Description and Discussion on DCASE 2025 Challenge Task 4: Spatial Semantic Segmentation of Sound Scenes

Spatial Semantic Segmentation of Sound Scenes (S5) aims to enhance technologies for sound event detection and separation from multi-channel input signals that mix multiple sound events with spatial information. This is a fundamental basis of immersive communication. The ultimate goal is to separate sound event signals with 6 Degrees of Freedom (6DoF) information into dry sound object signals and metadata about the object type (sound event class) and representing spatial information, including direction. However, because several existing challenge tasks already provide some of the subset functions, this task for this year focuses on detecting and separating sound events from multi-channel spatial input signals. This paper outlines the S5 task setting of the Detection and Classification of Acoustic Scenes and Events (DCASE) 2025 Challenge Task 4 and the DCASE2025 Task 4 Dataset, newly recorded and curated for this task. We also report experimental results for an S5 system trained and evaluated on this dataset. The full version of this paper will be published after the challenge results are made public.

Towards Pre-training an Effective Respiratory Audio Foundation Model

Recent advancements in foundation models have sparked interest in respiratory audio foundation models. However, the effectiveness of applying conventional pre-training schemes to datasets that are small-sized and lack diversity has not been sufficiently verified. This study aims to explore better pre-training practices for respiratory sounds by comparing numerous pre-trained audio models. Our investigation reveals that models pre-trained on AudioSet, a general audio dataset, are more effective than the models specifically pre-trained on respiratory sounds. Moreover, combining AudioSet and respiratory sound datasets for further pre-training enhances performance, and preserving the frequency-wise information when aggregating features is vital. Along with more insights found in the experiments, we establish a new state-of-the-art for the OPERA benchmark, contributing to advancing respiratory audio foundation models. Our code is available online at https://github.com/nttcslab/eval-audio-repr/tree/main/plugin/OPERA.

Assessing the Utility of Audio Foundation Models for Heart and Respiratory Sound Analysis

Pre-trained deep learning models, known as foundation models, have become essential building blocks in machine learning domains such as natural language processing and image domains. This trend has extended to respiratory and heart sound models, which have demonstrated effectiveness as off-the-shelf feature extractors. However, their evaluation benchmarking has been limited, resulting in incompatibility with state-of-the-art (SOTA) performance, thus hindering proof of their effectiveness. This study investigates the practical effectiveness of off-the-shelf audio foundation models by comparing their performance across four respiratory and heart sound tasks with SOTA fine-tuning results. Experiments show that models struggled on two tasks with noisy data but achieved SOTA performance on the other tasks with clean data. Moreover, general-purpose audio models outperformed a respiratory sound model, highlighting their broader applicability. With gained insights and the released code, we contribute to future research on developing and leveraging foundation models for respiratory and heart sounds.

M2D2: Exploring General-purpose Audio-Language Representations Beyond CLAP

Contrastive language-audio pre-training (CLAP) has addressed audio-language tasks such as audio-text retrieval by aligning audio and text in a common feature space. While CLAP addresses general audio-language tasks, its audio features do not generalize well in audio tasks. In contrast, self-supervised learning (SSL) models learn general-purpose audio features that perform well in diverse audio tasks. We pursue representation learning that can be widely used in audio applications and hypothesize that a method that learns both general audio features and CLAP features should achieve our goal, which we call a general-purpose audio-language representation. To implement our hypothesis, we propose M2D2, a second-generation masked modeling duo (M2D) that combines an SSL M2D and CLAP. M2D2 learns two types of features using two modalities (audio and text) in a two-stage training process. It also utilizes advanced LLM-based sentence embeddings in CLAP training for powerful semantic supervision. In the first stage, M2D2 learns generalizable audio features from M2D and CLAP, where CLAP aligns the features with the fine LLM-based semantic embeddings. In the second stage, it learns CLAP features using the audio features learned from the LLM-based embeddings. Through these pre-training stages, M2D2 should enhance generalizability and performance in its audio and CLAP features. Experiments validated that M2D2 achieves effective general-purpose audio-language representation, highlighted with SOTA fine-tuning mAP of 49.0 for AudioSet, SOTA performance in music tasks, and top-level performance in audio-language tasks.

Baseline Systems and Evaluation Metrics for Spatial Semantic Segmentation of Sound Scenes

Immersive communication has made significant advancements, especially with the release of the codec for Immersive Voice and Audio Services. Aiming at its further realization, the DCASE 2025 Challenge has recently introduced a task for spatial semantic segmentation of sound scenes (S5), which focuses on detecting and separating sound events in spatial sound scenes. In this paper, we explore methods for addressing the S5 task. Specifically, we present baseline S5 systems that combine audio tagging (AT) and label-queried source separation (LSS) models. We investigate two LSS approaches based on the ResUNet architecture: a) extracting a single source for each detected event and b) querying multiple sources concurrently. Since each separated source in S5 is identified by its sound event class label, we propose new class-aware metrics to evaluate both the sound sources and labels simultaneously. Experimental results on first-order ambisonics spatial audio demonstrate the effectiveness of the proposed systems and confirm the efficacy of the metrics.