Differentiable Digital Signal Processing Mixture Model for Synthesis Parameter Extraction from Mixture of Harmonic Sounds

A differentiable digital signal processing (DDSP) autoencoder is a musical sound synthesizer that combines a deep neural network (DNN) and spectral modeling synthesis. It allows us to flexibly edit sounds by changing the fundamental frequency, timbre feature, and loudness (synthesis parameters) extracted from an input sound. However, it is designed for a monophonic harmonic sound and cannot handle mixtures of harmonic sounds. In this paper, we propose a model (DDSP mixture model) that represents a mixture as the sum of the outputs of multiple pretrained DDSP autoencoders. By fitting the output of the proposed model to the observed mixture, we can directly estimate the synthesis parameters of each source. Through synthesis parameter extraction experiments, we show that the proposed method has high and stable performance compared with a straightforward method that applies the DDSP autoencoder to the signals separated by an audio source separation method.

Speech Enhancement by Noise Self-Supervised Rank-Constrained Spatial Covariance Matrix Estimation via Independent Deeply Learned Matrix Analysis

Rank-constrained spatial covariance matrix estimation (RCSCME) is a method for the situation that the directional target speech and the diffuse noise are mixed. In conventional RCSCME, independent low-rank matrix analysis (ILRMA) is used as the preprocessing method. We propose RCSCME using independent deeply learned matrix analysis (IDLMA), which is a supervised extension of ILRMA. In this method, IDLMA requires deep neural networks (DNNs) to separate the target speech and the noise. We use Denoiser, which is a single-channel speech enhancement DNN, in IDLMA to estimate not only the target speech but also the noise. We also propose noise self-supervised RCSCME, in which we estimate the noise-only time intervals using the output of Denoiser and design the prior distribution of the noise spatial covariance matrix for RCSCME. We confirm that the proposed methods outperform the conventional methods under several noise conditions.

Multichannel Audio Source Separation with Independent Deeply Learned Matrix Analysis Using Product of Source Models

Independent deeply learned matrix analysis (IDLMA) is one of the state-of-the-art multichannel audio source separation methods using the source power estimation based on deep neural networks (DNNs). The DNN-based power estimation works well for sounds having timbres similar to the DNN training data. However, the sounds to which IDLMA is applied do not always have such timbres, and the timbral mismatch causes the performance degradation of IDLMA. To tackle this problem, we focus on a blind source separation counterpart of IDLMA, independent low-rank matrix analysis. It uses nonnegative matrix factorization (NMF) as the source model, which can capture source spectral components that only appear in the target mixture, using the low-rank structure of the source spectrogram as a clue. We thus extend the DNN-based source model to encompass the NMF-based source model on the basis of the product-of-expert concept, which we call the product of source models (PoSM). For the proposed PoSM-based IDLMA, we derive a computationally efficient parameter estimation algorithm based on an optimization principle called the majorization-minimization algorithm. Experimental evaluations show the effectiveness of the proposed method.

Prior Distribution Design for Music Bleeding-Sound Reduction Based on Nonnegative Matrix Factorization

When we place microphones close to a sound source near other sources in audio recording, the obtained audio signal includes undesired sound from the other sources, which is often called cross-talk or bleeding sound. For many audio applications including onstage sound reinforcement and sound editing after a live performance, it is important to reduce the bleeding sound in each recorded signal. However, since microphones are spatially apart from each other in this situation, typical phase-aware blind source separation (BSS) methods cannot be used. We propose a phase-insensitive method for blind bleeding-sound reduction. This method is based on time-channel nonnegative matrix factorization, which is a BSS method using only amplitude spectrograms. With the proposed method, we introduce the gamma-distribution-based prior for leakage levels of bleeding sounds. Its optimization can be interpreted as maximum a posteriori estimation. The experimental results of music bleeding-sound reduction indicate that the proposed method is more effective for bleeding-sound reduction of music signals compared with other BSS methods.

Independent Deeply Learned Tensor Analysis for Determined Audio Source Separation

We address the determined audio source separation problem in the time-frequency domain. In independent deeply learned matrix analysis (IDLMA), it is assumed that the inter-frequency correlation of each source spectrum is zero, which is inappropriate for modeling nonstationary signals such as music signals. To account for the correlation between frequencies, independent positive semidefinite tensor analysis has been proposed. This unsupervised (blind) method, however, severely restrict the structure of frequency covariance matrices (FCMs) to reduce the number of model parameters. As an extension of these conventional approaches, we here propose a supervised method that models FCMs using deep neural networks (DNNs). It is difficult to directly infer FCMs using DNNs. Therefore, we also propose a new FCM model represented as a convex combination of a diagonal FCM and a rank-1 FCM. Our FCM model is flexible enough to not only consider inter-frequency correlation, but also capture the dynamics of time-varying FCMs of nonstationary signals. We infer the proposed FCMs using two DNNs: DNN for power spectrum estimation and DNN for time-domain signal estimation. An experimental result of separating music signals shows that the proposed method provides higher separation performance than IDLMA.

Empirical Bayesian Independent Deeply Learned Matrix Analysis For Multichannel Audio Source Separation

Independent deeply learned matrix analysis (IDLMA) is one of the state-of-the-art supervised multichannel audio source separation methods. It blindly estimates the demixing filters on the basis of source independence, using the source model estimated by the deep neural network (DNN). However, since the ratios of the source to interferer signals vary widely among time-frequency (TF) slots, it is difficult to obtain reliable estimated power spectrograms of sources at all TF slots. In this paper, we propose an IDLMA extension, empirical Bayesian IDLMA (EB-IDLMA), by introducing a prior distribution of source power spectrograms and treating the source power spectrograms as latent random variables. This treatment allows us to implicitly consider the reliability of the estimated source power spectrograms for the estimation of demixing filters through the hyperparameters of the prior distribution estimated by the DNN. Experimental evaluations show the effectiveness of EB-IDLMA and the importance of introducing the reliability of the estimated source power spectrograms.

Sampling-Frequency-Independent Audio Source Separation Using Convolution Layer Based on Impulse Invariant Method

Audio source separation is often used as preprocessing of various applications, and one of its ultimate goals is to construct a single versatile model capable of dealing with the varieties of audio signals. Since sampling frequency, one of the audio signal varieties, is usually application specific, the preceding audio source separation model should be able to deal with audio signals of all sampling frequencies specified in the target applications. However, conventional models based on deep neural networks (DNNs) are trained only at the sampling frequency specified by the training data, and there are no guarantees that they work with unseen sampling frequencies. In this paper, we propose a convolution layer capable of handling arbitrary sampling frequencies by a single DNN. Through music source separation experiments, we show that the introduction of the proposed layer enables a conventional audio source separation model to consistently work with even unseen sampling frequencies.

Time-Domain Audio Source Separation Based on Wave-U-Net Combined with Discrete Wavelet Transform

We propose a time-domain audio source separation method using down-sampling (DS) and up-sampling (US) layers based on a discrete wavelet transform (DWT). The proposed method is based on one of the state-of-the-art deep neural networks, Wave-U-Net, which successively down-samples and up-samples feature maps. We find that this architecture resembles that of multiresolution analysis, and reveal that the DS layers of Wave-U-Net cause aliasing and may discard information useful for the separation. Although the effects of these problems may be reduced by training, to achieve a more reliable source separation method, we should design DS layers capable of overcoming the problems. With this belief, focusing on the fact that the DWT has an anti-aliasing filter and the perfect reconstruction property, we design the proposed layers. Experiments on music source separation show the efficacy of the proposed method and the importance of simultaneously considering the anti-aliasing filters and the perfect reconstruction property.

Real-Time Audio-to-Score Alignment of Music Performances Containing Errors and Arbitrary Repeats and Skips

This paper discusses real-time alignment of audio signals of music performance to the corresponding score (a.k.a. score following) which can handle tempo changes, errors and arbitrary repeats and/or skips (repeats/skips) in performances. This type of score following is particularly useful in automatic accompaniment for practices and rehearsals, where errors and repeats/skips are often made. Simple extensions of the algorithms previously proposed in the literature are not applicable in these situations for scores of practical length due to the problem of large computational complexity. To cope with this problem, we present two hidden Markov models of monophonic performance with errors and arbitrary repeats/skips, and derive efficient score-following algorithms with an assumption that the prior probability distributions of score positions before and after repeats/skips are independent from each other. We confirmed real-time operation of the algorithms with music scores of practical length (around 10000 notes) on a modern laptop and their tracking ability to the input performance within 0.7 s on average after repeats/skips in clarinet performance data. Further improvements and extension for polyphonic signals are also discussed.

Outer-Product Hidden Markov Model and Polyphonic MIDI Score Following

We present a polyphonic MIDI score-following algorithm capable of following performances with arbitrary repeats and skips, based on a probabilistic model of musical performances. It is attractive in practical applications of score following to handle repeats and skips which may be made arbitrarily during performances, but the algorithms previously described in the literature cannot be applied to scores of practical length due to problems with large computational complexity. We propose a new type of hidden Markov model (HMM) as a performance model which can describe arbitrary repeats and skips including performer tendencies on distributed score positions before and after them, and derive an efficient score-following algorithm that reduces computational complexity without pruning. A theoretical discussion on how much such information on performer tendencies improves the score-following results is given. The proposed score-following algorithm also admits performance mistakes and is demonstrated to be effective in practical situations by carrying out evaluations with human performances. The proposed HMM is potentially valuable for other topics in information processing and we also provide a detailed description of inference algorithms.