Differentiable Acoustic Radiance Transfer

Geometric acoustics is an efficient approach to room acoustics modeling, governed by the canonical time-dependent rendering equation. Acoustic radiance transfer (ART) solves the equation through discretization, modeling the time- and direction-dependent energy exchange between surface patches given with flexible material properties. We introduce DART, a differentiable and efficient implementation of ART that enables gradient-based optimization of material properties. We evaluate DART on a simpler variant of the acoustic field learning task, which aims to predict the energy responses of novel source-receiver settings. Experimental results show that DART exhibits favorable properties, e.g., better generalization under a sparse measurement scenario, compared to existing signal processing and neural network baselines, while remaining a simple, fully interpretable system.

MoD-ART: Modal Decomposition of Acoustic Radiance Transfer

Modeling late reverberation at interactive speeds is a challenging task when multiple sound sources and listeners are present in the same environment. This is especially problematic when the environment is geometrically complex and/or features uneven energy absorption (e.g. coupled volumes), because in such cases the late reverberation is dependent on the sound sources' and listeners' positions, and therefore must be adapted to their movements in real time. We present a novel approach to the task, named modal decomposition of Acoustic Radiance Transfer (MoD-ART), which can handle highly complex scenarios with efficiency. The approach is based on the geometrical acoustics method of Acoustic Radiance Transfer, from which we extract a set of energy decay modes and their positional relationships with sources and listeners. In this paper, we describe the physical and mathematical meaningfulness of MoD-ART, highlighting its advantages and applicability to different scenarios. Through an analysis of the method's computational complexity, we show that it compares very favourably with ray-tracing. We also present simulation results showing that MoD-ART can capture multiple decay slopes and flutter echoes.

Room Acoustic Rendering Networks with Control of Scattering and Early Reflections

Room acoustic synthesis can be used in Virtual Reality (VR), Augmented Reality (AR) and gaming applications to enhance listeners' sense of immersion, realism and externalisation. A common approach is to use Geometrical Acoustics (GA) models to compute impulse responses at interactive speed, and fast convolution methods to apply said responses in real time. Alternatively, delay-network-based models are capable of modeling certain aspects of room acoustics, but with a significantly lower computational cost. In order to bridge the gap between these classes of models, recent work introduced delay network designs that approximate Acoustic Radiance Transfer (ART), a GA model that simulates the transfer of acoustic energy between discrete surface patches in an environment. This paper presents two key extensions of such designs. The first extension involves a new physically-based and stability-preserving design of the feedback matrices, enabling more accurate control of scattering and, more in general, of late reverberation properties. The second extension allows an arbitrary number of early reflections to be modeled with high accuracy, meaning the network can be scaled at will between computational cost and early reverb precision. The proposed extensions are compared to the baseline ART-approximating delay network as well as two reference GA models. The evaluation is based on objective measures of perceptually-relevant features, including frequency-dependent reverberation times, echo density build-up, and early decay time. Results show how the proposed extensions result in a significant improvement over the baseline model, especially for the case of non-convex geometries or the case of unevenly distributed wall absorption, both scenarios of broad practical interest.