Composer 2 Technical Report

Composer 2 is a specialized model designed for agentic software engineering. The model demonstrates strong long-term planning and coding intelligence while maintaining the ability to efficiently solve problems for interactive use. The model is trained in two phases: first, continued pretraining to improve the model's knowledge and latent coding ability, followed by large-scale reinforcement learning to improve end-to-end coding performance through stronger reasoning, accurate multi-step execution, and coherence on long-horizon realistic coding problems. We develop infrastructure to support training in the same Cursor harness that is used by the deployed model, with equivalent tools and structure, and use environments that match real problems closely. To measure the ability of the model on increasingly difficult tasks, we introduce a benchmark derived from real software engineering problems in large codebases including our own. Composer 2 is a frontier-level coding model and demonstrates a process for training strong domain-specialized models. On our CursorBench evaluations the model achieves a major improvement in accuracy compared to previous Composer models (61.3). On public benchmarks the model scores 61.7 on Terminal-Bench and 73.7 on SWE-bench Multilingual in our harness, comparable to state-of-the-art systems.

PaintFlow: A Unified Framework for Interactive Oil Paintings Editing and Generation

Oil painting, as a high-level medium that blends human abstract thinking with artistic expression, poses substantial challenges for digital generation and editing due to its intricate brushstroke dynamics and stylized characteristics. Existing generation and editing techniques are often constrained by the distribution of training data and primarily focus on modifying real photographs. In this work, we introduce a unified multimodal framework for oil painting generation and editing. The proposed system allows users to incorporate reference images for precise semantic control, hand-drawn sketches for spatial structure alignment, and natural language prompts for high-level semantic guidance, while consistently maintaining a unified painting style across all outputs. Our method achieves interactive oil painting creation through three crucial technical advancements. First, we enhance the training stage with spatial alignment and semantic enhancement conditioning strategy, which map masks and sketches into spatial constraints, and encode contextual embedding from reference images and text into feature constraints, enabling object-level semantic alignment. Second, to overcome data scarcity, we propose a self-supervised style transfer pipeline based on Stroke-Based Rendering (SBR), which simulates the inpainting dynamics of oil painting restoration, converting real images into stylized oil paintings with preserved brushstroke textures to construct a large-scale paired training dataset. Finally, during inference, we integrate features using the AdaIN operator to ensure stylistic consistency. Extensive experiments demonstrate that our interactive system enables fine-grained editing while preserving the artistic qualities of oil paintings, achieving an unprecedented level of imagination realization in stylized oil paintings generation and editing.