Perceptual Asymmetry Between Hue Categories: Evidence from Human Color Categorization

Human color categories are not uniformly distributed in perceptual space, yet most computational color models still assume fixed and evenly structured representations. In this paper, we present a focused analytical extension of the COLIBRI fuzzy color model by investigating perceptual asymmetry between hue categories. Using previously collected large-scale human color categorization data, we introduce quantitative measures of category extent and boundary uncertainty, namely Wideness and Boundary Width, derived from fuzzy membership functions at the α = 0.5 level. The analysis reveals a strong imbalance between the two categories: yellow occupies a compact and sharply constrained region of the hue space, whereas green spans a substantially broader interval and exhibits a more extended transition structure. The results show that perceptual color categories are not only fuzzy, but also highly non-uniform in their geometric organization. This asymmetry suggests that some categories behave as narrow, highly specific perceptual labels, while others function as broad, tolerant regions of human color naming. These findings provide a new perspective on linguistic color categorization and extend the interpretability of the COLIBRI framework for perceptually grounded color modeling.

Color Models in Image Processing: A Review and Experimental Comparison

Color representation is essential in computer vision and human-computer interaction. There are multiple color models available. The choice of a suitable color model is critical for various applications. This paper presents a review of color models and spaces, analyzing their theoretical foundations, computational properties, and practical applications. We explore traditional models such as RGB, CMYK, and YUV, perceptually uniform spaces like CIELAB and CIELUV, and fuzzy-based approaches as well. Additionally, we conduct a series of experiments to evaluate color models from various perspectives, like device dependency, chromatic consistency, and computational complexity. Our experimental results reveal gaps in existing color models and show that the HS* family is the most aligned with human perception. The review also identifies key strengths and limitations of different models and outlines open challenges and future directions This study provides a reference for researchers in image processing, perceptual computing, digital media, and any other color-related field.

COLIBRI Fuzzy Model: Color Linguistic-Based Representation and Interpretation

Colors are omnipresent in today's world and play a vital role in how humans perceive and interact with their surroundings. However, it is challenging for computers to imitate human color perception. This paper introduces the Human Perception-Based Fuzzy Color Model, COLIBRI (Color Linguistic-Based Representation and Interpretation), designed to bridge the gap between computational color representations and human visual perception. The proposed model uses fuzzy sets and logic to create a framework for color categorization. Using a three-phase experimental approach, the study first identifies distinguishable color stimuli for hue, saturation, and intensity through preliminary experiments, followed by a large-scale human categorization survey involving more than 1000 human subjects. The resulting data are used to extract fuzzy partitions and generate membership functions that reflect real-world perceptual uncertainty. The model incorporates a mechanism for adaptation that allows refinement based on feedback and contextual changes. Comparative evaluations demonstrate the model's alignment with human perception compared to traditional color models, such as RGB, HSV, and LAB. To the best of our knowledge, no previous research has documented the construction of a model for color attribute specification based on a sample of this size or a comparable sample of the human population (n = 2496). Our findings are significant for fields such as design, artificial intelligence, marketing, and human-computer interaction, where perceptually relevant color representation is critical.