Real-Time Cellist Postural Evaluation With On-Device Computer Vision

Posture is a critical factor for beginning instrumental learners. Most students receive instruction only once a week, and during the intervals between lessons they have little or no feedback on their physical posture. As a result, posture often deteriorates, increasing the risk of musculoskeletal injury and inefficient technique. Recent advances in computer vision and machine learning make it possible to evaluate posture without the constant presence of a human expert. However, current solutions have been extremely limited in availability and convenience due to their reliance on computationally expensive hardware or multi-sensor setups. We present Cello Evaluator, a real-time postural feedback system for practicing cellists. Through this optimization for on-device computer vision inference, we provide access to cellist postural evaluation to anyone with a current generation Android phone and thus reduces the postural feedback voids within individual practice. To validate our mobile application, we conduct a heuristic evaluation consisting of cellist and UX experts. Overall feedback from the evaluation found the app to be user friendly and helpful.

Advancing Multi-Instrument Music Transcription: Results from the 2025 AMT Challenge

This paper presents the results of the 2025 Automatic Music Transcription (AMT) Challenge, an online competition to benchmark progress in multi-instrument transcription. Eight teams submitted valid solutions; two outperformed the baseline MT3 model. The results highlight both advances in transcription accuracy and the remaining difficulties in handling polyphony and timbre variation. We conclude with directions for future challenges: broader genre coverage and stronger emphasis on instrument detection.

From Score to Sound: An End-to-End MIDI-to-Motion Pipeline for Robotic Cello Performance

Robot musicians require precise control to obtain proper note accuracy, sound quality, and musical expression. Performance of string instruments, such as violin and cello, presents a significant challenge due to the precise control required over bow angle and pressure to produce the desired sound. While prior robotic cellists focus on accurate bowing trajectories, these works often rely on expensive motion capture techniques, and fail to sightread music in a human-like way. We propose a novel end-to-end MIDI score to robotic motion pipeline which converts musical input directly into collision-aware bowing motions for a UR5e robot cellist. Through use of Universal Robot Freedrive feature, our robotic musician can achieve human-like sound without the need for motion capture. Additionally, this work records live joint data via Real-Time Data Exchange (RTDE) as the robot plays, providing labeled robotic playing data from a collection of five standard pieces to the research community. To demonstrate the effectiveness of our method in comparison to human performers, we introduce the Musical Turing Test, in which a collection of 132 human participants evaluate our robot's performance against a human baseline. Human reference recordings are also released, enabling direct comparison for future studies. This evaluation technique establishes the first benchmark for robotic cello performance. Finally, we outline a residual reinforcement learning methodology to improve upon baseline robotic controls, highlighting future opportunities for improved string-crossing efficiency and sound quality.

Detecting Music Performance Errors with Transformers

Beginner musicians often struggle to identify specific errors in their performances, such as playing incorrect notes or rhythms. There are two limitations in existing tools for music error detection: (1) Existing approaches rely on automatic alignment; therefore, they are prone to errors caused by small deviations between alignment targets.; (2) There is a lack of sufficient data to train music error detection models, resulting in over-reliance on heuristics. To address (1), we propose a novel transformer model, Polytune, that takes audio inputs and outputs annotated music scores. This model can be trained end-to-end to implicitly align and compare performance audio with music scores through latent space representations. To address (2), we present a novel data generation technique capable of creating large-scale synthetic music error datasets. Our approach achieves a 64.1% average Error Detection F1 score, improving upon prior work by 40 percentage points across 14 instruments. Additionally, compared with existing transcription methods repurposed for music error detection, our model can handle multiple instruments. Our source code and datasets are available at https://github.com/ben2002chou/Polytune.