discriminative features for book genres. Second, we investigated the effect of each text design on book genres. As a result, we found that each text design characterizes some book genres. For example, font style is useful to add more discriminative features for genres of ``Mystery, Thriller \& Suspense'' and ``Christian books \& Bibles.''

Impression-CLIP: Contrastive Shape-Impression Embedding for Fonts

Fonts convey different impressions to readers. These impressions often come from the font shapes. However, the correlation between fonts and their impression is weak and unstable because impressions are subjective. To capture such weak and unstable cross-modal correlation between font shapes and their impressions, we propose Impression-CLIP, which is a novel machine-learning model based on CLIP (Contrastive Language-Image Pre-training). By using the CLIP-based model, font image features and their impression features are pulled closer, and font image features and unrelated impression features are pushed apart. This procedure realizes co-embedding between font image and their impressions. In our experiment, we perform cross-modal retrieval between fonts and impressions through co-embedding. The results indicate that Impression-CLIP achieves better retrieval accuracy than the state-of-the-art method. Additionally, our model shows the robustness to noise and missing tags.

Font Impression Estimation in the Wild

This paper addresses the challenging task of estimating font impressions from real font images. We use a font dataset with annotation about font impressions and a convolutional neural network (CNN) framework for this task. However, impressions attached to individual fonts are often missing and noisy because of the subjective characteristic of font impression annotation. To realize stable impression estimation even with such a dataset, we propose an exemplar-based impression estimation approach, which relies on a strategy of ensembling impressions of exemplar fonts that are similar to the input image. In addition, we train CNN with synthetic font images that mimic scanned word images so that CNN estimates impressions of font images in the wild. We evaluate the basic performance of the proposed estimation method quantitatively and qualitatively. Then, we conduct a correlation analysis between book genres and font impressions on real book cover images; it is important to note that this analysis is only possible with our impression estimation method. The analysis reveals various trends in the correlation between them - this fact supports a hypothesis that book cover designers carefully choose a font for a book cover considering the impression given by the font.

Typographic Text Generation with Off-the-Shelf Diffusion Model

Recent diffusion-based generative models show promise in their ability to generate text images, but limitations in specifying the styles of the generated texts render them insufficient in the realm of typographic design. This paper proposes a typographic text generation system to add and modify text on typographic designs while specifying font styles, colors, and text effects. The proposed system is a novel combination of two off-the-shelf methods for diffusion models, ControlNet and Blended Latent Diffusion. The former functions to generate text images under the guidance of edge conditions specifying stroke contours. The latter blends latent noise in Latent Diffusion Models (LDM) to add typographic text naturally onto an existing background. We first show that given appropriate text edges, ControlNet can generate texts in specified fonts while incorporating effects described by prompts. We further introduce text edge manipulation as an intuitive and customizable way to produce texts with complex effects such as ``shadows'' and ``reflections''. Finally, with the proposed system, we successfully add and modify texts on a predefined background while preserving its overall coherence.

Font Style Interpolation with Diffusion Models

Fonts have huge variations in their styles and give readers different impressions. Therefore, generating new fonts is worthy of giving new impressions to readers. In this paper, we employ diffusion models to generate new font styles by interpolating a pair of reference fonts with different styles. More specifically, we propose three different interpolation approaches, image-blending, condition-blending, and noise-blending, with the diffusion models. We perform qualitative and quantitative experimental analyses to understand the style generation ability of the three approaches. According to experimental results, three proposed approaches can generate not only expected font styles but also somewhat serendipitous font styles. We also compare the approaches with a state-of-the-art style-conditional Latin-font generative network model to confirm the validity of using the diffusion models for the style interpolation task.

Discovering Highly Influential Shortcut Reasoning: An Automated Template-Free Approach

Shortcut reasoning is an irrational process of inference, which degrades the robustness of an NLP model. While a number of previous work has tackled the identification of shortcut reasoning, there are still two major limitations: (i) a method for quantifying the severity of the discovered shortcut reasoning is not provided; (ii) certain types of shortcut reasoning may be missed. To address these issues, we propose a novel method for identifying shortcut reasoning. The proposed method quantifies the severity of the shortcut reasoning by leveraging out-of-distribution data and does not make any assumptions about the type of tokens triggering the shortcut reasoning. Our experiments on Natural Language Inference and Sentiment Analysis demonstrate that our framework successfully discovers known and unknown shortcut reasoning in the previous work.

Local Style Awareness of Font Images

When we compare fonts, we often pay attention to styles of local parts, such as serifs and curvatures. This paper proposes an attention mechanism to find important local parts. The local parts with larger attention are then considered important. The proposed mechanism can be trained in a quasi-self-supervised manner that requires no manual annotation other than knowing that a set of character images is from the same font, such as Helvetica. After confirming that the trained attention mechanism can find style-relevant local parts, we utilize the resulting attention for local style-aware font generation. Specifically, we design a new reconstruction loss function to put more weight on the local parts with larger attention for generating character images with more accurate style realization. This loss function has the merit of applicability to various font generation models. Our experimental results show that the proposed loss function improves the quality of generated character images by several few-shot font generation models.

Towards Diverse and Consistent Typography Generation

In this work, we consider the typography generation task that aims at producing diverse typographic styling for the given graphic document. We formulate typography generation as a fine-grained attribute generation for multiple text elements and build an autoregressive model to generate diverse typography that matches the input design context. We further propose a simple yet effective sampling approach that respects the consistency and distinction principle of typography so that generated examples share consistent typographic styling across text elements. Our empirical study shows that our model successfully generates diverse typographic designs while preserving a consistent typographic structure.