Mind the Shape Gap: A Benchmark and Baseline for Deformation-Aware 6D Pose Estimation of Agricultural Produce

Accurate 6D pose estimation for robotic harvesting is fundamentally hindered by the biological deformability and high intra-class shape variability of agricultural produce. Instance-level methods fail in this setting, as obtaining exact 3D models for every unique piece of produce is practically infeasible, while category-level approaches that rely on a fixed template suffer significant accuracy degradation when the prior deviates from the true instance geometry. To bridge such lack of robustness to deformation, we introduce PEAR (Pose and dEformation of Agricultural pRoduce), the first benchmark providing joint 6D pose and per-instance 3D deformation ground truth across 8 produce categories, acquired via a robotic manipulator for high annotation accuracy. Using PEAR, we show that state-of-the-art methods suffer up to 6x performance degradation when faced with the inherent geometric deviations of real-world produce. Motivated by this finding, we propose SEED (Simultaneous Estimation of posE and Deformation), a unified RGB-only framework that jointly predicts 6D pose and explicit lattice deformations from a single image across multiple produce categories. Trained entirely on synthetic data with generative texture augmentation applied at the UV level, SEED outperforms MegaPose on 6 out of 8 categories under identical RGB-only conditions, demonstrating that explicit shape modeling is a critical step toward reliable pose estimation in agricultural robotics.

Classical Guitar Duet Separation using GuitarDuets -- a Dataset of Real and Synthesized Guitar Recordings

Recent advancements in music source separation (MSS) have focused in the multi-timbral case, with existing architectures tailored for the separation of distinct instruments, overlooking thus the challenge of separating instruments with similar timbral characteristics. Addressing this gap, our work focuses on monotimbral MSS, specifically within the context of classical guitar duets. To this end, we introduce the GuitarDuets dataset, featuring a combined total of approximately three hours of real and synthesized classical guitar duet recordings, as well as note-level annotations of the synthesized duets. We perform an extensive cross-dataset evaluation by adapting Demucs, a state-of-the-art MSS architecture, to monotimbral source separation. Furthermore, we develop a joint permutation-invariant transcription and separation framework, to exploit note event predictions as auxiliary information. Our results indicate that utilizing both the real and synthesized subsets of GuitarDuets leads to improved separation performance in an independently recorded test set compared to utilizing solely one subset. We also find that while the availability of ground-truth note labels greatly helps the performance of the separation network, the predicted note estimates result only in marginal improvement. Finally, we discuss the behavior of commonly utilized metrics, such as SDR and SI-SDR, in the context of monotimbral MSS.