In recent years, machine learning, and in particular generative adversarial neural networks (GANs) and attention-based neural networks (transformers), have been successfully used to compose and generate music, both melodies and polyphonic pieces. Current research focuses foremost on style replication (eg. generating a Bach-style chorale) or style transfer (eg. classical to jazz) based on large amounts of recorded or transcribed music, which in turn also allows for fairly straight-forward "performance" evaluation. However, most of these models are not suitable for human-machine co-creation through live interaction, neither is clear, how such models and resulting creations would be evaluated. This article presents a thorough review of music representation, feature analysis, heuristic algorithms, statistical and parametric modelling, and human and automatic evaluation measures, along with a discussion of which approaches and models seem most suitable for live interaction.
Cycle-consistent generative adversarial networks have been widely used in non-parallel voice conversion (VC). Their ability to learn mappings between source and target features without relying on parallel training data eliminates the need for temporal alignments. However, most methods decouple the conversion of acoustic features from synthesizing the audio signal by using separate models for conversion and waveform synthesis. This work unifies conversion and synthesis into a single model, thereby eliminating the need for a separate vocoder. By leveraging cycle-consistent training and a self-supervised auxiliary training task, our model is able to efficiently generate converted high-quality raw audio waveforms. Subjective listening tests show that our method outperforms the baseline in whispered speech conversion (up to 6.7% relative improvement), and mean opinion score predictions yield competitive results in conventional VC (between 0.5% and 2.4% relative improvement).
Most stuttering detection and classification research has viewed stuttering as a multi-class classification problem or a binary detection task for each dysfluency type; however, this does not match the nature of stuttering, in which one dysfluency seldom comes alone but rather co-occurs with others. This paper explores multi-language and cross-corpus end-to-end stuttering detection as a multi-label problem using a modified wav2vec 2.0 system with an attention-based classification head and multi-task learning. We evaluate the method using combinations of three datasets containing English and German stuttered speech, one containing speech modified by fluency shaping. The experimental results and an error analysis show that multi-label stuttering detection systems trained on cross-corpus and multi-language data achieve competitive results but performance on samples with multiple labels stays below over-all detection results.
We analyze the impact of speaker adaptation in end-to-end architectures based on transformers and wav2vec 2.0 under different noise conditions. We demonstrate that the proven method of concatenating speaker vectors to the acoustic features and supplying them as an auxiliary model input remains a viable option to increase the robustness of end-to-end architectures. By including speaker embeddings obtained from x-vector and ECAPA-TDNN models, we achieve relative word error rate improvements of up to 9.6% on LibriSpeech and up to 14.5% on Switchboard. The effect on transformer-based architectures is approximately inversely proportional to the signal-to-noise ratio (SNR) and is strongest in heavily noised environments ($SNR=0$). The most substantial benefit of speaker adaption in systems based on wav2vec 2.0 can be achieved under moderate noise conditions ($SNR\geq18$). We also find that x-vectors tend to yield larger improvements than ECAPA-TDNN embeddings.
Current findings show that pre-trained wav2vec 2.0 models can be successfully used as feature extractors to discriminate on speaker-based tasks. We demonstrate that latent representations extracted at different layers of a pre-trained wav2vec 2.0 system can be effectively used for binary classification of various types of pathologic speech. We examine the pathologies laryngectomy, oral squamous cell carcinoma, parkinson's disease and cleft lip and palate for this purpose. The results show that a distinction between pathological and healthy voices, especially with latent representations from the lower layers, performs well with the lowest accuracy from 77.2% for parkinson's disease to 100% for laryngectomy classification. However, cross-pathology and cross-healthy tests show that the trained classifiers seem to be biased. The recognition rates vary considerably if there is a mismatch between training and out-of-domain test data, e.g., in age, spoken content or acoustic conditions.
The detection of pathologies from speech features is usually defined as a binary classification task with one class representing a specific pathology and the other class representing healthy speech. In this work, we train neural networks, large margin classifiers, and tree boosting machines to distinguish between four different pathologies: Parkinson's disease, laryngeal cancer, cleft lip and palate, and oral squamous cell carcinoma. We demonstrate that latent representations extracted at different layers of a pre-trained wav2vec 2.0 system can be effectively used to classify these types of pathological voices. We evaluate the robustness of our classifiers by adding room impulse responses to the test data and by applying them to unseen speech corpora. Our approach achieves unweighted average F1-Scores between 74.1% and 96.4%, depending on the model and the noise conditions used. The systems generalize and perform well on unseen data of healthy speakers sampled from a variety of different sources.
This work aims to automatically evaluate whether the language development of children is age-appropriate. Validated speech and language tests are used for this purpose to test the auditory memory. In this work, the task is to determine whether spoken nonwords have been uttered correctly. We compare different approaches that are motivated to model specific language structures: Low-level features (FFT), speaker embeddings (ECAPA-TDNN), grapheme-motivated embeddings (wav2vec 2.0), and phonetic embeddings in form of senones (ASR acoustic model). Each of the approaches provides input for VGG-like 5-layer CNN classifiers. We also examine the adaptation per nonword. The evaluation of the proposed systems was performed using recordings from different kindergartens of spoken nonwords. ECAPA-TDNN and low-level FFT features do not explicitly model phonetic information; wav2vec2.0 is trained on grapheme labels, our ASR acoustic model features contain (sub-)phonetic information. We found that the more granular the phonetic modeling is, the higher are the achieved recognition rates. The best system trained on ASR acoustic model features with VTLN achieved an accuracy of 89.4% and an area under the ROC (Receiver Operating Characteristic) curve (AUC) of 0.923. This corresponds to an improvement in accuracy of 20.2% and AUC of 0.309 relative compared to the FFT-baseline.
Vocal fatigue refers to the feeling of tiredness and weakness of voice due to extended utilization. This paper investigates the effectiveness of neural embeddings for the detection of vocal fatigue. We compare x-vectors, ECAPA-TDNN, and wav2vec 2.0 embeddings on a corpus of academic spoken English. Low-dimensional mappings of the data reveal that neural embeddings capture information about the change in vocal characteristics of a speaker during prolonged voice usage. We show that vocal fatigue can be reliably predicted using all three kinds of neural embeddings after only 50 minutes of continuous speaking when temporal smoothing and normalization are applied to the extracted embeddings. We employ support vector machines for classification and achieve accuracy scores of 81% using x-vectors, 85% using ECAPA-TDNN embeddings, and 82% using wav2vec 2.0 embeddings as input features. We obtain an accuracy score of 76%, when the trained system is applied to a different speaker and recording environment without any adaptation.