FunnyNet-W: Multimodal Learning of Funny Moments in Videos in the Wild

Automatically understanding funny moments (i.e., the moments that make people laugh) when watching comedy is challenging, as they relate to various features, such as body language, dialogues and culture. In this paper, we propose FunnyNet-W, a model that relies on cross- and self-attention for visual, audio and text data to predict funny moments in videos. Unlike most methods that rely on ground truth data in the form of subtitles, in this work we exploit modalities that come naturally with videos: (a) video frames as they contain visual information indispensable for scene understanding, (b) audio as it contains higher-level cues associated with funny moments, such as intonation, pitch and pauses and (c) text automatically extracted with a speech-to-text model as it can provide rich information when processed by a Large Language Model. To acquire labels for training, we propose an unsupervised approach that spots and labels funny audio moments. We provide experiments on five datasets: the sitcoms TBBT, MHD, MUStARD, Friends, and the TED talk UR-Funny. Extensive experiments and analysis show that FunnyNet-W successfully exploits visual, auditory and textual cues to identify funny moments, while our findings reveal FunnyNet-W's ability to predict funny moments in the wild. FunnyNet-W sets the new state of the art for funny moment detection with multimodal cues on all datasets with and without using ground truth information.

See360: Novel Panoramic View Interpolation

We present See360, which is a versatile and efficient framework for 360 panoramic view interpolation using latent space viewpoint estimation. Most of the existing view rendering approaches only focus on indoor or synthetic 3D environments and render new views of small objects. In contrast, we suggest to tackle camera-centered view synthesis as a 2D affine transformation without using point clouds or depth maps, which enables an effective 360? panoramic scene exploration. Given a pair of reference images, the See360 model learns to render novel views by a proposed novel Multi-Scale Affine Transformer (MSAT), enabling the coarse-to-fine feature rendering. We also propose a Conditional Latent space AutoEncoder (C-LAE) to achieve view interpolation at any arbitrary angle. To show the versatility of our method, we introduce four training datasets, namely UrbanCity360, Archinterior360, HungHom360 and Lab360, which are collected from indoor and outdoor environments for both real and synthetic rendering. Experimental results show that the proposed method is generic enough to achieve real-time rendering of arbitrary views for all four datasets. In addition, our See360 model can be applied to view synthesis in the wild: with only a short extra training time (approximately 10 mins), and is able to render unknown real-world scenes. The superior performance of See360 opens up a promising direction for camera-centered view rendering and 360 panoramic view interpolation.

Soft-IntroVAE for Continuous Latent space Image Super-Resolution

Continuous image super-resolution (SR) recently receives a lot of attention from researchers, for its practical and flexible image scaling for various displays. Local implicit image representation is one of the methods that can map the coordinates and 2D features for latent space interpolation. Inspired by Variational AutoEncoder, we propose a Soft-introVAE for continuous latent space image super-resolution (SVAE-SR). A novel latent space adversarial training is achieved for photo-realistic image restoration. To further improve the quality, a positional encoding scheme is used to extend the original pixel coordinates by aggregating frequency information over the pixel areas. We show the effectiveness of the proposed SVAE-SR through quantitative and qualitative comparisons, and further, illustrate its generalization in denoising and real-image super-resolution.

Arbitrary point cloud upsampling via Dual Back-Projection Network

Point clouds acquired from 3D sensors are usually sparse and noisy. Point cloud upsampling is an approach to increase the density of the point cloud so that detailed geometric information can be restored. In this paper, we propose a Dual Back-Projection network for point cloud upsampling (DBPnet). A Dual Back-Projection is formulated in an up-down-up manner for point cloud upsampling. It not only back projects feature residues but also coordinates residues so that the network better captures the point correlations in the feature and space domains, achieving lower reconstruction errors on both uniform and non-uniform sparse point clouds. Our proposed method is also generalizable for arbitrary upsampling tasks (e.g. 4x, 5.5x). Experimental results show that the proposed method achieves the lowest point set matching losses with respect to the benchmark. In addition, the success of our approach demonstrates that generative networks are not necessarily needed for non-uniform point clouds.

Name Your Style: An Arbitrary Artist-aware Image Style Transfer

Image style transfer has attracted widespread attention in the past few years. Despite its remarkable results, it requires additional style images available as references, making it less flexible and inconvenient. Using text is the most natural way to describe the style. More importantly, text can describe implicit abstract styles, like styles of specific artists or art movements. In this paper, we propose a text-driven image style transfer (TxST) that leverages advanced image-text encoders to control arbitrary style transfer. We introduce a contrastive training strategy to effectively extract style descriptions from the image-text model (i.e., CLIP), which aligns stylization with the text description. To this end, we also propose a novel and efficient attention module that explores cross-attentions to fuse style and content features. Finally, we achieve an arbitrary artist-aware image style transfer to learn and transfer specific artistic characters such as Picasso, oil painting, or a rough sketch. Extensive experiments demonstrate that our approach outperforms the state-of-the-art methods on both image and textual styles. Moreover, it can mimic the styles of one or many artists to achieve attractive results, thus highlighting a promising direction in image style transfer.

Multiple Style Transfer via Variational AutoEncoder

Modern works on style transfer focus on transferring style from a single image. Recently, some approaches study multiple style transfer; these, however, are either too slow or fail to mix multiple styles. We propose ST-VAE, a Variational AutoEncoder for latent space-based style transfer. It performs multiple style transfer by projecting nonlinear styles to a linear latent space, enabling to merge styles via linear interpolation before transferring the new style to the content image. To evaluate ST-VAE, we experiment on COCO for single and multiple style transfer. We also present a case study revealing that ST-VAE outperforms other methods while being faster, flexible, and setting a new path for multiple style transfer.

Variational AutoEncoder for Reference based Image Super-Resolution

In this paper, we propose a novel reference based image super-resolution approach via Variational AutoEncoder (RefVAE). Existing state-of-the-art methods mainly focus on single image super-resolution which cannot perform well on large upsampling factors, e.g., 8$\times$. We propose a reference based image super-resolution, for which any arbitrary image can act as a reference for super-resolution. Even using random map or low-resolution image itself, the proposed RefVAE can transfer the knowledge from the reference to the super-resolved images. Depending upon different references, the proposed method can generate different versions of super-resolved images from a hidden super-resolution space. Besides using different datasets for some standard evaluations with PSNR and SSIM, we also took part in the NTIRE2021 SR Space challenge and have provided results of the randomness evaluation of our approach. Compared to other state-of-the-art methods, our approach achieves higher diverse scores.

AIM 2020: Scene Relighting and Illumination Estimation Challenge

We review the AIM 2020 challenge on virtual image relighting and illumination estimation. This paper presents the novel VIDIT dataset used in the challenge and the different proposed solutions and final evaluation results over the 3 challenge tracks. The first track considered one-to-one relighting; the objective was to relight an input photo of a scene with a different color temperature and illuminant orientation (i.e., light source position). The goal of the second track was to estimate illumination settings, namely the color temperature and orientation, from a given image. Lastly, the third track dealt with any-to-any relighting, thus a generalization of the first track. The target color temperature and orientation, rather than being pre-determined, are instead given by a guide image. Participants were allowed to make use of their track 1 and 2 solutions for track 3. The tracks had 94, 52, and 56 registered participants, respectively, leading to 20 confirmed submissions in the final competition stage.

AIM 2020 Challenge on Real Image Super-Resolution: Methods and Results

This paper introduces the real image Super-Resolution (SR) challenge that was part of the Advances in Image Manipulation (AIM) workshop, held in conjunction with ECCV 2020. This challenge involves three tracks to super-resolve an input image for $\times$2, $\times$3 and $\times$4 scaling factors, respectively. The goal is to attract more attention to realistic image degradation for the SR task, which is much more complicated and challenging, and contributes to real-world image super-resolution applications. 452 participants were registered for three tracks in total, and 24 teams submitted their results. They gauge the state-of-the-art approaches for real image SR in terms of PSNR and SSIM.

Deep Relighting Networks for Image Light Source Manipulation

Manipulating the light source of given images is an interesting task and useful in various applications, including photography and cinematography. Existing methods usually require additional information like the geometric structure of the scene, which may not be available for most images. In this paper, we formulate the single image relighting task and propose a novel Deep Relighting Network (DRN) with three parts: 1) scene reconversion, which aims to reveal the primary scene structure through a deep auto-encoder network, 2) shadow prior estimation, to predict light effect from the new light direction through adversarial learning, and 3) re-renderer, to combine the primary structure with the reconstructed shadow view to form the required estimation under the target light source. Experimental results show that the proposed method outperforms other possible methods, both qualitatively and quantitatively. Specifically, the proposed DRN has achieved the best PSNR in the "AIM2020 - Any to one relighting challenge" of the 2020 ECCV conference.