Robust TTS Training via Self-Purifying Flow Matching for the WildSpoof 2026 TTS Track

This paper presents a lightweight text-to-speech (TTS) system developed for the WildSpoof Challenge TTS Track. Our approach fine-tunes the recently released open-weight TTS model, \textit{Supertonic}\footnote{\url{https://github.com/supertone-inc/supertonic}}, with Self-Purifying Flow Matching (SPFM) to enable robust adaptation to in-the-wild speech. SPFM mitigates label noise by comparing conditional and unconditional flow matching losses on each sample, routing suspicious text--speech pairs to unconditional training while still leveraging their acoustic information. The resulting model achieves the lowest Word Error Rate (WER) among all participating teams, while ranking second in perceptual metrics such as UTMOS and DNSMOS. These findings demonstrate that efficient, open-weight architectures like Supertonic can be effectively adapted to diverse real-world speech conditions when combined with explicit noise-handling mechanisms such as SPFM.

SAO-Instruct: Free-form Audio Editing using Natural Language Instructions

Generative models have made significant progress in synthesizing high-fidelity audio from short textual descriptions. However, editing existing audio using natural language has remained largely underexplored. Current approaches either require the complete description of the edited audio or are constrained to predefined edit instructions that lack flexibility. In this work, we introduce SAO-Instruct, a model based on Stable Audio Open capable of editing audio clips using any free-form natural language instruction. To train our model, we create a dataset of audio editing triplets (input audio, edit instruction, output audio) using Prompt-to-Prompt, DDPM inversion, and a manual editing pipeline. Although partially trained on synthetic data, our model generalizes well to real in-the-wild audio clips and unseen edit instructions. We demonstrate that SAO-Instruct achieves competitive performance on objective metrics and outperforms other audio editing approaches in a subjective listening study. To encourage future research, we release our code and model weights.