Sandwiched Compression: Repurposing Standard Codecs with Neural Network Wrappers

We propose sandwiching standard image and video codecs between pre- and post-processing neural networks. The networks are jointly trained through a differentiable codec proxy to minimize a given rate-distortion loss. This sandwich architecture not only improves the standard codec's performance on its intended content, it can effectively adapt the codec to other types of image/video content and to other distortion measures. Essentially, the sandwich learns to transmit ``neural code images'' that optimize overall rate-distortion performance even when the overall problem is well outside the scope of the codec's design. Through a variety of examples, we apply the sandwich architecture to sources with different numbers of channels, higher resolution, higher dynamic range, and perceptual distortion measures. The results demonstrate substantial improvements (up to 9 dB gains or up to 30\% bitrate reductions) compared to alternative adaptations. We derive VQ equivalents for the sandwich, establish optimality properties, and design differentiable codec proxies approximating current standard codecs. We further analyze model complexity, visual quality under perceptual metrics, as well as sandwich configurations that offer interesting potentials in image/video compression and streaming.

Neural Rerendering in the Wild

We explore total scene capture -- recording, modeling, and rerendering a scene under varying appearance such as season and time of day. Starting from internet photos of a tourist landmark, we apply traditional 3D reconstruction to register the photos and approximate the scene as a point cloud. For each photo, we render the scene points into a deep framebuffer, and train a neural network to learn the mapping of these initial renderings to the actual photos. This rerendering network also takes as input a latent appearance vector and a semantic mask indicating the location of transient objects like pedestrians. The model is evaluated on several datasets of publicly available images spanning a broad range of illumination conditions. We create short videos demonstrating realistic manipulation of the image viewpoint, appearance, and semantic labeling. We also compare results with prior work on scene reconstruction from internet photos.