Report from Dagstuhl Seminar 23031: Frontiers of Information Access Experimentation for Research and Education

This report documents the program and the outcomes of Dagstuhl Seminar 23031 ``Frontiers of Information Access Experimentation for Research and Education'', which brought together 37 participants from 12 countries. The seminar addressed technology-enhanced information access (information retrieval, recommender systems, natural language processing) and specifically focused on developing more responsible experimental practices leading to more valid results, both for research as well as for scientific education. The seminar brought together experts from various sub-fields of information access, namely IR, RS, NLP, information science, and human-computer interaction to create a joint understanding of the problems and challenges presented by next generation information access systems, from both the research and the experimentation point of views, to discuss existing solutions and impediments, and to propose next steps to be pursued in the area in order to improve not also our research methods and findings but also the education of the new generation of researchers and developers. The seminar featured a series of long and short talks delivered by participants, who helped in setting a common ground and in letting emerge topics of interest to be explored as the main output of the seminar. This led to the definition of five groups which investigated challenges, opportunities, and next steps in the following areas: reality check, i.e. conducting real-world studies, human-machine-collaborative relevance judgment frameworks, overcoming methodological challenges in information retrieval and recommender systems through awareness and education, results-blind reviewing, and guidance for authors.

A Stakeholder-Centered View on Fairness in Music Recommender Systems

Our narrative literature review acknowledges that, although there is an increasing interest in recommender system fairness in general, the music domain has received relatively little attention in this regard. However, addressing fairness of music recommender systems (MRSs) is highly important because the performance of these systems considerably impacts both the users of music streaming platforms and the artists providing music to those platforms. The distinct needs that these stakeholder groups may have, and the different aspects of fairness that therefore should be considered, make for a challenging research field with ample opportunities for improvement. The review first outlines current literature on MRS fairness from the perspective of each stakeholder and the stakeholders combined, and then identifies promising directions for future research. The two open questions arising from the review are as follows: (i) In the MRS field, only limited data is publicly available to conduct fairness research; most datasets either originate from the same source or are proprietary (and, thus, not widely accessible). How can we address this limited data availability? (ii) Overall, the review shows that the large majority of works analyze the current situation of MRS fairness, whereas only few works propose approaches to improve it. How can we move forward to a focus on improving fairness aspects in these recommender systems? At FAccTRec '22, we emphasize the specifics of addressing RS fairness in the music domain.

Support the Underground: Characteristics of Beyond-Mainstream Music Listeners

Music recommender systems have become an integral part of music streaming services such as Spotify and Last.fm to assist users navigating the extensive music collections offered by them. However, while music listeners interested in mainstream music are traditionally served well by music recommender systems, users interested in music beyond the mainstream (i.e., non-popular music) rarely receive relevant recommendations. In this paper, we study the characteristics of beyond-mainstream music and music listeners and analyze to what extent these characteristics impact the quality of music recommendations provided. Therefore, we create a novel dataset consisting of Last.fm listening histories of several thousand beyond-mainstream music listeners, which we enrich with additional metadata describing music tracks and music listeners. Our analysis of this dataset shows four subgroups within the group of beyond-mainstream music listeners that differ not only with respect to their preferred music but also with their demographic characteristics. Furthermore, we evaluate the quality of music recommendations that these subgroups are provided with four different recommendation algorithms where we find significant differences between the groups. Specifically, our results show a positive correlation between a subgroup's openness towards music listened to by members of other subgroups and recommendation accuracy. We believe that our findings provide valuable insights for developing improved user models and recommendation approaches to better serve beyond-mainstream music listeners.

Listener Modeling and Context-aware Music Recommendation Based on Country Archetypes

Music preferences are strongly shaped by the cultural and socio-economic background of the listener, which is reflected, to a considerable extent, in country-specific music listening profiles. Previous work has already identified several country-specific differences in the popularity distribution of music artists listened to. In particular, what constitutes the "music mainstream" strongly varies between countries. To complement and extend these results, the article at hand delivers the following major contributions: First, using state-of-the-art unsupervised learning techniques, we identify and thoroughly investigate (1) country profiles of music preferences on the fine-grained level of music tracks (in contrast to earlier work that relied on music preferences on the artist level) and (2) country archetypes that subsume countries sharing similar patterns of listening preferences. Second, we formulate four user models that leverage the user's country information on music preferences. Among others, we propose a user modeling approach to describe a music listener as a vector of similarities over the identified country clusters or archetypes. Third, we propose a context-aware music recommendation system that leverages implicit user feedback, where context is defined via the four user models. More precisely, it is a multi-layer generative model based on a variational autoencoder, in which contextual features can influence recommendations through a gating mechanism. Fourth, we thoroughly evaluate the proposed recommendation system and user models on a real-world corpus of more than one billion listening records of users around the world (out of which we use 369 million in our experiments) and show its merits vis-a-vis state-of-the-art algorithms that do not exploit this type of context information.

The Potential of the Confluence of Theoretical and Algorithmic Modeling in Music Recommendation

The task of a music recommender system is to predict what music item a particular user would like to listen to next. This position paper discusses the main challenges of the music preference prediction task: the lack of information on the many contextual factors influencing a user's music preferences in existing open datasets, the lack of clarity of what the right choice of music is and whether a right choice exists at all; the multitude of criteria (beyond accuracy) that have to be met for a "good" music item recommendation; and the need for explanations on relationships to identify (and potentially counteract) unwanted biases in recommendation approaches. The paper substantiates the position that the confluence of theoretical modeling (which seeks to explain behaviors) and algorithmic modeling (which seeks to predict behaviors) seems to be an effective avenue to take in computational modeling for music recommender systems.