Enhancing Human Pose Estimation in Ancient Vase Paintings via Perceptually-grounded Style Transfer Learning

Human pose estimation (HPE) is a central part of understanding the visual narration and body movements of characters depicted in artwork collections, such as Greek vase paintings. Unfortunately, existing HPE methods do not generalise well across domains resulting in poorly recognized poses. Therefore, we propose a two step approach: (1) adapting a dataset of natural images of known person and pose annotations to the style of Greek vase paintings by means of image style-transfer. We introduce a perceptually-grounded style transfer training to enforce perceptual consistency. Then, we fine-tune the base model with this newly created dataset. We show that using style-transfer learning significantly improves the SOTA performance on unlabelled data by more than 6% mean average precision (mAP) as well as mean average recall (mAR). (2) To improve the already strong results further, we created a small dataset (ClassArch) consisting of ancient Greek vase paintings from the 6-5th century BCE with person and pose annotations. We show that fine-tuning on this data with a style-transferred model improves the performance further. In a thorough ablation study, we give a targeted analysis of the influence of style intensities, revealing that the model learns generic domain styles. Additionally, we provide a pose-based image retrieval to demonstrate the effectiveness of our method.

On the Usefulness of Self-Attention for Automatic Speech Recognition with Transformers

Self-attention models such as Transformers, which can capture temporal relationships without being limited by the distance between events, have given competitive speech recognition results. However, we note the range of the learned context increases from the lower to upper self-attention layers, whilst acoustic events often happen within short time spans in a left-to-right order. This leads to a question: for speech recognition, is a global view of the entire sequence useful for the upper self-attention encoder layers in Transformers? To investigate this, we train models with lower self-attention/upper feed-forward layers encoders on Wall Street Journal and Switchboard. Compared to baseline Transformers, no performance drop but minor gains are observed. We further developed a novel metric of the diagonality of attention matrices and found the learned diagonality indeed increases from the lower to upper encoder self-attention layers. We conclude the global view is unnecessary in training upper encoder layers.

Stochastic Attention Head Removal: A Simple and Effective Method for Improving Automatic Speech Recognition with Transformers

Recently, Transformers have shown competitive automatic speech recognition (ASR) results. One key factor to the success of these models is the multi-head attention mechanism. However, we observed in trained models, the diagonal attention matrices indicating the redundancy of the corresponding attention heads. Furthermore, we found some architectures with reduced numbers of attention heads have better performance. Since the search for the best structure is time prohibitive, we propose to randomly remove attention heads during training and keep all attention heads at test time, thus the final model can be viewed as an average of models with different architectures. This method gives consistent performance gains on the Wall Street Journal, AISHELL, Switchboard and AMI ASR tasks. On the AISHELL dev/test sets, the proposed method achieves state-of-the-art Transformer results with 5.8%/6.3% word error rates.

Leveraging speaker attribute information using multi task learning for speaker verification and diarization

Deep speaker embeddings have become the leading method for encoding speaker identity in speaker recognition tasks. The embedding space should ideally capture the variations between all possible speakers, encoding the multiple aspects that make up speaker identity. In this work, utilizing speaker age as an auxiliary variable in US Supreme Court recordings and speaker nationality with VoxCeleb, we show that by leveraging additional speaker attribute information in a multi task learning setting, deep speaker embedding performance can be increased for verification and diarization tasks, achieving a relative improvement of 17.8% in DER and 8.9% in EER for Supreme Court audio compared to omitting the auxiliary task. Experimental code has been made publicly available.

Subtitles to Segmentation: Improving Low-Resource Speech-to-Text Translation Pipelines

In this work, we focus on improving ASR output segmentation in the context of low-resource language speech-to-text translation. ASR output segmentation is crucial, as ASR systems segment the input audio using purely acoustic information and are not guaranteed to output sentence-like segments. Since most MT systems expect sentences as input, feeding in longer unsegmented passages can lead to sub-optimal performance. We explore the feasibility of using datasets of subtitles from TV shows and movies to train better ASR segmentation models. We further incorporate part-of-speech (POS) tag and dependency label information (derived from the unsegmented ASR outputs) into our segmentation model. We show that this noisy syntactic information can improve model accuracy. We evaluate our models intrinsically on segmentation quality and extrinsically on downstream MT performance, as well as downstream tasks including cross-lingual information retrieval (CLIR) tasks and human relevance assessments. Our model shows improved performance on downstream tasks for Lithuanian and Bulgarian.

Understanding Compositional Structures in Art Historical Images using Pose and Gaze Priors

Image compositions as a tool for analysis of artworks is of extreme significance for art historians. These compositions are useful in analyzing the interactions in an image to study artists and their artworks. Max Imdahl in his work called Ikonik, along with other prominent art historians of the 20th century, underlined the aesthetic and semantic importance of the structural composition of an image. Understanding underlying compositional structures within images is challenging and a time consuming task. Generating these structures automatically using computer vision techniques (1) can help art historians towards their sophisticated analysis by saving lot of time; providing an overview and access to huge image repositories and (2) also provide an important step towards an understanding of man made imagery by machines. In this work, we attempt to automate this process using the existing state of the art machine learning techniques, without involving any form of training. Our approach, inspired by Max Imdahl's pioneering work, focuses on two central themes of image composition: (a) detection of action regions and action lines of the artwork; and (b) pose-based segmentation of foreground and background. Currently, our approach works for artworks comprising of protagonists (persons) in an image. In order to validate our approach qualitatively and quantitatively, we conduct a user study involving experts and non-experts. The outcome of the study highly correlates with our approach and also demonstrates its domain-agnostic capability. We have open-sourced the code at https://github.com/image-compostion-canvas-group/image-compostion-canvas.

Adaptation Algorithms for Speech Recognition: An Overview

We present a structured overview of adaptation algorithms for neural network-based speech recognition, considering both hybrid hidden Markov model / neural network systems and end-to-end neural network systems, with a focus on speaker adaptation, domain adaptation, and accent adaptation. The overview characterizes adaptation algorithms as based on embeddings, model parameter adaptation, or data augmentation. We present a meta-analysis of the performance of speech recognition adaptation algorithms, based on relative error rate reductions as reported in the literature.

When Can Self-Attention Be Replaced by Feed Forward Layers?

Recently, self-attention models such as Transformers have given competitive results compared to recurrent neural network systems in speech recognition. The key factor for the outstanding performance of self-attention models is their ability to capture temporal relationships without being limited by the distance between two related events. However, we note that the range of the learned context progressively increases from the lower to upper self-attention layers, whilst acoustic events often happen within short time spans in a left-to-right order. This leads to a question: for speech recognition, is a global view of the entire sequence still important for the upper self-attention layers in the encoder of Transformers? To investigate this, we replace these self-attention layers with feed forward layers. In our speech recognition experiments (Wall Street Journal and Switchboard), we indeed observe an interesting result: replacing the upper self-attention layers in the encoder with feed forward layers leads to no performance drop, and even minor gains. Our experiments offer insights to how self-attention layers process the speech signal, leading to the conclusion that the lower self-attention layers of the encoder encode a sufficiently wide range of inputs, hence learning further contextual information in the upper layers is unnecessary.

Recognizing Characters in Art History Using Deep Learning

In the field of Art History, images of artworks and their contexts are core to understanding the underlying semantic information. However, the highly complex and sophisticated representation of these artworks makes it difficult, even for the experts, to analyze the scene. From the computer vision perspective, the task of analyzing such artworks can be divided into sub-problems by taking a bottom-up approach. In this paper, we focus on the problem of recognizing the characters in Art History. From the iconography of $Annunciation$ $of$ $the$ $Lord$ (Figure 1), we consider the representation of the main protagonists, $Mary$ and $Gabriel$, across different artworks and styles. We investigate and present the findings of training a character classifier on features extracted from their face images. The limitations of this method, and the inherent ambiguity in the representation of $Gabriel$, motivated us to consider their bodies (a bigger context) to analyze in order to recognize the characters. Convolutional Neural Networks (CNN) trained on the bodies of $Mary$ and $Gabriel$ are able to learn person related features and ultimately improve the performance of character recognition. We introduce a new technique that generates more data with similar styles, effectively creating data in the similar domain. We present experiments and analysis on three different models and show that the model trained on domain related data gives the best performance for recognizing character. Additionally, we analyze the localized image regions for the network predictions. Code is open-sourced and available at https://github.com/prathmeshrmadhu/recognize_characters_art_history and the link to the published peer-reviewed article is https://dl.acm.org/citation.cfm?id=3357242.

DropClass and DropAdapt: Dropping classes for deep speaker representation learning

Many recent works on deep speaker embeddings train their feature extraction networks on large classification tasks, distinguishing between all speakers in a training set. Empirically, this has been shown to produce speaker-discriminative embeddings, even for unseen speakers. However, it is not clear that this is the optimal means of training embeddings that generalize well. This work proposes two approaches to learning embeddings, based on the notion of dropping classes during training. We demonstrate that both approaches can yield performance gains in speaker verification tasks. The first proposed method, DropClass, works via periodically dropping a random subset of classes from the training data and the output layer throughout training, resulting in a feature extractor trained on many different classification tasks. Combined with an additive angular margin loss, this method can yield a 7.9% relative improvement in equal error rate (EER) over a strong baseline on VoxCeleb. The second proposed method, DropAdapt, is a means of adapting a trained model to a set of enrolment speakers in an unsupervised manner. This is performed by fine-tuning a model on only those classes which produce high probability predictions when the enrolment speakers are used as input, again also dropping the relevant rows from the output layer. This method yields a large 13.2% relative improvement in EER on VoxCeleb. The code for this paper has been made publicly available.