Recent strides in neural speech synthesis technologies, while enjoying widespread applications, have nonetheless introduced a series of challenges, spurring interest in the defence against the threat of misuse and abuse. Notably, source attribution of synthesized speech has value in forensics and intellectual property protection, but prior work in this area has certain limitations in scope. To address the gaps, we present our findings concerning the identification of the sources of synthesized speech in this paper. We investigate the existence of speech synthesis model fingerprints in the generated speech waveforms, with a focus on the acoustic model and the vocoder, and study the influence of each component on the fingerprint in the overall speech waveforms. Our research, conducted using the multi-speaker LibriTTS dataset, demonstrates two key insights: (1) vocoders and acoustic models impart distinct, model-specific fingerprints on the waveforms they generate, and (2) vocoder fingerprints are the more dominant of the two, and may mask the fingerprints from the acoustic model. These findings strongly suggest the existence of model-specific fingerprints for both the acoustic model and the vocoder, highlighting their potential utility in source identification applications.
Audio deepfake detection is an emerging active topic. A growing number of literatures have aimed to study deepfake detection algorithms and achieved effective performance, the problem of which is far from being solved. Although there are some review literatures, there has been no comprehensive survey that provides researchers with a systematic overview of these developments with a unified evaluation. Accordingly, in this survey paper, we first highlight the key differences across various types of deepfake audio, then outline and analyse competitions, datasets, features, classifications, and evaluation of state-of-the-art approaches. For each aspect, the basic techniques, advanced developments and major challenges are discussed. In addition, we perform a unified comparison of representative features and classifiers on ASVspoof 2021, ADD 2023 and In-the-Wild datasets for audio deepfake detection, respectively. The survey shows that future research should address the lack of large scale datasets in the wild, poor generalization of existing detection methods to unknown fake attacks, as well as interpretability of detection results.
Audio deepfake detection is an emerging topic in the artificial intelligence community. The second Audio Deepfake Detection Challenge (ADD 2023) aims to spur researchers around the world to build new innovative technologies that can further accelerate and foster research on detecting and analyzing deepfake speech utterances. Different from previous challenges (e.g. ADD 2022), ADD 2023 focuses on surpassing the constraints of binary real/fake classification, and actually localizing the manipulated intervals in a partially fake speech as well as pinpointing the source responsible for generating any fake audio. Furthermore, ADD 2023 includes more rounds of evaluation for the fake audio game sub-challenge. The ADD 2023 challenge includes three subchallenges: audio fake game (FG), manipulation region location (RL) and deepfake algorithm recognition (AR). This paper describes the datasets, evaluation metrics, and protocols. Some findings are also reported in audio deepfake detection tasks.
Text-based speech editing allows users to edit speech by intuitively cutting, copying, and pasting text to speed up the process of editing speech. In the previous work, CampNet (context-aware mask prediction network) is proposed to realize text-based speech editing, significantly improving the quality of edited speech. This paper aims at a new task: adding emotional effect to the editing speech during the text-based speech editing to make the generated speech more expressive. To achieve this task, we propose Emo-CampNet (emotion CampNet), which can provide the option of emotional attributes for the generated speech in text-based speech editing and has the one-shot ability to edit unseen speakers' speech. Firstly, we propose an end-to-end emotion-selectable text-based speech editing model. The key idea of the model is to control the emotion of generated speech by introducing additional emotion attributes based on the context-aware mask prediction network. Secondly, to prevent the emotion of the generated speech from being interfered by the emotional components in the original speech, a neutral content generator is proposed to remove the emotion from the original speech, which is optimized by the generative adversarial framework. Thirdly, two data augmentation methods are proposed to enrich the emotional and pronunciation information in the training set, which can enable the model to edit the unseen speaker's speech. The experimental results that 1) Emo-CampNet can effectively control the emotion of the generated speech in the process of text-based speech editing; And can edit unseen speakers' speech. 2) Detailed ablation experiments further prove the effectiveness of emotional selectivity and data augmentation methods. The demo page is available at https://hairuo55.github.io/Emo-CampNet/
There are already some datasets used for fake audio detection, such as the ASVspoof and ADD datasets. However, these databases do not consider a situation that the emotion of the audio has been changed from one to another, while other information (e.g. speaker identity and content) remains the same. Changing emotions often leads to semantic changes. This may be a great threat to social stability. Therefore, this paper reports our progress in developing such an emotion fake audio detection dataset involving changing emotion state of the original audio. The dataset is named EmoFake. The fake audio in EmoFake is generated using the state-of-the-art emotion voice conversion models. Some benchmark experiments are conducted on this dataset. The results show that our designed dataset poses a challenge to the LCNN and RawNet2 baseline models of ASVspoof 2021.
There are already some datasets used for fake audio detection, such as the ASVspoof and ADD datasets. However, these databases do not consider a situation that the emotion of the audio has been changed from one to another, while other information (e.g. speaker identity and content) remains the same. Changing emotions often leads to semantic changes. This may be a great threat to social stability. Therefore, this paper reports our progress in developing such an emotion fake audio detection dataset involving changing emotion state of the original audio. The dataset is named EmoFake. The fake audio in EmoFake is generated using the state-of-the-art emotion voice conversion models. Some benchmark experiments are conducted on this dataset. The results show that our designed dataset poses a challenge to the LCNN and RawNet2 baseline models of ASVspoof 2021.