Abstract:Most neural vocoders are limited to one type: either GAN or diffusion-based. While state-of-the-art models like Vocos and WaveNeXt use powerful ConvNeXt-based generators, they have only been used in GAN frameworks and have limited performance in multi-speaker settings. Moreover, diffusion models, despite training faster than GANs, have slow CPU inference. In this paper, we introduce WaveNeXt 2, a unified ConvNeXt-based framework compatible with both GAN and diffusion vocoders. Its core innovation is residual denoising and sub-modeling, where each sub-model progressively refines the waveform. Experimental results in the multi-speaker dataset demonstrate the effectiveness of our approach: (1) GAN-WaveNeXt 2 is much faster than HiFi-GAN and WaveFit, and (2) Diff-WaveNeXt 2 also delivers much faster inference and competitive synthesis quality compared with FastDiff with 4 steps. The Diff-WaveNeXt 2 is very training-efficient, training in only 32 hours, making it ideal for resource-constrained applications.
Abstract:While current emotional Text-to-Speech (TTS) models have successfully controlled verbal prosody, they often ignore non-verbal vocalizations (NVs), which are essential for authentic human emotion. Although some non-verbal datasets have recently emerged, they often lack high-quality, fine-grained annotations, which restricts a model's ability to precisely control NV generation. To address this limitation, we propose a novel approach for fine-grained non-verbal expression synthesis. We curate and reprocess female NV utterances from the EARS corpus, develop a new annotation scheme using tags to encode NV types, frequencies, and durations, and build an emotional TTS benchmark to demonstrate its effectiveness. Our evaluation shows that while our NV approach leads to minor trade-offs in perceived naturalness, it significantly improves expressiveness (eMOS 4.20) and emotional recognition accuracy (78.8%). Emotion-specific analysis further reveals that NV cues are highly effective for high-arousal emotions like happy (82.5%) and fear (82.7%), and almost perfectly convey sadness (98.3%).