Humans have a tendency to see 'human'-like qualities in objects around them. We name our cars, and talk to pets and even household appliances, as if they could understand us as other humans do. This behavior, called anthropomorphism, is also seeing traction in Machine Learning (ML), where human-like intelligence is claimed to be perceived in Large Language Models (LLMs). In this position paper, considering professional incentives, human biases, and general methodological setups, we discuss how the current search for Artificial General Intelligence (AGI) is a perfect storm for over-attributing human-like qualities to LLMs. In several experiments, we demonstrate that the discovery of human-interpretable patterns in latent spaces should not be a surprising outcome. Also in consideration of common AI portrayal in the media, we call for the academic community to exercise extra caution, and to be extra aware of principles of academic integrity, in interpreting and communicating about AI research outcomes.
Counterfactual explanations offer an intuitive and straightforward way to explain black-box models and offer algorithmic recourse to individuals. To address the need for plausible explanations, existing work has primarily relied on surrogate models to learn how the input data is distributed. This effectively reallocates the task of learning realistic explanations for the data from the model itself to the surrogate. Consequently, the generated explanations may seem plausible to humans but need not necessarily describe the behaviour of the black-box model faithfully. We formalise this notion of faithfulness through the introduction of a tailored evaluation metric and propose a novel algorithmic framework for generating Energy-Constrained Conformal Counterfactuals that are only as plausible as the model permits. Through extensive empirical studies, we demonstrate that ECCCo reconciles the need for faithfulness and plausibility. In particular, we show that for models with gradient access, it is possible to achieve state-of-the-art performance without the need for surrogate models. To do so, our framework relies solely on properties defining the black-box model itself by leveraging recent advances in energy-based modelling and conformal prediction. To our knowledge, this is the first venture in this direction for generating faithful counterfactual explanations. Thus, we anticipate that ECCCo can serve as a baseline for future research. We believe that our work opens avenues for researchers and practitioners seeking tools to better distinguish trustworthy from unreliable models.
The equitable distribution of academic data is crucial for ensuring equal research opportunities, and ultimately further progress. Yet, due to the complexity of using the API for audio data that corresponds to the Million Song Dataset along with its misreporting (before 2016) and the discontinuation of this API (after 2016), access to this data has become restricted to those within certain affiliations that are connected peer-to-peer. In this paper, we delve into this issue, drawing insights from the experiences of 22 individuals who either attempted to access the data or played a role in its creation. With this, we hope to initiate more critical dialogue and more thoughtful consideration with regard to access privilege in the MIR community.
Existing work on Counterfactual Explanations (CE) and Algorithmic Recourse (AR) has largely focused on single individuals in a static environment: given some estimated model, the goal is to find valid counterfactuals for an individual instance that fulfill various desiderata. The ability of such counterfactuals to handle dynamics like data and model drift remains a largely unexplored research challenge. There has also been surprisingly little work on the related question of how the actual implementation of recourse by one individual may affect other individuals. Through this work, we aim to close that gap. We first show that many of the existing methodologies can be collectively described by a generalized framework. We then argue that the existing framework does not account for a hidden external cost of recourse, that only reveals itself when studying the endogenous dynamics of recourse at the group level. Through simulation experiments involving various state-of the-art counterfactual generators and several benchmark datasets, we generate large numbers of counterfactuals and study the resulting domain and model shifts. We find that the induced shifts are substantial enough to likely impede the applicability of Algorithmic Recourse in some situations. Fortunately, we find various strategies to mitigate these concerns. Our simulation framework for studying recourse dynamics is fast and opensourced.
We present CounterfactualExplanations.jl: a package for generating Counterfactual Explanations (CE) and Algorithmic Recourse (AR) for black-box models in Julia. CE explain how inputs into a model need to change to yield specific model predictions. Explanations that involve realistic and actionable changes can be used to provide AR: a set of proposed actions for individuals to change an undesirable outcome for the better. In this article, we discuss the usefulness of CE for Explainable Artificial Intelligence and demonstrate the functionality of our package. The package is straightforward to use and designed with a focus on customization and extensibility. We envision it to one day be the go-to place for explaining arbitrary predictive models in Julia through a diverse suite of counterfactual generators.
Artificial intelligence literature suggests that minority and fragile communities in society can be negatively impacted by machine learning algorithms due to inherent biases in the design process, which lead to socially exclusive decisions and policies. Faced with similar challenges in dealing with an increasingly diversified audience, the museum sector has seen changes in theory and practice, particularly in the areas of representation and meaning-making. While rarity and grandeur used to be at the centre stage of the early museum practices, folk life and museums' relationships with the diverse communities they serve become a widely integrated part of the contemporary practices. These changes address issues of diversity and accessibility in order to offer more socially inclusive services. Drawing on these changes and reflecting back on the AI world, we argue that the museum experience provides useful lessons for building AI with socially inclusive approaches, especially in situations in which both a collection and access to it will need to be curated or filtered, as frequently happens in search engines, recommender systems and digital libraries. We highlight three principles: (1) Instead of upholding the value of neutrality, practitioners are aware of the influences of their own backgrounds and those of others on their work. By not claiming to be neutral but practising cultural humility, the chances of addressing potential biases can be increased. (2) There should be room for situational interpretation beyond the stages of data collection and machine learning. Before applying models and predictions, the contexts in which relevant parties exist should be taken into account. (3) Community participation serves the needs of communities and has the added benefit of bringing practitioners and communities together.
We present ReproducedPapers.org: an open online repository for teaching and structuring machine learning reproducibility. We evaluate doing a reproduction project among students and the added value of an online reproduction repository among AI researchers. We use anonymous self-assessment surveys and obtained 144 responses. Results suggest that students who do a reproduction project place more value on scientific reproductions and become more critical thinkers. Students and AI researchers agree that our online reproduction repository is valuable.
Deep neural networks have frequently been used to directly learn representations useful for a given task from raw input data. In terms of overall performance metrics, machine learning solutions employing deep representations frequently have been reported to greatly outperform those using hand-crafted feature representations. At the same time, they may pick up on aspects that are predominant in the data, yet not actually meaningful or interpretable. In this paper, we therefore propose a systematic way to diagnose the trustworthiness of deep music representations, considering musical semantics. The underlying assumption is that in case a deep representation is to be trusted, distance consistency between known related points should be maintained both in the input audio space and corresponding latent deep space. We generate known related points through semantically meaningful transformations, both considering imperceptible and graver transformations. Then, we examine within- and between-space distance consistencies, both considering audio space and latent embedded space, the latter either being a result of a conventional feature extractor or a deep encoder. We illustrate how our method, as a complement to task-specific performance, provides interpretable insight into what a network may have captured from training data signals.
Inspired by the success of deploying deep learning in the fields of Computer Vision and Natural Language Processing, this learning paradigm has also found its way into the field of Music Information Retrieval. In order to benefit from deep learning in an effective, but also efficient manner, deep transfer learning has become a common approach. In this approach, it is possible to reuse the output of a pre-trained neural network as the basis for a new learning task. The underlying hypothesis is that if the initial and new learning tasks show commonalities and are applied to the same type of input data (e.g. music audio), the generated deep representation of the data is also informative for the new task. Since, however, most of the networks used to generate deep representations are trained using a single initial learning source, the validity of the above hypothesis is questionable for an arbitrary future task. In this paper, we present the results of our investigation of what the most important factor to generate deep representations for the data and learning tasks in the music domain. We conducted this investigation via an extensive empirical study that involves multiple learning sources, as well as multiple deep learning architectures with varying levels of information sharing between sources, in order to learn music representations. We then validate these representations considering multiple target datasets for evaluation. The results of our experiments yield several insights on how to approach the design of methods for learning widely deployable deep data representations in the music domain.