Speaker Distance Estimation in Enclosures from Single-Channel Audio

Distance estimation from audio plays a crucial role in various applications, such as acoustic scene analysis, sound source localization, and room modeling. Most studies predominantly center on employing a classification approach, where distances are discretized into distinct categories, enabling smoother model training and achieving higher accuracy but imposing restrictions on the precision of the obtained sound source position. Towards this direction, in this paper we propose a novel approach for continuous distance estimation from audio signals using a convolutional recurrent neural network with an attention module. The attention mechanism enables the model to focus on relevant temporal and spectral features, enhancing its ability to capture fine-grained distance-related information. To evaluate the effectiveness of our proposed method, we conduct extensive experiments using audio recordings in controlled environments with three levels of realism (synthetic room impulse response, measured response with convolved speech, and real recordings) on four datasets (our synthetic dataset, QMULTIMIT, VoiceHome-2, and STARSS23). Experimental results show that the model achieves an absolute error of 0.11 meters in a noiseless synthetic scenario. Moreover, the results showed an absolute error of about 1.30 meters in the hybrid scenario. The algorithm's performance in the real scenario, where unpredictable environmental factors and noise are prevalent, yields an absolute error of approximately 0.50 meters. For reproducible research purposes we make model, code, and synthetic datasets available at https://github.com/michaelneri/audio-distance-estimation.

Sound Event Detection and Localization with Distance Estimation

Sound Event Detection and Localization (SELD) is a combined task of identifying sound events and their corresponding direction-of-arrival (DOA). While this task has numerous applications and has been extensively researched in recent years, it fails to provide full information about the sound source position. In this paper, we overcome this problem by extending the task to Sound Event Detection, Localization with Distance Estimation (3D SELD). We study two ways of integrating distance estimation within the SELD core - a multi-task approach, in which the problem is tackled by a separate model output, and a single-task approach obtained by extending the multi-ACCDOA method to include distance information. We investigate both methods for the Ambisonic and binaural versions of STARSS23: Sony-TAU Realistic Spatial Soundscapes 2023. Moreover, our study involves experiments on the loss function related to the distance estimation part. Our results show that it is possible to perform 3D SELD without any degradation of performance in sound event detection and DOA estimation.

Perceptually-motivated Spatial Audio Codec for Higher-Order Ambisonics Compression

Scene-based spatial audio formats, such as Ambisonics, are playback system agnostic and may therefore be favoured for delivering immersive audio experiences to a wide range of (potentially unknown) devices. The number of channels required to deliver high spatial resolution Ambisonic audio, however, can be prohibitive for low-bandwidth applications. Therefore, this paper proposes a compression codec, which is based upon the parametric higher-order Directional Audio Coding (HO-DirAC) model. The encoder downmixes the higher-order Ambisonic (HOA) input audio into a reduced number of signals, which are accompanied by perceptually-motivated scene parameters. The downmixed audio is coded using a perceptual audio coder, whereas the parameters are grouped into perceptual bands, quantized, and downsampled. On the decoder side, low Ambisonic orders are fully recovered. Not fully recoverable HOA components are synthesized according to the parameters. The results of a listening test indicate that the proposed parametric spatial audio codec can improve the adopted perceptual audio coder, especially at low to medium-high bitrates, when applied to fifth-order HOA signals.

Neural Ambisonics encoding for compact irregular microphone arrays

Ambisonics encoding of microphone array signals can enable various spatial audio applications, such as virtual reality or telepresence, but it is typically designed for uniformly-spaced spherical microphone arrays. This paper proposes a method for Ambisonics encoding that uses a deep neural network (DNN) to estimate a signal transform from microphone inputs to Ambisonics signals. The approach uses a DNN consisting of a U-Net structure with a learnable preprocessing as well as a loss function consisting of mean average error, spatial correlation, and energy preservation components. The method is validated on two microphone arrays with regular and irregular shapes having four microphones, on simulated reverberant scenes with multiple sources. The results of the validation show that the proposed method can meet or exceed the performance of a conventional signal-independent Ambisonics encoder on a number of error metrics.

Attention-Driven Multichannel Speech Enhancement in Moving Sound Source Scenarios

Current multichannel speech enhancement algorithms typically assume a stationary sound source, a common mismatch with reality that limits their performance in real-world scenarios. This paper focuses on attention-driven spatial filtering techniques designed for dynamic settings. Specifically, we study the application of linear and nonlinear attention-based methods for estimating time-varying spatial covariance matrices used to design the filters. We also investigate the direct estimation of spatial filters by attention-based methods without explicitly estimating spatial statistics. The clean speech clips from WSJ0 are employed for simulating speech signals of moving speakers in a reverberant environment. The experimental dataset is built by mixing the simulated speech signals with multichannel real noise from CHiME-3. Evaluation results show that the attention-driven approaches are robust and consistently outperform conventional spatial filtering approaches in both static and dynamic sound environments.

Dynamic Processing Neural Network Architecture For Hearing Loss Compensation

This paper proposes neural networks for compensating sensorineural hearing loss. The aim of the hearing loss compensation task is to transform a speech signal to increase speech intelligibility after further processing by a person with a hearing impairment, which is modeled by a hearing loss model. We propose an interpretable model called dynamic processing network, which has a structure similar to band-wise dynamic compressor. The network is differentiable, and therefore allows to learn its parameters to maximize speech intelligibility. More generic models based on convolutional layers were tested as well. The performance of the tested architectures was assessed using spectro-temporal objective index (STOI) with hearing-threshold noise and hearing aid speech intelligibility (HASPI) metrics. The dynamic processing network gave a significant improvement of STOI and HASPI in comparison to popular compressive gain prescription rule Camfit. A large enough convolutional network could outperform the interpretable model with the cost of larger computational load. Finally, a combination of the dynamic processing network with convolutional neural network gave the best results in terms of STOI and HASPI.

STARSS23: An Audio-Visual Dataset of Spatial Recordings of Real Scenes with Spatiotemporal Annotations of Sound Events

While direction of arrival (DOA) of sound events is generally estimated from multichannel audio data recorded in a microphone array, sound events usually derive from visually perceptible source objects, e.g., sounds of footsteps come from the feet of a walker. This paper proposes an audio-visual sound event localization and detection (SELD) task, which uses multichannel audio and video information to estimate the temporal activation and DOA of target sound events. Audio-visual SELD systems can detect and localize sound events using signals from a microphone array and audio-visual correspondence. We also introduce an audio-visual dataset, Sony-TAu Realistic Spatial Soundscapes 2023 (STARSS23), which consists of multichannel audio data recorded with a microphone array, video data, and spatiotemporal annotation of sound events. Sound scenes in STARSS23 are recorded with instructions, which guide recording participants to ensure adequate activity and occurrences of sound events. STARSS23 also serves human-annotated temporal activation labels and human-confirmed DOA labels, which are based on tracking results of a motion capture system. Our benchmark results show that the audio-visual SELD system achieves lower localization error than the audio-only system. The data is available at https://zenodo.org/record/7880637.

Permutation Invariant Recurrent Neural Networks for Sound Source Tracking Applications

Many multi-source localization and tracking models based on neural networks use one or several recurrent layers at their final stages to track the movement of the sources. Conventional recurrent neural networks (RNNs), such as the long short-term memories (LSTMs) or the gated recurrent units (GRUs), take a vector as their input and use another vector to store their state. However, this approach results in the information from all the sources being contained in a single ordered vector, which is not optimal for permutation-invariant problems such as multi-source tracking. In this paper, we present a new recurrent architecture that uses unordered sets to represent both its input and its state and that is invariant to the permutations of the input set and equivariant to the permutations of the state set. Hence, the information of every sound source is represented in an individual embedding and the new estimates are assigned to the tracked trajectories regardless of their order.

Multi-Channel Masking with Learnable Filterbank for Sound Source Separation

This work proposes a learnable filterbank based on a multi-channel masking framework for multi-channel source separation. The learnable filterbank is a 1D Conv layer, which transforms the raw waveform into a 2D representation. In contrast to the conventional single-channel masking method, we estimate a mask for each individual microphone channel. The estimated masks are then applied to the transformed waveform representation like in the traditional filter-and-sum beamforming operation. Specifically, each mask is used to multiply the corresponding channel's 2D representation, and the masked output of all channels are then summed. At last, a 1D transposed Conv layer is used to convert the summed masked signal into the waveform domain. The experimental results show our method outperforms single-channel masking with a learnable filterbank and can outperform multi-channel complex masking with STFT complex spectrum in the STGCSEN model if a learnable filterbank is transformed to a higher feature dimension. The spatial response analysis also verifies that multi-channel masking in the learnable filterbank domain has spatial selectivity.

How to (virtually) train your sound source localizer

Learning-based methods have become ubiquitous in sound source localization (SSL). Existing systems rely on simulated training sets for the lack of sufficiently large, diverse and annotated real datasets. Most room acoustic simulators used for this purpose rely on the image source method (ISM) because of its computational efficiency. This paper argues that carefully extending the ISM to incorporate more realistic surface, source and microphone responses into training sets can significantly boost the real-world performance of SSL systems. It is shown that increasing the training-set realism of a state-of-the-art direction-of-arrival estimator yields consistent improvements across three different real test sets featuring human speakers in a variety of rooms and various microphone arrays. An ablation study further reveals that every added layer of realism contributes positively to these improvements.