DExperts: Decoding-Time Controlled Text Generation with Experts and Anti-Experts

Despite recent advances in natural language generation, it remains challenging to control attributes of generated text. We propose DExperts: Decoding-time Experts, a decoding-time method for controlled text generation that combines a pretrained language model with "expert" LMs and/or "anti-expert" LMs in a product of experts. Intuitively, under the ensemble, tokens only get high probability if they are considered likely by the experts, and unlikely by the anti-experts. We apply DExperts to language detoxification and sentiment-controlled generation, where we outperform existing controllable generation methods on both automatic and human evaluations. Moreover, because DExperts operates only on the output of the pretrained LM, it is effective with (anti-)experts of smaller size, including when operating on GPT-3. Our work highlights the promise of tuning small LMs on text with (un)desirable attributes for efficient decoding-time steering.

On-the-Fly Controlled Text Generation with Experts and Anti-Experts

Despite recent advances in natural language generation, it remains challenging to control attributes of generated text. We propose DExperts: Decoding-time Experts, a decoding-time method for controlled text generation which combines a pretrained language model with experts and/or anti-experts in an ensemble of language models. Intuitively, under our ensemble, output tokens only get high probability if they are considered likely by the experts, and unlikely by the anti-experts. We apply DExperts to language detoxification and sentiment-controlled generation, where we outperform existing controllable generation methods on both automatic and human evaluations. Our work highlights the promise of using LMs trained on text with (un)desired attributes for efficient decoding-time controlled language generation.

Bach or Mock? A Grading Function for Chorales in the Style of J.S. Bach

Deep generative systems that learn probabilistic models from a corpus of existing music do not explicitly encode knowledge of a musical style, compared to traditional rule-based systems. Thus, it can be difficult to determine whether deep models generate stylistically correct output without expert evaluation, but this is expensive and time-consuming. Therefore, there is a need for automatic, interpretable, and musically-motivated evaluation measures of generated music. In this paper, we introduce a grading function that evaluates four-part chorales in the style of J.S. Bach along important musical features. We use the grading function to evaluate the output of a Transformer model, and show that the function is both interpretable and outperforms human experts at discriminating Bach chorales from model-generated ones.

Incorporating Music Knowledge in Continual Dataset Augmentation for Music Generation

Deep learning has rapidly become the state-of-the-art approach for music generation. However, training a deep model typically requires a large training set, which is often not available for specific musical styles. In this paper, we present augmentative generation (Aug-Gen), a method of dataset augmentation for any music generation system trained on a resource-constrained domain. The key intuition of this method is that the training data for a generative system can be augmented by examples the system produces during the course of training, provided these examples are of sufficiently high quality and variety. We apply Aug-Gen to Transformer-based chorale generation in the style of J.S. Bach, and show that this allows for longer training and results in better generative output.

Model selection for deep audio source separation via clustering analysis

Audio source separation is the process of separating a mixture (e.g. a pop band recording) into isolated sounds from individual sources (e.g. just the lead vocals). Deep learning models are the state-of-the-art in source separation, given that the mixture to be separated is similar to the mixtures the deep model was trained on. This requires the end user to know enough about each model's training to select the correct model for a given audio mixture. In this work, we automate selection of the appropriate model for an audio mixture. We present a confidence measure that does not require ground truth to estimate separation quality, given a deep model and audio mixture. We use this confidence measure to automatically select the model output with the best predicted separation quality. We compare our confidence-based ensemble approach to using individual models with no selection, to an oracle that always selects the best model and to a random model selector. Results show our confidence-based ensemble significantly outperforms the random ensemble over general mixtures and approaches oracle performance for music mixtures.

Multi-sense Definition Modeling using Word Sense Decompositions

Word embeddings capture syntactic and semantic information about words. Definition modeling aims to make the semantic content in each embedding explicit, by outputting a natural language definition based on the embedding. However, existing definition models are limited in their ability to generate accurate definitions for different senses of the same word. In this paper, we introduce a new method that enables definition modeling for multiple senses. We show how a Gumble-Softmax approach outperforms baselines at matching sense-specific embeddings to definitions during training. In experiments, our multi-sense definition model improves recall over a state-of-the-art single-sense definition model by a factor of three, without harming precision.