Reference-Based 3D-Aware Image Editing with Triplane

Generative Adversarial Networks (GANs) have emerged as powerful tools not only for high-quality image generation but also for real image editing through manipulation of their interpretable latent spaces. Recent advancements in GANs include the development of 3D-aware models such as EG3D, characterized by efficient triplane-based architectures enabling the reconstruction of 3D geometry from single images. However, scant attention has been devoted to providing an integrated framework for high-quality reference-based 3D-aware image editing within this domain. This study addresses this gap by exploring and demonstrating the effectiveness of EG3D's triplane space for achieving advanced reference-based edits, presenting a unique perspective on 3D-aware image editing through our novel pipeline. Our approach integrates the encoding of triplane features, spatial disentanglement and automatic localization of features in the triplane domain, and fusion learning for desired image editing. Moreover, our framework demonstrates versatility across domains, extending its effectiveness to animal face edits and partial stylization of cartoon portraits. The method shows significant improvements over relevant 3D-aware latent editing and 2D reference-based editing methods, both qualitatively and quantitatively. Project page: https://three-bee.github.io/triplane_edit

Warping the Residuals for Image Editing with StyleGAN

StyleGAN models show editing capabilities via their semantically interpretable latent organizations which require successful GAN inversion methods to edit real images. Many works have been proposed for inverting images into StyleGAN's latent space. However, their results either suffer from low fidelity to the input image or poor editing qualities, especially for edits that require large transformations. That is because low-rate latent spaces lose many image details due to the information bottleneck even though it provides an editable space. On the other hand, higher-rate latent spaces can pass all the image details to StyleGAN for perfect reconstruction of images but suffer from low editing qualities. In this work, we present a novel image inversion architecture that extracts high-rate latent features and includes a flow estimation module to warp these features to adapt them to edits. The flows are estimated from StyleGAN features of edited and unedited latent codes. By estimating the high-rate features and warping them for edits, we achieve both high-fidelity to the input image and high-quality edits. We run extensive experiments and compare our method with state-of-the-art inversion methods. Qualitative metrics and visual comparisons show significant improvements.

Diverse Semantic Image Editing with Style Codes

Semantic image editing requires inpainting pixels following a semantic map. It is a challenging task since this inpainting requires both harmony with the context and strict compliance with the semantic maps. The majority of the previous methods proposed for this task try to encode the whole information from erased images. However, when an object is added to a scene such as a car, its style cannot be encoded from the context alone. On the other hand, the models that can output diverse generations struggle to output images that have seamless boundaries between the generated and unerased parts. Additionally, previous methods do not have a mechanism to encode the styles of visible and partially visible objects differently for better performance. In this work, we propose a framework that can encode visible and partially visible objects with a novel mechanism to achieve consistency in the style encoding and final generations. We extensively compare with previous conditional image generation and semantic image editing algorithms. Our extensive experiments show that our method significantly improves over the state-of-the-art. Our method not only achieves better quantitative results but also provides diverse results. Please refer to the project web page for the released code and demo: https://github.com/hakansivuk/DivSem.

Diverse Inpainting and Editing with GAN Inversion

Recent inversion methods have shown that real images can be inverted into StyleGAN's latent space and numerous edits can be achieved on those images thanks to the semantically rich feature representations of well-trained GAN models. However, extensive research has also shown that image inversion is challenging due to the trade-off between high-fidelity reconstruction and editability. In this paper, we tackle an even more difficult task, inverting erased images into GAN's latent space for realistic inpaintings and editings. Furthermore, by augmenting inverted latent codes with different latent samples, we achieve diverse inpaintings. Specifically, we propose to learn an encoder and mixing network to combine encoded features from erased images with StyleGAN's mapped features from random samples. To encourage the mixing network to utilize both inputs, we train the networks with generated data via a novel set-up. We also utilize higher-rate features to prevent color inconsistencies between the inpainted and unerased parts. We run extensive experiments and compare our method with state-of-the-art inversion and inpainting methods. Qualitative metrics and visual comparisons show significant improvements.

Progressive Learning of 3D Reconstruction Network from 2D GAN Data

This paper presents a method to reconstruct high-quality textured 3D models from single images. Current methods rely on datasets with expensive annotations; multi-view images and their camera parameters. Our method relies on GAN generated multi-view image datasets which have a negligible annotation cost. However, they are not strictly multi-view consistent and sometimes GANs output distorted images. This results in degraded reconstruction qualities. In this work, to overcome these limitations of generated datasets, we have two main contributions which lead us to achieve state-of-the-art results on challenging objects: 1) A robust multi-stage learning scheme that gradually relies more on the models own predictions when calculating losses, 2) A novel adversarial learning pipeline with online pseudo-ground truth generations to achieve fine details. Our work provides a bridge from 2D supervisions of GAN models to 3D reconstruction models and removes the expensive annotation efforts. We show significant improvements over previous methods whether they were trained on GAN generated multi-view images or on real images with expensive annotations. Please visit our web-page for 3D visuals: https://research.nvidia.com/labs/adlr/progressive-3d-learning

Inst-Inpaint: Instructing to Remove Objects with Diffusion Models

Image inpainting task refers to erasing unwanted pixels from images and filling them in a semantically consistent and realistic way. Traditionally, the pixels that are wished to be erased are defined with binary masks. From the application point of view, a user needs to generate the masks for the objects they would like to remove which can be time-consuming and prone to errors. In this work, we are interested in an image inpainting algorithm that estimates which object to be removed based on natural language input and also removes it, simultaneously. For this purpose, first, we construct a dataset named GQA-Inpaint for this task which will be released soon. Second, we present a novel inpainting framework, Inst-Inpaint, that can remove objects from images based on the instructions given as text prompts. We set various GAN and diffusion-based baselines and run experiments on synthetic and real image datasets. We compare methods with different evaluation metrics that measure the quality and accuracy of the models and show significant quantitative and qualitative improvements.

Refining 3D Human Texture Estimation from a Single Image

Estimating 3D human texture from a single image is essential in graphics and vision. It requires learning a mapping function from input images of humans with diverse poses into the parametric (UV) space and reasonably hallucinating invisible parts. To achieve a high-quality 3D human texture estimation, we propose a framework that adaptively samples the input by a deformable convolution where offsets are learned via a deep neural network. Additionally, we describe a novel cycle consistency loss that improves view generalization. We further propose to train our framework with an uncertainty-based pixel-level image reconstruction loss, which enhances color fidelity. We compare our method against the state-of-the-art approaches and show significant qualitative and quantitative improvements.

StyleRes: Transforming the Residuals for Real Image Editing with StyleGAN

We present a novel image inversion framework and a training pipeline to achieve high-fidelity image inversion with high-quality attribute editing. Inverting real images into StyleGAN's latent space is an extensively studied problem, yet the trade-off between the image reconstruction fidelity and image editing quality remains an open challenge. The low-rate latent spaces are limited in their expressiveness power for high-fidelity reconstruction. On the other hand, high-rate latent spaces result in degradation in editing quality. In this work, to achieve high-fidelity inversion, we learn residual features in higher latent codes that lower latent codes were not able to encode. This enables preserving image details in reconstruction. To achieve high-quality editing, we learn how to transform the residual features for adapting to manipulations in latent codes. We train the framework to extract residual features and transform them via a novel architecture pipeline and cycle consistency losses. We run extensive experiments and compare our method with state-of-the-art inversion methods. Qualitative metrics and visual comparisons show significant improvements. Code: https://github.com/hamzapehlivan/StyleRes

VecGAN: Image-to-Image Translation with Interpretable Latent Directions

We propose VecGAN, an image-to-image translation framework for facial attribute editing with interpretable latent directions. Facial attribute editing task faces the challenges of precise attribute editing with controllable strength and preservation of the other attributes of an image. For this goal, we design the attribute editing by latent space factorization and for each attribute, we learn a linear direction that is orthogonal to the others. The other component is the controllable strength of the change, a scalar value. In our framework, this scalar can be either sampled or encoded from a reference image by projection. Our work is inspired by the latent space factorization works of fixed pretrained GANs. However, while those models cannot be trained end-to-end and struggle to edit encoded images precisely, VecGAN is end-to-end trained for image translation task and successful at editing an attribute while preserving the others. Our extensive experiments show that VecGAN achieves significant improvements over state-of-the-arts for both local and global edits.

Fine Detailed Texture Learning for 3D Meshes with Generative Models

This paper presents a method to reconstruct high-quality textured 3D models from both multi-view and single-view images. The reconstruction is posed as an adaptation problem and is done progressively where in the first stage, we focus on learning accurate geometry, whereas in the second stage, we focus on learning the texture with a generative adversarial network. In the generative learning pipeline, we propose two improvements. First, since the learned textures should be spatially aligned, we propose an attention mechanism that relies on the learnable positions of pixels. Secondly, since discriminator receives aligned texture maps, we augment its input with a learnable embedding which improves the feedback to the generator. We achieve significant improvements on multi-view sequences from Tripod dataset as well as on single-view image datasets, Pascal 3D+ and CUB. We demonstrate that our method achieves superior 3D textured models compared to the previous works. Please visit our web-page for 3D visuals.