A Compact and Semantic Latent Space for Disentangled and Controllable Image Editing

Recent advances in the field of generative models and in particular generative adversarial networks (GANs) have lead to substantial progress for controlled image editing, especially compared with the pre-deep learning era. Despite their powerful ability to apply realistic modifications to an image, these methods often lack properties like disentanglement (the capacity to edit attributes independently). In this paper, we propose an auto-encoder which re-organizes the latent space of StyleGAN, so that each attribute which we wish to edit corresponds to an axis of the new latent space, and furthermore that the latent axes are decorrelated, encouraging disentanglement. We work in a compressed version of the latent space, using Principal Component Analysis, meaning that the parameter complexity of our autoencoder is reduced, leading to short training times ($\sim$ 45 mins). Qualitative and quantitative results demonstrate the editing capabilities of our approach, with greater disentanglement than competing methods, while maintaining fidelity to the original image with respect to identity. Our autoencoder architecture simple and straightforward, facilitating implementation.

Infusion: Internal Diffusion for Video Inpainting

Video inpainting is the task of filling a desired region in a video in a visually convincing manner. It is a very challenging task due to the high dimensionality of the signal and the temporal consistency required for obtaining convincing results. Recently, diffusion models have shown impressive results in modeling complex data distributions, including images and videos. Diffusion models remain nonetheless very expensive to train and perform inference with, which strongly restrict their application to video. We show that in the case of video inpainting, thanks to the highly auto-similar nature of videos, the training of a diffusion model can be restricted to the video to inpaint and still produce very satisfying results. This leads us to adopt an internal learning approch, which also allows for a greatly reduced network size. We call our approach "Infusion": an internal learning algorithm for video inpainting through diffusion. Due to our frugal network, we are able to propose the first video inpainting approach based purely on diffusion. Other methods require supporting elements such as optical flow estimation, which limits their performance in the case of dynamic textures for example. We introduce a new method for efficient training and inference of diffusion models in the context of internal learning. We split the diffusion process into different learning intervals which greatly simplifies the learning steps. We show qualititative and quantitative results, demonstrating that our method reaches state-of-the-art performance, in particular in the case of dynamic backgrounds and textures.

A statistically constrained internal method for single image super-resolution

Deep learning based methods for single-image super-resolution (SR) have drawn a lot of attention lately. In particular, various papers have shown that the learning stage can be performed on a single image, resulting in the so-called internal approaches. The SinGAN method is one of these contributions, where the distribution of image patches is learnt on the image at hand and propagated at finer scales. Now, there are situations where some statistical a priori can be assumed for the final image. In particular, many natural phenomena yield images having power law Fourier spectrum, such as clouds and other texture images. In this work, we show how such a priori information can be integrated into an internal super-resolution approach, by constraining the learned up-sampling procedure of SinGAN. We consider various types of constraints, related to the Fourier power spectrum, the color histograms and the consistency of the upsampling scheme. We demonstrate on various experiments that these constraints are indeed satisfied, but also that some perceptual quality measures can be improved by the proposed approach.

A geometrically aware auto-encoder for multi-texture synthesis

We propose an auto-encoder architecture for multi-texture synthesis. The approach relies on both a compact encoder accounting for second order neural statistics and a generator incorporating adaptive periodic content. Images are embedded in a compact and geometrically consistent latent space, where the texture representation and its spatial organisation are disentangled. Texture synthesis and interpolation tasks can be performed directly from these latent codes. Our experiments demonstrate that our model outperforms state-of-the-art feed-forward methods in terms of visual quality and various texture related metrics.

Patch-Based Stochastic Attention for Image Editing

Attention mechanisms have become of crucial importance in deep learning in recent years. These non-local operations, which are similar to traditional patch-based methods in image processing, complement local convolutions. However, computing the full attention matrix is an expensive step with a heavy memory and computational load. These limitations curb network architectures and performances, in particular for the case of high resolution images. We propose an efficient attention layer based on the stochastic algorithm PatchMatch, which is used for determining approximate nearest neighbors. We refer to our proposed layer as a "Patch-based Stochastic Attention Layer" (PSAL). Furthermore, we propose different approaches, based on patch aggregation, to ensure the differentiability of PSAL, thus allowing end-to-end training of any network containing our layer. PSAL has a small memory footprint and can therefore scale to high resolution images. It maintains this footprint without sacrificing spatial precision and globality of the nearest neighbours, which means that it can be easily inserted in any level of a deep architecture, even in shallower levels. We demonstrate the usefulness of PSAL on several image editing tasks, such as image inpainting and image colorization.

Feature-Style Encoder for Style-Based GAN Inversion

We propose a novel architecture for GAN inversion, which we call Feature-Style encoder. The style encoder is key for the manipulation of the obtained latent codes, while the feature encoder is crucial for optimal image reconstruction. Our model achieves accurate inversion of real images from the latent space of a pre-trained style-based GAN model, obtaining better perceptual quality and lower reconstruction error than existing methods. Thanks to its encoder structure, the model allows fast and accurate image editing. Additionally, we demonstrate that the proposed encoder is especially well-suited for inversion and editing on videos. We conduct extensive experiments for several style-based generators pre-trained on different data domains. Our proposed method yields state-of-the-art results for style-based GAN inversion, significantly outperforming competing approaches. Source codes are available at https://github.com/InterDigitalInc/FeatureStyleEncoder .

Weakly Supervised Change Detection Using Guided Anisotropic Difusion

Large scale datasets created from crowdsourced labels or openly available data have become crucial to provide training data for large scale learning algorithms. While these datasets are easier to acquire, the data are frequently noisy and unreliable, which is motivating research on weakly supervised learning techniques. In this paper we propose original ideas that help us to leverage such datasets in the context of change detection. First, we propose the guided anisotropic diffusion (GAD) algorithm, which improves semantic segmentation results using the input images as guides to perform edge preserving filtering. We then show its potential in two weakly-supervised learning strategies tailored for change detection. The first strategy is an iterative learning method that combines model optimisation and data cleansing using GAD to extract the useful information from a large scale change detection dataset generated from open vector data. The second one incorporates GAD within a novel spatial attention layer that increases the accuracy of weakly supervised networks trained to perform pixel-level predictions from image-level labels. Improvements with respect to state-of-the-art are demonstrated on 4 different public datasets.

A Latent Transformer for Disentangled and Identity-Preserving Face Editing

High quality facial image editing is a challenging problem in the movie post-production industry, requiring a high degree of control and identity preservation. Previous works that attempt to tackle this problem may suffer from the entanglement of facial attributes and the loss of the person's identity. Furthermore, many algorithms are limited to a certain task. To tackle these limitations, we propose to edit facial attributes via the latent space of a StyleGAN generator, by training a dedicated latent transformation network and incorporating explicit disentanglement and identity preservation terms in the loss function. We further introduce a pipeline to generalize our face editing to videos. Our model achieves a disentangled, controllable, and identity-preserving facial attribute editing, even in the challenging case of real (i.e., non-synthetic) images and videos. We conduct extensive experiments on image and video datasets and show that our model outperforms other state-of-the-art methods in visual quality and quantitative evaluation.

An analysis of the transfer learning of convolutional neural networks for artistic images

Transfer learning from huge natural image datasets, fine-tuning of deep neural networks and the use of the corresponding pre-trained networks have become de facto the core of art analysis applications. Nevertheless, the effects of transfer learning are still poorly understood. In this paper, we first use techniques for visualizing the network internal representations in order to provide clues to the understanding of what the network has learned on artistic images. Then, we provide a quantitative analysis of the changes introduced by the learning process thanks to metrics in both the feature and parameter spaces, as well as metrics computed on the set of maximal activation images. These analyses are performed on several variations of the transfer learning procedure. In particular, we observed that the network could specialize some pre-trained filters to the new image modality and also that higher layers tend to concentrate classes. Finally, we have shown that a double fine-tuning involving a medium-size artistic dataset can improve the classification on smaller datasets, even when the task changes.

Multiple instance learning on deep features for weakly supervised object detection with extreme domain shifts

Weakly supervised object detection (WSOD) using only image-level annotations has attracted a growing attention over the past few years. Whereas such task is typically addressed with a domain-specific solution focused on natural images, we show that a simple multiple instance approach applied on pre-trained deep features yields excellent performances on non-photographic datasets, possibly including new classes. The approach does not include any fine-tuning or cross-domain learning and is therefore efficient and possibly applicable to arbitrary datasets and classes. We investigate several flavors of the proposed approach, some including multi-layers perceptron and polyhedral classifiers. Despite its simplicity, our method shows competitive results on a range of publicly available datasets, including paintings (People-Art, IconArt), watercolors, cliparts and comics and allows to quickly learn unseen visual categories.