Prototype-Enhanced Hypergraph Learning for Heterogeneous Information Networks

The variety and complexity of relations in multimedia data lead to Heterogeneous Information Networks (HINs). Capturing the semantics from such networks requires approaches capable of utilizing the full richness of the HINs. Existing methods for modeling HINs employ techniques originally designed for graph neural networks, and HINs decomposition analysis, like using manually predefined metapaths. In this paper, we introduce a novel prototype-enhanced hypergraph learning approach for node classification in HINs. Using hypergraphs instead of graphs, our method captures higher-order relationships among nodes and extracts semantic information without relying on metapaths. Our method leverages the power of prototypes to improve the robustness of the hypergraph learning process and creates the potential to provide human-interpretable insights into the underlying network structure. Extensive experiments on three real-world HINs demonstrate the effectiveness of our method.

Graph Neural Networks for Knowledge Enhanced Visual Representation of Paintings

We propose ArtSAGENet, a novel multimodal architecture that integrates Graph Neural Networks (GNNs) and Convolutional Neural Networks (CNNs), to jointly learn visual and semantic-based artistic representations. First, we illustrate the significant advantages of multi-task learning for fine art analysis and argue that it is conceptually a much more appropriate setting in the fine art domain than the single-task alternatives. We further demonstrate that several GNN architectures can outperform strong CNN baselines in a range of fine art analysis tasks, such as style classification, artist attribution, creation period estimation, and tag prediction, while training them requires an order of magnitude less computational time and only a small amount of labeled data. Finally, through extensive experimentation we show that our proposed ArtSAGENet captures and encodes valuable relational dependencies between the artists and the artworks, surpassing the performance of traditional methods that rely solely on the analysis of visual content. Our findings underline a great potential of integrating visual content and semantics for fine art analysis and curation.