The surfaces of many cultural heritage objects were embellished with various patterns, especially curve patterns. In practice, most of the unearthed cultural heritage objects are highly fragmented, e.g., sherds of potteries or vessels, and each of them only shows a very small portion of the underlying full design, with noise and deformations. The goal of this paper is to address the challenging problem of automatically identifying the underlying full design of curve patterns from such a sherd. Specifically, we formulate this problem as template matching: curve structure segmented from the sherd is matched to each location with each possible orientation of each known full design. In this paper, we propose a new two-stage matching algorithm, with a different matching cost in each stage. In Stage 1, we use a traditional template matching, which is highly computationally efficient, over the whole search space and identify a small set of candidate matchings. In Stage 2, we derive a new matching cost by training a dual-source Convolutional Neural Network (CNN) and apply it to re-rank the candidate matchings identified in Stage 1. We collect 600 pottery sherds with 98 full designs from the Woodland Period in Southeastern North America for experiments and the performance of the proposed algorithm is very competitive.
Motivated by the important archaeological application of exploring cultural heritage objects, in this paper we study the challenging problem of automatically segmenting curve structures that are very weakly stamped or carved on an object surface in the form of a highly noisy depth map. Different from most classical low-level image segmentation methods that are known to be very sensitive to the noise and occlusions, we propose a new supervised learning algorithm based on Convolutional Neural Network (CNN) to implicitly learn and utilize more curve geometry and pattern information for addressing this challenging problem. More specifically, we first propose a Fully Convolutional Network (FCN) to estimate the skeleton of curve structures and at each skeleton pixel, a scale value is estimated to reflect the local curve width. Then we propose a dense prediction network to refine the estimated curve skeletons. Based on the estimated scale values, we finally develop an adaptive thresholding algorithm to achieve the final segmentation of curve structures. In the experiment, we validate the performance of the proposed method on a dataset of depth images scanned from unearthed pottery sherds dating to the Woodland period of Southeastern North America.
Study of cultural-heritage objects with embellished realistic and abstract designs made up of connected and intertwined curves crosscuts a number of related disciplines, including archaeology, art history, and heritage management. However, many objects, such as pottery sherds found in the archaeological record, are fragmentary, making the underlying complete designs unknowable at the scale of the sherd fragment. The challenge to reconstruct and study complete designs is stymied because 1) most fragmentary cultural-heritage objects contain only a small portion of the underlying full design, 2) in the case of a stamping application, the same design may be applied multiple times with spatial overlap on one object, and 3) curve patterns detected on an object are usually incomplete and noisy. As a result, classical curve-pattern matching algorithms, such as Chamfer matching, may perform poorly in identifying the underlying design. In this paper, we develop a new partial-to-global curve matching algorithm to address these challenges and better identify the full design from a fragmented cultural heritage object. Specifically, we develop the algorithm to identify the designs of the carved wooden paddles of the Southeastern Woodlands from unearthed pottery sherds. A set of pottery sherds from the Snow Collection, curated at Georgia Southern University, are used to test the proposed algorithm, with promising results.