Super-Resolving Commercial Satellite Imagery Using Realistic Training Data

In machine learning based single image super-resolution, the degradation model is embedded in training data generation. However, most existing satellite image super-resolution methods use a simple down-sampling model with a fixed kernel to create training images. These methods work fine on synthetic data, but do not perform well on real satellite images. We propose a realistic training data generation model for commercial satellite imagery products, which includes not only the imaging process on satellites but also the post-process on the ground. We also propose a convolutional neural network optimized for satellite images. Experiments show that the proposed training data generation model is able to improve super-resolution performance on real satellite images.

Image Stylization: From Predefined to Personalized

We present a framework for interactive design of new image stylizations using a wide range of predefined filter blocks. Both novel and off-the-shelf image filtering and rendering techniques are extended and combined to allow the user to unleash their creativity to intuitively invent, modify, and tune new styles from a given set of filters. In parallel to this manual design, we propose a novel procedural approach that automatically assembles sequences of filters, leading to unique and novel styles. An important aim of our framework is to allow for interactive exploration and design, as well as to enable videos and camera streams to be stylized on the fly. In order to achieve this real-time performance, we use the \textit{Best Linear Adaptive Enhancement} (BLADE) framework -- an interpretable shallow machine learning method that simulates complex filter blocks in real time. Our representative results include over a dozen styles designed using our interactive tool, a set of styles created procedurally, and new filters trained with our BLADE approach.

Better Compression with Deep Pre-Editing

Could we compress images via standard codecs while avoiding artifacts? The answer is obvious -- this is doable as long as the bit budget is generous enough. What if the allocated bit-rate for compression is insufficient? Then unfortunately, artifacts are a fact of life. Many attempts were made over the years to fight this phenomenon, with various degrees of success. In this work we aim to break the unholy connection between bit-rate and image quality, and propose a way to circumvent compression artifacts by pre-editing the incoming image and modifying its content to fit the given bits. We design this editing operation as a learned convolutional neural network, and formulate an optimization problem for its training. Our loss takes into account a proximity between the original image and the edited one, a bit-budget penalty over the proposed image, and a no-reference image quality measure for forcing the outcome to be visually pleasing. The proposed approach is demonstrated on the popular JPEG compression, showing savings in bits and/or improvements in visual quality, obtained with intricate editing effects.

Distortion Agnostic Deep Watermarking

Watermarking is the process of embedding information into an image that can survive under distortions, while requiring the encoded image to have little or no perceptual difference from the original image. Recently, deep learning-based methods achieved impressive results in both visual quality and message payload under a wide variety of image distortions. However, these methods all require differentiable models for the image distortions at training time, and may generalize poorly to unknown distortions. This is undesirable since the types of distortions applied to watermarked images are usually unknown and non-differentiable. In this paper, we propose a new framework for distortion-agnostic watermarking, where the image distortion is not explicitly modeled during training. Instead, the robustness of our system comes from two sources: adversarial training and channel coding. Compared to training on a fixed set of distortions and noise levels, our method achieves comparable or better results on distortions available during training, and better performance on unknown distortions.

Low-Weight and Learnable Image Denoising

Image denoising is a well studied problem with an extensive activity that has spread over several decades. Despite the many available denoising algorithms, the quest for simple, powerful and fast denoisers is still an active and vibrant topic of research. Leading classical denoising methods are typically designed to exploit the inner structure in images by modeling local overlapping patches. In contrast, recent newcomers to this arena are supervised neural-network-based methods that bypass this modeling altogether, targeting the inference goal directly and globally, while tending to be very deep and parameter heavy. This work proposes a novel low-weight learnable architecture that embeds in it several of the main concepts from the classical methods, while being trained for best denoising performance. More specifically, our proposed network relies on patch processing, leveraging non-local self-similarity, representation sparsity and a multiscale treatment. The proposed architecture achieves near state-of-the-art denoising results, while using a small fraction of the typical number of parameters. Furthermore, we demonstrate the ability of the proposed network to adapt itself to an incoming image by leveraging similar clean ones.

Deep K-SVD Denoising

This work considers noise removal from images, focusing on the well known K-SVD denoising algorithm. This sparsity-based method was proposed in 2006, and for a short while it was considered as state-of-the-art. However, over the years it has been surpassed by other methods, including the recent deep-learning-based newcomers. The question we address in this paper is whether K-SVD was brought to its peak in its original conception, or whether it can be made competitive again. The approach we take in answering this question is to redesign the algorithm to operate in a supervised manner. More specifically, we propose an end-to-end deep architecture with the exact K-SVD computational path, and train it for optimized denoising. Our work shows how to overcome difficulties arising in turning the K-SVD scheme into a differentiable, and thus learnable, machine. With a small number of parameters to learn and while preserving the original K-SVD essence, the proposed architecture is shown to outperform the classical K-SVD algorithm substantially, and getting closer to recent state-of-the-art learning-based denoising methods. Adopting a broader context, this work touches on themes around the design of deep-learning solutions for image processing tasks, while paving a bridge between classic methods and novel deep-learning-based ones.

Handheld Multi-Frame Super-Resolution

Compared to DSLR cameras, smartphone cameras have smaller sensors, which limits their spatial resolution; smaller apertures, which limits their light gathering ability; and smaller pixels, which reduces their signal-to noise ratio. The use of color filter arrays (CFAs) requires demosaicing, which further degrades resolution. In this paper, we supplant the use of traditional demosaicing in single-frame and burst photography pipelines with a multiframe super-resolution algorithm that creates a complete RGB image directly from a burst of CFA raw images. We harness natural hand tremor, typical in handheld photography, to acquire a burst of raw frames with small offsets. These frames are then aligned and merged to form a single image with red, green, and blue values at every pixel site. This approach, which includes no explicit demosaicing step, serves to both increase image resolution and boost signal to noise ratio. Our algorithm is robust to challenging scene conditions: local motion, occlusion, or scene changes. It runs at 100 milliseconds per 12-megapixel RAW input burst frame on mass-produced mobile phones. Specifically, the algorithm is the basis of the Super-Res Zoom feature, as well as the default merge method in Night Sight mode (whether zooming or not) on Google's flagship phone.

DeepRED: Deep Image Prior Powered by RED

Inverse problems in imaging are extensively studied, with a variety of strategies, tools, and theory that have been accumulated over the years. Recently, this field has been immensely influenced by the emergence of deep-learning techniques. One such contribution, which is the focus of this paper, is the Deep Image Prior (DIP) work by Ulyanov, Vedaldi, and Lempitsky (2018). DIP offers a new approach towards the regularization of inverse problems, obtained by forcing the recovered image to be synthesized from a given deep architecture. While DIP has been shown to be effective, its results fall short when compared to state-of-the-art alternatives. In this work, we aim to boost DIP by adding an explicit prior, which enriches the overall regularization effect in order to lead to better-recovered images. More specifically, we propose to bring-in the concept of Regularization by Denoising (RED), which leverages existing denoisers for regularizing inverse problems. Our work shows how the two (DeepRED) can be merged to a highly effective recovery process while avoiding the need to differentiate the chosen denoiser, and leading to very effective results, demonstrated for several tested inverse problems.

NIMA: Neural Image Assessment

Automatically learned quality assessment for images has recently become a hot topic due to its usefulness in a wide variety of applications such as evaluating image capture pipelines, storage techniques and sharing media. Despite the subjective nature of this problem, most existing methods only predict the mean opinion score provided by datasets such as AVA [1] and TID2013 [2]. Our approach differs from others in that we predict the distribution of human opinion scores using a convolutional neural network. Our architecture also has the advantage of being significantly simpler than other methods with comparable performance. Our proposed approach relies on the success (and retraining) of proven, state-of-the-art deep object recognition networks. Our resulting network can be used to not only score images reliably and with high correlation to human perception, but also to assist with adaptation and optimization of photo editing/enhancement algorithms in a photographic pipeline. All this is done without need for a "golden" reference image, consequently allowing for single-image, semantic- and perceptually-aware, no-reference quality assessment.

Rendition: Reclaiming what a black box takes away

The premise of our work is deceptively familiar: A black box $f(\cdot)$ has altered an image $\mathbf{x} \rightarrow f(\mathbf{x})$. Recover the image $\mathbf{x}$. This black box might be any number of simple or complicated things: a linear or non-linear filter, some app on your phone, etc. The latter is a good canonical example for the problem we address: Given only "the app" and an image produced by the app, find the image that was fed to the app. You can run the given image (or any other image) through the app as many times as you like, but you can not look inside the (code for the) app to see how it works. At first blush, the problem sounds a lot like a standard inverse problem, but it is not in the following sense: While we have access to the black box $f(\cdot)$ and can run any image through it and observe the output, we do not know how the block box alters the image. Therefore we have no explicit form or model of $f(\cdot)$. Nor are we necessarily interested in the internal workings of the black box. We are simply happy to reverse its effect on a particular image, to whatever extent possible. This is what we call the "rendition" (rather than restoration) problem, as it does not fit the mold of an inverse problem (blind or otherwise). We describe general conditions under which rendition is possible, and provide a remarkably simple algorithm that works for both contractive and expansive black box operators. The principal and novel take-away message from our work is this surprising fact: One simple algorithm can reliably undo a wide class of (not too violent) image distortions. A higher quality pdf of this paper is available at http://www.milanfar.org