After observing a snapshot of a social network, a link prediction (LP) algorithm identifies node pairs between which new edges will likely materialize in future. Most LP algorithms estimate a score for currently non-neighboring node pairs, and rank them by this score. Recent LP systems compute this score by comparing dense, low dimensional vector representations of nodes. Graph neural networks (GNNs), in particular graph convolutional networks (GCNs), are popular examples. For two nodes to be meaningfully compared, their embeddings should be indifferent to reordering of their neighbors. GNNs typically use simple, symmetric set aggregators to ensure this property, but this design decision has been shown to produce representations with limited expressive power. Sequence encoders are more expressive, but are permutation sensitive by design. Recent efforts to overcome this dilemma turn out to be unsatisfactory for LP tasks. In response, we propose PermGNN, which aggregates neighbor features using a recurrent, order-sensitive aggregator and directly minimizes an LP loss while it is `attacked' by adversarial generator of neighbor permutations. By design, PermGNN{} has more expressive power compared to earlier symmetric aggregators. Next, we devise an optimization framework to map PermGNN's node embeddings to a suitable locality-sensitive hash, which speeds up reporting the top-$K$ most likely edges for the LP task. Our experiments on diverse datasets show that \our outperforms several state-of-the-art link predictors by a significant margin, and can predict the most likely edges fast.
Given the large number of new musical tracks released each year, automated approaches to plagiarism detection are essential to help us track potential violations of copyright. Most current approaches to plagiarism detection are based on musical similarity measures, which typically ignore the issue of polyphony in music. We present a novel feature space for audio derived from compositional modelling techniques, commonly used in signal separation, that provides a mechanism to account for polyphony without incurring an inordinate amount of computational overhead. We employ this feature representation in conjunction with traditional audio feature representations in a classification framework which uses an ensemble of distance features to characterize pairs of songs as being plagiarized or not. Our experiments on a database of about 3000 musical track pairs show that the new feature space characterization produces significant improvements over standard baselines.