Human-Producible Adversarial Examples

Visual adversarial examples have so far been restricted to pixel-level image manipulations in the digital world, or have required sophisticated equipment such as 2D or 3D printers to be produced in the physical real world. We present the first ever method of generating human-producible adversarial examples for the real world that requires nothing more complicated than a marker pen. We call them $\textbf{adversarial tags}$. First, building on top of differential rendering, we demonstrate that it is possible to build potent adversarial examples with just lines. We find that by drawing just $4$ lines we can disrupt a YOLO-based model in $54.8\%$ of cases; increasing this to $9$ lines disrupts $81.8\%$ of the cases tested. Next, we devise an improved method for line placement to be invariant to human drawing error. We evaluate our system thoroughly in both digital and analogue worlds and demonstrate that our tags can be applied by untrained humans. We demonstrate the effectiveness of our method for producing real-world adversarial examples by conducting a user study where participants were asked to draw over printed images using digital equivalents as guides. We further evaluate the effectiveness of both targeted and untargeted attacks, and discuss various trade-offs and method limitations, as well as the practical and ethical implications of our work. The source code will be released publicly.

Markpainting: Adversarial Machine Learning meets Inpainting

Inpainting is a learned interpolation technique that is based on generative modeling and used to populate masked or missing pieces in an image; it has wide applications in picture editing and retouching. Recently, inpainting started being used for watermark removal, raising concerns. In this paper we study how to manipulate it using our markpainting technique. First, we show how an image owner with access to an inpainting model can augment their image in such a way that any attempt to edit it using that model will add arbitrary visible information. We find that we can target multiple different models simultaneously with our technique. This can be designed to reconstitute a watermark if the editor had been trying to remove it. Second, we show that our markpainting technique is transferable to models that have different architectures or were trained on different datasets, so watermarks created using it are difficult for adversaries to remove. Markpainting is novel and can be used as a manipulation alarm that becomes visible in the event of inpainting.