DiffAugment: Diffusion based Long-Tailed Visual Relationship Recognition

The task of Visual Relationship Recognition (VRR) aims to identify relationships between two interacting objects in an image and is particularly challenging due to the widely-spread and highly imbalanced distribution of <subject, relation, object> triplets. To overcome the resultant performance bias in existing VRR approaches, we introduce DiffAugment -- a method which first augments the tail classes in the linguistic space by making use of WordNet and then utilizes the generative prowess of Diffusion Models to expand the visual space for minority classes. We propose a novel hardness-aware component in diffusion which is based upon the hardness of each <S,R,O> triplet and demonstrate the effectiveness of hardness-aware diffusion in generating visual embeddings for the tail classes. We also propose a novel subject and object based seeding strategy for diffusion sampling which improves the discriminative capability of the generated visual embeddings. Extensive experimentation on the GQA-LT dataset shows favorable gains in the subject/object and relation average per-class accuracy using Diffusion augmented samples.

FakeBuster: A DeepFakes Detection Tool for Video Conferencing Scenarios

This paper proposes a new DeepFake detector FakeBuster for detecting impostors during video conferencing and manipulated faces on social media. FakeBuster is a standalone deep learning based solution, which enables a user to detect if another person's video is manipulated or spoofed during a video conferencing based meeting. This tool is independent of video conferencing solutions and has been tested with Zoom and Skype applications. It uses a 3D convolutional neural network for predicting video segment-wise fakeness scores. The network is trained on a combination of datasets such as Deeperforensics, DFDC, VoxCeleb, and deepfake videos created using locally captured (for video conferencing scenarios) images. This leads to different environments and perturbations in the dataset, which improves the generalization of the deepfake network.

The eyes know it: FakeET -- An Eye-tracking Database to Understand Deepfake Perception

We present \textbf{FakeET}-- an eye-tracking database to understand human visual perception of \emph{deepfake} videos. Given that the principal purpose of deepfakes is to deceive human observers, FakeET is designed to understand and evaluate the ease with which viewers can detect synthetic video artifacts. FakeET contains viewing patterns compiled from 40 users via the \emph{Tobii} desktop eye-tracker for 811 videos from the \textit{Google Deepfake} dataset, with a minimum of two viewings per video. Additionally, EEG responses acquired via the \emph{Emotiv} sensor are also available. The compiled data confirms (a) distinct eye movement characteristics for \emph{real} vs \emph{fake} videos; (b) utility of the eye-track saliency maps for spatial forgery localization and detection, and (c) Error Related Negativity (ERN) triggers in the EEG responses, and the ability of the \emph{raw} EEG signal to distinguish between \emph{real} and \emph{fake} videos.

Not made for each other- Audio-Visual Dissonance-based Deepfake Detection and Localization

We propose detection of deepfake videos based on the dissimilarity between the audio and visual modalities, termed as the Modality Dissonance Score (MDS). We hypothesize that manipulation of either modality will lead to dis-harmony between the two modalities, eg, loss of lip-sync, unnatural facial and lip movements, etc. MDS is computed as an aggregate of dissimilarity scores between audio and visual segments in a video. Discriminative features are learnt for the audio and visual channels in a chunk-wise manner, employing the cross-entropy loss for individual modalities, and a contrastive loss that models inter-modality similarity. Extensive experiments on the DFDC and DeepFake-TIMIT Datasets show that our approach outperforms the state-of-the-art by up to 7%. We also demonstrate temporal forgery localization, and show how our technique identifies the manipulated video segments.