High fidelity spatial audio often performs better when produced using a personalized head-related transfer function (HRTF). However, the direct acquisition of HRTFs is cumbersome and requires specialized equipment. Thus, many personalization methods estimate HRTF features from easily obtained anthropometric features of the pinna, head, and torso. The first HRTF notch frequency (N1) is known to be a dominant feature in elevation localization, and thus a useful feature for HRTF personalization. This paper describes the prediction of N1 frequency from pinna anthropometry using a neural model. Prediction is performed separately on three databases, both simulated and measured, and then by domain mixing in-between the databases. The model successfully predicts N1 frequency for individual databases and by domain mixing between some databases. Prediction errors are better or comparable to those previously reported, showing significant improvement when acquired over a large database and with a larger output range.
Ambisonics, a popular format of spatial audio, is the spherical harmonic (SH) representation of the plane wave density function of a sound field. Many algorithms operate in the SH domain and utilize the Ambisonics as their input signal. The process of encoding Ambisonics from a spherical microphone array involves dividing by the radial functions, which may amplify noise at low frequencies. This can be overcome by regularization, with the downside of introducing errors to the Ambisonics encoding. This paper aims to investigate the impact of different ways of regularization on Deep Neural Network (DNN) training and performance. Ideally, these networks should be robust to the way of regularization. Simulated data of a single speaker in a room and experimental data from the LOCATA challenge were used to evaluate this robustness on an example algorithm of speaker localization based on the direct-path dominance (DPD) test. Results show that performance may be sensitive to the way of regularization, and an informed approach is proposed and investigated, highlighting the importance of regularization information.
In the rapidly evolving fields of virtual and augmented reality, accurate spatial audio capture and reproduction are essential. For these applications, Ambisonics has emerged as a standard format. However, existing methods for encoding Ambisonics signals from arbitrary microphone arrays face challenges, such as errors due to the irregular array configurations and limited spatial resolution resulting from a typically small number of microphones. To address these limitations and challenges, a mathematical framework for studying Ambisonics encoding is presented, highlighting the importance of incorporating the full steering function, and providing a novel measure for predicting the accuracy of encoding each Ambisonics channel from the steering functions alone. Furthermore, novel residual channels are formulated supplementing the Ambisonics channels. A simulation study for several array configurations demonstrates a reduction in binaural error for this approach.
Spatial attributes of room acoustics have been widely studied using microphone and loudspeaker arrays. However, systems that combine both arrays, referred to as multiple-input multiple-output (MIMO) systems, have only been studied to a limited degree in this context. These systems can potentially provide a powerful tool for room acoustics analysis due to the ability to simultaneously control both arrays. This paper offers a theoretical framework for the spatial analysis of enclosed sound fields using a MIMO system comprising spherical loudspeaker and microphone arrays. A system transfer function is formulated in matrix form for free-field conditions, and its properties are studied using tools from linear algebra. The system is shown to have unit-rank, regardless of the array types, and its singular vectors are related to the directions of arrival and radiation at the microphone and loudspeaker arrays, respectively. The formulation is then generalized to apply to rooms, using an image source method. In this case, the rank of the system is related to the number of significant reflections. The paper ends with simulation studies, which support the developed theory, and with an extensive reflection analysis of a room impulse response, using the platform of a MIMO system.
Spatial analysis of room acoustics is an ongoing research topic. Microphone arrays have been employed for spatial analyses with an important objective being the estimation of the direction-of-arrival (DOA) of direct sound and early room reflections using room impulse responses (RIRs). An optimal method for DOA estimation is the multiple signal classification algorithm. When RIRs are considered, this method typically fails due to the correlation of room reflections, which leads to rank deficiency of the cross-spectrum matrix. Preprocessing methods for rank restoration, which may involve averaging over frequency, for example, have been proposed exclusively for spherical arrays. However, these methods fail in the case of reflections with equal time delays, which may arise in practice and could be of interest. In this paper, a method is proposed for systems that combine a spherical microphone array and a spherical loudspeaker array, referred to as multiple-input multiple-output systems. This method, referred to as modal smoothing, exploits the additional spatial diversity for rank restoration and succeeds where previous methods fail, as demonstrated in a simulation study. Finally, combining modal smoothing with a preprocessing method is proposed in order to increase the number of DOAs that can be estimated using low-order spherical loudspeaker arrays.
Methods are proposed for modifying the reverberation characteristics of sound fields in rooms by employing a loudspeaker with adjustable directivity, realized with a compact spherical loudspeaker array (SLA). These methods are based on minimization and maximization of clarity and direct-to-reverberant sound ratio. Significant modification of reverberation is achieved by these methods, as shown in simulation studies. The system under investigation includes a spherical microphone array and an SLA comprising a multiple-input multiple-output system. The robustness of these methods to system identification errors is also investigated. Finally, reverberation and dereverberation results are validated by a listening experiment.
Spherical microphone arrays (SMAs) and spherical loudspeaker arrays (SLAs) facilitate the study of room acoustics due to the three-dimensional analysis they provide. More recently, systems that combine both arrays, referred to as multiple-input multiple-output (MIMO) systems, have been proposed due to the added spatial diversity they facilitate. The literature provides frameworks for designing SMAs and SLAs separately, including error analysis from which the operating frequency range (OFR) of an array is defined. However, such a framework does not exist for the joint design of a SMA and a SLA that comprise a MIMO system. This paper develops a design framework for MIMO systems based on a model that addresses errors and highlights the importance of a matched design. Expanding on a free-field assumption, errors are incorporated separately for each array and error bounds are defined, facilitating error analysis for the system. The dependency of the error bounds on the SLA and SMA parameters is studied and it is recommended that parameters should be chosen to assure matched OFRs of the arrays in MIMO system design. A design example is provided, demonstrating the superiority of a matched system over an unmatched system in the synthesis of directional room impulse responses.
An important aspect of a humanoid robot is audition. Previous work has presented robot systems capable of sound localization and source segregation based on microphone arrays with various configurations. However, no theoretical framework for the design of these arrays has been presented. In the current paper, a design framework is proposed based on a novel array quality measure. The measure is based on the effective rank of a matrix composed of the generalized head related transfer functions (GHRTFs) that account for microphone positions other than the ears. The measure is shown to be theoretically related to standard array performance measures such as beamforming robustness and DOA estimation accuracy. Then, the measure is applied to produce sample designs of microphone arrays. Their performance is investigated numerically, verifying the advantages of array design based on the proposed theoretical framework.
The auditory system of humanoid robots has gained increased attention in recent years. This system typically acquires the surrounding sound field by means of a microphone array. Signals acquired by the array are then processed using various methods. One of the widely applied methods is direction of arrival estimation. The conventional direction of arrival estimation methods assume that the array is fixed at a given position during the estimation. However, this is not necessarily true for an array installed on a moving humanoid robot. The array motion, if not accounted for appropriately, can introduce a significant error in the estimated direction of arrival. The current paper presents a signal model that takes the motion into account. Based on this model, two processing methods are proposed. The first one compensates for the motion of the robot. The second method is applicable to periodic signals and utilizes the motion in order to enhance the performance to a level beyond that of a stationary array. Numerical simulations and an experimental study are provided, demonstrating that the motion compensation method almost eliminates the motion-related error. It is also demonstrated that by using the motion-based enhancement method it is possible to improve the direction of arrival estimation performance, as compared to that obtained when using a stationary array.
The importance of the information in the direct sound to human perception of spatial sound sources is an ongoing research topic. The classification between direct sound and diffuse or reverberant sound forms the basis of numerous studies in the field of spatial audio. In particular, parametric spatial audio representation methods use this classification and employ signal processing in order to enhance the audio quality at reproduction. However, current literature does not provide information concerning the impact of ideal direct sound representation on externalization, in the context of Ambisonics. This paper aims to assess the importance of the spatial information in the direct sound in the externalization of a sound field when using binaural reproduction. This is done in the spherical harmonics (SH) domain, where an ideal direct sound representation within an otherwise Ambisonics signal is simulated, and its perceived externalization is evaluated in a formal listening test. This investigation leads to the conclusion that externalization of a first order Ambisonics signal may be significantly improved by enhancing the direct sound component, up to a level similar to a third order Ambisonics signal.