Cross-domain Compositing with Pretrained Diffusion Models

Diffusion models have enabled high-quality, conditional image editing capabilities. We propose to expand their arsenal, and demonstrate that off-the-shelf diffusion models can be used for a wide range of cross-domain compositing tasks. Among numerous others, these include image blending, object immersion, texture-replacement and even CG2Real translation or stylization. We employ a localized, iterative refinement scheme which infuses the injected objects with contextual information derived from the background scene, and enables control over the degree and types of changes the object may undergo. We conduct a range of qualitative and quantitative comparisons to prior work, and exhibit that our method produces higher quality and realistic results without requiring any annotations or training. Finally, we demonstrate how our method may be used for data augmentation of downstream tasks.

CLIPasso: Semantically-Aware Object Sketching

Abstraction is at the heart of sketching due to the simple and minimal nature of line drawings. Abstraction entails identifying the essential visual properties of an object or scene, which requires semantic understanding and prior knowledge of high-level concepts. Abstract depictions are therefore challenging for artists, and even more so for machines. We present an object sketching method that can achieve different levels of abstraction, guided by geometric and semantic simplifications. While sketch generation methods often rely on explicit sketch datasets for training, we utilize the remarkable ability of CLIP (Contrastive-Language-Image-Pretraining) to distill semantic concepts from sketches and images alike. We define a sketch as a set of B\'ezier curves and use a differentiable rasterizer to optimize the parameters of the curves directly with respect to a CLIP-based perceptual loss. The abstraction degree is controlled by varying the number of strokes. The generated sketches demonstrate multiple levels of abstraction while maintaining recognizability, underlying structure, and essential visual components of the subject drawn.