Abstract:In 1888, Vincent van Gogh wrote, "I am seeking exaggeration in the essential." This principle, amplifying structural form while suppressing photographic detail, lies at the core of Post-Impressionist art. However, most existing 3D style transfer methods invert this philosophy, treating geometry as a rigid substrate for surface-level texture projection. To authentically reproduce Post-Impressionist stylization, geometric abstraction must be embraced as the primary vehicle of expression. We propose a flow-guided geometric advection framework for 3D Gaussian Splatting (3DGS) that operationalizes this principle in a mesh-free setting. Our method extracts directional flow fields from 2D paintings and back-propagates them into 3D space, rectifying Gaussian primitives to form flow-aligned brushstrokes that conform to scene topology without relying on explicit mesh priors. This enables expressive structural deformation driven directly by painterly motion rather than photometric constraints. Our contributions are threefold: (1) a projection-based, mesh-free flow guidance mechanism that transfers 2D artistic motion into 3D Gaussian geometry; (2) a luminance-structure decoupling strategy that isolates geometric deformation from color optimization, mitigating artifacts during aggressive structural abstraction; and (3) a VLM-as-a-Judge evaluation framework that assesses artistic authenticity through aesthetic judgment instead of conventional pixel-level metrics, explicitly addressing the subjective nature of artistic stylization.
Abstract:Tokenized visual representations have shown great promise in image compression, yet their extension to video remains underexplored due to the challenges posed by complex temporal dynamics and stringent bitrate constraints. In this paper, we propose Tokenized Video Compression (TVC), the first token-based dual-stream video compression framework designed to operate effectively at ultra-low bitrates. TVC leverages the powerful Cosmos video tokenizer to extract both discrete and continuous token streams. The discrete tokens (i.e., code maps generated by FSQ) are partially masked using a strategic masking scheme, then compressed losslessly with a discrete checkerboard context model to reduce transmission overhead. The masked tokens are reconstructed by a decoder-only transformer with spatiotemporal token prediction. Meanwhile, the continuous tokens, produced via an autoencoder (AE), are quantized and compressed using a continuous checkerboard context model, providing complementary continuous information at ultra-low bitrate. At the Decoder side, both streams are fused using ControlNet, with multi-scale hierarchical integration to ensure high perceptual quality alongside strong fidelity in reconstruction. This work mitigates the long-standing skepticism about the practicality of tokenized video compression and opens up new avenues for semantics-aware, token-native video compression.